Archive

April 2023

Browsing

It appears that the enigma surrounding James Hetfield’s love life has been cleared up. Since she appeared with him in several intimate images, the rockstar’s new lover has been the subject of numerous online rumors. Fans may finally put their questions to rest since the mysterious woman has posted a passionate letter about her connection with James Hetfield on Instagram, disclosing her identity and sentiments for the first time.

Since James Hetfield’s divorce from Francesca Hetfield, his wife of more than 20 years, Hetfield’s love life has drawn attention. Fans were left wondering if and when the iconic artist will find love again after the pair chose to split amicably. Recent images of Hetfield with his new love connection reveal him to be happier than ever, suggesting that he has really discovered that.

The pair were recently pictured together, and the pictures clearly show how happy and connected they have. Despite the photos giving a rare look into Hetfield’s private life, his new girlfriend’s name remained a mystery. That is until her most recent Instagram post revealed her name and her emotions for the vocalist of Metallica.

Adriana Gillett, who is the new partner of James Hetfield, published a photo of the duo along with a touching comment on Instagram in the post that has people talking. The message not only ended the rumors about her identity but also validated their burgeoning romance.

Her post’s caption stated:

“This man melts my heart and soul. I feel so blessed for all the joy, love, and pure happiness he brings to my life! The unforgettable memories made bringing in the New Year in such a magical place with the one I love; I am forever grateful. Good things come to those who wait! Thank God for answering my prayers.”

Fans of Hetfield and Metallica may rejoice in knowing their favorite musician is content and in love now that the facts have been revealed. Let’s hope that their relationship remains rock solid and continues to spawn more passionate songs from the legendary band.

In the field of music, musicians frequently seek comfort in solitude and withdraw from the public spotlight for lengthy periods of time. As diverse as the musicians themselves are the motivations behind these choices.

Consider Vito Bratta, the former White Lion guitarist, who spent fifteen years living in solitude owing to health problems that affected him and his family. Similar to how the mysterious John Lennon, one of history’s most important musicians, disappeared for five years. His disappearance was a mystery, as was what caused it.

John Lennon became famous thanks to the Beatles, who became a worldwide sensation. Their ground-breaking music, avant-garde lyricism, and endearing personality won them adoring followers all over the world. They were the picture of fame and success, breaking through musical barriers to become a major cultural force.

However, the band’s quick ascent to stardom wasn’t without its own share of difficulties. The members’ personal life suffered as a result of being subject to continual media and fan scrutiny. They hardly had time to breathe, much less take pleasure in the results of their labor, due to their rigorous schedules and never-ending demands.

In the end, the pressure was too great, and The Beatles split up in 1970. Each band member afterward pursued a solo career, but in 1975, John Lennon’s life took an enigmatic turn. He vanished from the public eye for five long years, leaving fans and other musicians perplexed by his abrupt departure.

There have been several explanations for his solitude, including one from Paul McCartney, a former bandmate. The singer conjectured that his ex-bandmates absence was a planned action, a means of escaping the demands of stardom and finding himself again. Lennon would respond to this hypothesis, though, years later, in an interview with Newsweek from 1980.

He was told McCartney’s theory during the conversation, and his response was disdainful. He acknowledged that they weren’t very close. He said that they didn’t know anything about one another and hadn’t even spoken properly in a decade, so the former Beatles member was just as in the dark as everyone else.

He responded to the theory as follows:

“What the hell does that mean? Paul didn’t know what I was doing – he was as curious as everyone else. It’s [been] ten years since I really communicated with him. I know as much about him as he does about me, which is zilch. About two years ago, he turned up at the door. I said, ‘Look, do you mind ringin’ first? I’ve just had a hard day with the baby. I’m worn out, and you’re walkin’ in with a damn guitar!”

In the same interview, Lennon also disclosed the real rationale behind his choice to withdraw from public view. It was a decision to be totally there for his kid, Sean, rather than an effort to avoid celebrity. He said he wished to be more present with his kids and regretted missing his eldest son Julian’s upbringing.

He said the following to make his point:

“If you know your history, it took us a long time to have a live baby. And I wanted to give five solid years to Sean. I hadn’t seen Julian, my first son [by ex-wife Cynthia], grow up at all. And now there’s a 17-year-old man on the phone talkin’ about motorbikes.

I’m an avid reader, mainly history, archeology, and anthropology. In other cultures, children don’t leave the mother’s back until 2. I think most schools are prisons. A child’s [brain] is wide open, and to narrow it down and make him compete in the classroom is a joke.

I sent Sean to kindergarten. When I realized I was sending him there to get rid of him, I let him come home… If I don’t give him attention at 5, then I’m going to have to give him double doses of it in his teenage years. It’s owed.”

In the end, John Lennon’s decision to remain out of the public glare for five years was intensely personal and human. He made the decision to put his family first and devote more time to his kid than he had to his firstborn. The musician’s decision was an attempt to strike a balance and find some independence in a world where fame frequently overshadows the need of fostering personal relationships.

 

 

 

 

Roger Waters, the former creative force behind Pink Floyd, is well known for his many successes and for being one of the most outspoken musicians in rock. This is to be anticipated from a guy whose music, including albums like Animals and The Wall, served as a vehicle for serious political commentary. Never one to back down, Waters hasn’t shied away from sharing his opinions on a variety of subjects, including other musicians. Sex Pistols, a band considered to represent the pinnacle of punk, is one group that Waters openly disdains.

The Sex Pistols are renowned for being the band that organized the 1970s British punk uprising. The group was led by the sneering John Lydon and also included the deadly Sid Vicious as Sid Vicious’ replacement for bassist Glen Matlock, guitarist Steve Jones, and drummer Paul Cook. By taking lyrical jabs at the Queen and cursing on live television, the band made tremendous progress in their generation’s battle against the status quo.

But the normally cautious Waters didn’t buy it. There has always been a connection between Pink Floyd and the Sex Pistols, which is an interesting side point. According to legend, the band picked up Lydon after spotting him strolling along London’s King’s Road wearing an old Pink Floyd T-shirt with the words “I Hate” written on it.

It follows that it is not unexpected that Roger Waters did not enjoy the raucous behavior of the punks. He said to Rolling Stone, “The Sex Pistols were just trying to make noise. It was so clearly contrived. You know, they were managed by a bloke who ran a shop selling silly clothes!” 

Waters abruptly changed the subject to Sid Vicious’s passing and the influence that a youthful death may have in becoming eternal. He then said, “And then one of them died, so you got that iconic thing that lives on. If somebody dies, that’s always good. Except for him, obviously, and his mom and dad, and [his girlfriend] Nancy; but for everybody else, it’s brilliant.”

David Gilmour, a former bandmate of Roger Waters’ with Floyd, gave a more sober assessment of John Lydon and the group. He remembered, “I don’t think we felt alienated by punk, we just didn’t feel it was particularly relevant to us. We weren’t frightened by it. A lot of good things came out of punk, but there were an awful lot of people leaping on it as a bandwagon, who leapt off when they’d got to the top.”

 

Since 2011, Adam Lambert, the dynamic frontman for Queen, has been electrifying stages all over the world as Queen + Adam Lambert. He has given the renowned band’s timeless tunes new life with his powerful vocals and captivating stage presence. However, Lambert recently opened out about one song, masterfully delivered by the late Freddie Mercury, that he has purposefully decided not to perform in an interview with Forbes.

Adam Lambert and Queen have collaborated on two live albums since their 2011 union, including ‘Live in Japan’ from 2016 and ‘Live Around the World’ from 2020. Their initial performance in Kyiv in 2012 marked the beginning of a string of lucrative tours that have since followed.

Queen and Adam Lambert have traveled the world extensively over the years, playing in locations such as North America, Europe, Australia, New Zealand, South Korea, and Japan. Both reviewers and fans have praised their performances, demonstrating that Queen’s music still has a special power. Adam Lambert and Queen are now preparing for their much anticipated North American tour.

Lambert made the touching admission that there is one song in particular he loves and would want to perform but won’t do so out of respect for Freddie Mercury’s incredible voice. He said that after hearing the song, he was struck by how well Freddie had sang it. He thus advised they perform the song in a way that would not in any way obstruct Freddie’s vocals.

Adam Lambert remarked:

“There was a song that I particularly love called ‘Take My Breath Away,’ that is just the most beautiful recording of Freddie. I was so in love with it, but I realized, ‘I don’t even want to touch it. It’s that beautiful.’ And that’s when I suggested, ‘Let’s play a little piece of it, of Freddie singing it just as a way to set the mood for something.’

We do that now; we’ve been incorporating it for a while right before we do ‘Who Wants To Live Forever.’ It’s just this beautiful palette cleanser in that moment. And I love hearing his voice on it. So that’s one I dreamed of singing, but then decided that I shouldn’t try because it’s just too good.”

Brian May, the well-known guitarist for Queen, also spoke on the matter and emphasized the need of preserving Freddie Mercury’s memory in their performances. May stated that they were able to include Freddie in the act without the use of artificial means such as background recordings.

May said: “It’s nice because Freddie is very much in the show. You will hear Freddie during the show, and you’ll see him a bit through various little methods that we have. But what you won’t hear is any clicks or backing tracks. You’ll just hear us and a few little nuances of Freddie in there, which we love. Freddie is part of the origin of all of this stuff, and he’s still there. His spirit is very strong.”

The choice by Adam Lambert to forgo singing “Take My Breath Away” is a heartfelt homage to the inimitable Freddie Mercury, whose voice still mesmerizes and captivates listeners. The legacy of Queen + Adam Lambert’s timeless music is kept alive by paying tribute to and embracing Freddie’s memory, demonstrating that certain icons never truly die.

Sammy Hagar reminisced on his 2002 tour with David Lee Roth, saying that the other ex-Van Halen frontman “ain’t like his [on-stage] persona” and that his most recent tour was “so bad” that it was “embarrassing”.

The “Sammy Hagar and David Lee Roth Tour 2002: Song For Song, The Heavyweight Champs Of Rock And Roll,” also known by its less formal unofficial names like the Sam & Dave tour or Sans Halen, was created to bridge the gap between supporters of Roth and those of Sammy Hagar and Van Halen, and it lived up to expectations of being a pro-wrestling-like rock spectacle.

Sammy Hagar said he was doing his colleague a favor by agreeing to take part in the 2002 tour when he spoke to Steve-O recently on the “Wild Ride!” podcast of the “Jackass” actor, alleging Roth was still not appreciative of the chance but rather just the contrary.

“At that time [Roth] didn’t have a solo career, really. I mean, he did, but he wasn’t selling out. I was selling out arenas. I was selling out amphitheaters as Sammy Hagar with the Waboritas And I had a solo career.

Ask Mick Jagger. Ask Robert Plant. You can be the biggest band in the world and you can’t necessarily have a solo career. But I had a solo career. So when I joined the big band, I went back to my solo career, I’m good. I still sell a lot of tickets.

Dave, he had that sort of a big album, one kind of a big album, but he didn’t have a solo career. He was playing small places. So when he came in with me, he was making, like, 25 grand a night, I was making 150 grand a night, and they said, ‘Oh, you guys are gonna make the same money. Dave gets to make 150.’ I said, ‘He ain’t fucking made 150 in his life except in Van Halen.’

But I said, ‘I’ve gotta do this.’ So I bent over backwards. And he still always tried to fuck with the rules.”

Hagar described his perception of Roth as follows:

“He’s not a fun guy. He doesn’t play well with others. I’m not sure what his problem is… He just always is about, ‘How can I make this guy look bad?’ And not just me — in life.

He’s a chest-beating m*********. And God bless him, ’cause the early stuff is frickin’ great. I personally, I’ve tried to say… [I thought] he’d be a fun guy to know. But he ain’t like that. He ain’t like his persona. When you get around him, he ain’t that guy. He’s some other cat. [Laughs]”

Even so, Red Rocker Sammy Hagar acknowledges that David Lee Roth is an infrequently talented showman, calling his most recent singing performances “embarrassing”:

“He’s a showman. Hey, listen, I’m a showman too. But that’s his gig. He doesn’t care about singing. If he did, he’d take care of his voice or he’d take voice lessons and get warmed up and do something. ‘Cause the guy sang so bad last time he was doing shows, it was embarrassing… But he’s a showman.

Everything’s show, show, show, show, show, show, show. And he doesn’t care about his voice, which drives me nuts, man. I care more about my voice than I do my dick. If my dick didn’t work a couple of times, I’d be okay with it — I’d be bummed out — but if my voice fucks up onstage, I’m fucking bummed, man.”

Everyone has experienced someone in the past who had a lasting impression on their lives. Even the most successful people are subject to the hypnotic influence of those who can change the direction of their lives.

Bob Dylan, a great folk musician, experiences the same thing. A gripping tale filled with recollections of a bygone period, hints of love, and the echoes of a voice that once made him forget who he was emerges as the curtains of his life unfold.

Such a voice belonged to a lady who was essential to Bob Dylan’s career and personal success. The legendary folk singer Joan Baez was a captivating personality. The story of the two singers develops as we go through the pages of their history, serenading us with a tune that remains long after the song has ended.

With over six decades of success and honors to his credit, Bob’s career is a tapestry of musical talent. He has captivated generations with songs like “The Times They Are a-Changin” and “Blowin’ in the Wind.” But even a man with his skill had others who had a significant impact on him in more than one manner when he first entered the music business.

Enter Joan Baez, a captivating personality who had already achieved success as a folk singer by the time she met Bob Dylan for the first time in 1961. At Gerde’s Folk City, a well-known music venue in New York City, the two first met, sparking a relationship that would drastically alter both of their lives.

It is impossible to overestimate the vocalist’s influence on the folk musician. She assisted in catapulting the young singer-songwriter into the spotlight with her compelling stage presence and heavenly vocals. During her concerts, she frequently invited him to join her on stage, providing him the exposure he needed to launch his own career.

Their voices are interwoven like the threads of a tapestry, Baez and Dylan would go on to produce some of the most iconic duets in the annals of folk music. The connection between these two musical giants was apparent, as seen by their collaboration on the Rolling Thunder Revue tour and their moving performance of “Blowin’ in the Wind.”

Nevertheless, there was an underlying emotional current that went beyond their collaborative work, as with all great stories. The relationship between the two changed into something far more intimate, a bond that would have an impact on both of their lives for the rest of their lives.

Their growing bond became visible as it developed, not just in their melodic duets but also in the lyrics of their separate compositions. In songs like “Visions of Johanna” and “Diamond & Rust,” they managed to capture the passion, heartbreak, and desire that characterized their time together in words that became a representation of the feelings they shared. Sadly, their relationship finally ended, but the effects of their time together lingered for years.

In fact, Bob Dylan talked openly about the enormous impact Joan had on him in an interview with Bill Flanagan in 2017. He expressed more than simply adoration for her voice, saying that being in her captivating presence would cause him to lose track of who he was.

When questioned about the musician, he responded as follows:

“She was something else, almost too much to take. Her voice was like that of a siren from off some Greek island. Just the sound of it could put you into a spell. She was an enchantress. You’d have to get yourself strapped to the mast like Odysseus and plug up your ears so you wouldn’t hear her. She’d make you forget who you were.”

It becomes clear that the influence these two outstanding artists had on each other’s life as the book comes to a close that it was truly astonishing. Even the most well-known characters may have a great impact on the lives of those who enter them, as evidenced by the seductive voice of Joan Baez and the siren song that, in Bob Dylan’s words, once made him forget who he was.

Sully Erna, the lead singer and rhythm guitarist for Godsmack, recalled meeting Neil Peart, the drummer for Rush, with affection in a recent interview.

Neil Peart was an inspiration to Erna, and their conversation revealed his aspirations for a musical career in his latter years. But, according to a Revolver interview, Erna’s desire for Neil to sing on Godsmack’s “Serenity,” a song dedicated to Peart, is where the dialogue actually got started.

Erna made careful to express to Peart how much he respected and liked his work at the moment of their heartfelt encounter. They had a good talk about music, and Neil was gracious and courteous. Taking advantage of the opportunity, Sully sent Peart the lyrics of the song “Serenity” and invited him to play the drums on the tune. Peart, though, disagreed.

The musician revealed, “I get to meet Neil Peart. I gave him the lyrics to ‘Serenity’ and even asked if he’d be interested in playing the drum track on that song, although he politely declined. He said, ‘You’ll see one day when you’re well into your 50s that when you’re on break, you’re on break. And once this is done, I’m going to be taking some time off.’”

The “break” that Peart was referring to was when he took a vacation from the spotlight following the terrible deaths of his wife of 23 years (1998), who had been his wife for 23 years, and his daughter, who tragically perished in an accident in 1997. Peart spent a lot of time grieving and thinking, while also writing numerous Rush songs. Around this time, Erna’s gentle nudge didn’t convince him to pursue a new musical project and public image, and Erna was happy with it because his rejection had nothing to do with the singer personally.

“And now I get it because I’m in my 50s. But it still allowed me to establish a relationship with him, and over the years, I got to know him really well and hung out with him a few times.”

 

At the height of his drug abuse, David Crosby was discovered by police freebasing cocaine behind the scenes at a Dallas nightclub while holding a propane tank, a brown bottle, and a.45-caliber semiautomatic rifle. He was detained and given a five-year prison term. But while he challenged the accusation, things only got worse. When authorities pulled him over after noticing him riding his motorcycle recklessly, they discovered that he was in possession of cocaine and heroin. He was therefore given a drug rehabilitation term, which his girlfriend subsequently assisted him in escaping.

After his spectacular escape, he was quickly detained again, this time in New York City. This time, there was no way to get away. After spending a few grueling months in jail, where solitary confinement was used as a form of punishment for his “bad behavior,” he was freed on bail while filing an appeal. Crosby made the decision to flee after hearings because he anticipated receiving further jail time. After six weeks as an outlaw, he eventually turned around, started working on getting sober in jail, and started playing music again. He also made a judge promise that he would never step foot in their courtroom again.

On his rocky path to recovery, Steely Dan’s “Deacon Blues” stood out as a crucial tune. The famous Aja tune explores the mind of a tortured person who imagines his own spiritual development and is somewhat inspired by Alfred Bester’s 1952 novel The Demolished Man. Crosby was attempting to imagine a similar scenario for himself. Despite the fact that the song was released in 1977, 10 years before Crosby pledged sobriety in a gratitude letter to the court that sentenced him, the song acted as a light for Crosby amid the gloom of his fight.

Crosby said to American Songwriter, “I let drugs become the most important thing in my life—more so than making music, more so than almost anything. But somehow the music hung in there for me and it’s what kept me alive. I was listening to this song an awful lot at that time because it’s spectacularly strong: ‘They call Alabama the Crimson Tide / Call on me Deacon Blue.’ That whole record [Aja] helped me stay alive at that point.

Crosby carried this adoration with him throughout his life. The late folk legend said in 2020, “Steely Dan is my favorite band in the world, period.” Finally, he even realized his desire of working with the band. While talking with NPR, he said, “I worship them because of the writing. Donald and Walter were two of the best writers that ever laid a pen on paper. They’re just incredible musicians and incredible poets, and they just really, really did my favorite music. […] Aja and Gaucho are in my top ten records of my life, both of them.”

The music scene of the 1970s was greatly influenced by Led Zeppelin. The British band topped the charts and played to sold-out crowds all over the world with its psychedelic, hard-rock, and early metal style. Sadly, they made the decision to end their career at some time, much like many excellent bands. The band’s actual history, in decades, is shown below.

1960: The New Yardbirds, a reference to Jimmy Page’s time with the illustrious band The Yardbirds, was Led Zeppelin’s initial moniker in the 1960s. The band was founded in 1968 by Page on guitar, Robert Plant on lead vocals, John Paul Jones on bass and keyboards, and John Bonham on drums. Soon after the band’s formation, The Yardbirds demanded that they change their name in a cease-and-desist letter. They released “Led Zeppelin” and started performing and making records under it right away.

1970s: Led Zeppelin had already established itself

as a worldwide sensation at the start of the 1970s decade. The band’s fourth studio album, Led Zeppelin IV, was released in 1971 and has since sold more than 37 million copies, making it one of the all-time best-selling albums. This album also includes Led Zeppelin’s “Stairway to Heaven,” widely regarded as one of the greatest rock songs ever written. With songs like “Whole Lotta Love,” “Immigrant Song,” and “The Song Remains the Same” topping the charts and selling out arenas across the world, the band proceeded to have international success for the remainder of the 1970s.

1980s: Despite experiencing unparalleled success, Led Zeppelin decided to split up in 1980. Many people were shocked by the decision because Led Zeppelin had been preparing for a sizable new tour. Why is that, then? The drummer Bonham passed tragically suddenly in 1980. After a day of heavy drinking, Bonham went to bed and passed out in his sleep, choking to death on his own vomit. The cause of his death was ruled an accident when the autopsy revealed the presence of illicit drugs.

Even though Led Zeppelin canceled their tour, there was talk that John Bonham might be replaced. However, the band members later revealed in a statement that they would be breaking up since Bonham’s passing “led us to decide that we could not continue as we were.”

The band gave a performance at Live Aid, one of the biggest charity concerts ever, in 1985 as a trio (Plant, Page, Jones). They never again attained the levels of vibrancy they did in the 1970s, though.

Hard rock kings Gene Simmons, the bassist and singer for KISS, is considered as a ruthless businessman who has been successful in making his band one of the most well-known and talked-about acts in the genre. Simmons routinely expresses his opinions and vehement criticisms in public, which typically attracts attention.

In a recent interview with Goldmine, Simmons asserted that establishing friends is not as important to him as achieving his goals.

“Even today as I sit here, other than Paul [Stanley], and we only get together when we do stuff for the band… How do I say this without sounding inhuman? I don’t have friends. Yeah, if friends means, ‘Gee, I don’t know what I’m going to do this afternoon. Hey, you want to come over and hang out?’ I’m more interested in what I want to do, and I don’t want to pretend that I’m interested in what you want to do because I am not.”

Gene Simmons, a member of KISS, confesses that despite having millions of devoted fans, he only has one friend.

See why other rock superstars dislike Gene Simmons in the video down below:

x