Archive

May 2023

Browsing

Under the starry night of May 24th, as the enchanting city of Barcelona embraced the arrival of summer, Coldplay took the stage to deliver yet another awe-inspiring spectacle that ignited the senses with luminous brilliance, timeless melodies, and an overwhelming surge of positivity.

Amidst the captivating tapestry of their performance, an extraordinary sight caught Chris Martin off guard, momentarily halting the symphony of sound and motion. His gaze fixated on a peculiar scene within the audience, compelling him to address a mysterious presence:

“What sorcery is this? How do they weave such enchantment? How do they intertwine so effortlessly, creating a human tapestry that reaches for the heavens?”

What unfolded before him was no ordinary assembly—a living pyramid emerged, a testament to human collaboration and resilience, as individuals supported one another, defying gravity to elevate multiple souls toward celestial heights.

Though not an otherworldly marvel, the towering formation possessed a captivating allure that arrested even the grandest concert on Earth, leaving it entranced in a moment of mesmerizing transformation.

Check out what it looked like here:

Joe Elliott recently engaged in a discussion with BBC Breakfast, where he opened up about his personal struggle with the loss of his voice and the lack of optimism expressed by doctors. However, he also shared his inspiring journey of overcoming these challenges.

In 2015, the iconic rocker was hit hard by a severe case of pneumonia, which forced the cancellation of several shows and an entire tour. Unfortunately, this illness caused significant damage to his vocal cords, leading medical professionals to suggest that Joe should consider stepping away from his role in Def Leppard. Nevertheless, Joe’s unwavering determination prevailed, and he recounted how his vocal coach played a pivotal role in helping him rebuild his voice.

Looking back on those difficult times, the frontman shared, “Around eight years ago, I experienced a drastic loss of my voice. One doctor even went as far as to say, ‘If you weren’t you, I would advise you to change your profession.’ But our vocal coach, who has been with us for nearly three decades, dismissed such discouragement and successfully revitalized my voice without resorting to surgery.”

Joe Elliott went on to describe the intricate process of “rebuilding” his voice, highlighting how numerous professionals believed it to be an impossible task for him to sing again.

He revealed, “I had completely lost control over my vocal abilities, with one vocal cord entirely immobile. Typically, such cords do not recover, but through intensive exercises, mine did. It was like rejuvenating a dried-up rubber band by gently massaging it with oil until it regained its elasticity. That’s exactly what happened in my case. Initially, my vocal cords failed to meet in the middle, but now I am in better vocal shape than ever.”

Through sheer determination and unwavering patience, the frontman of Def Leppard managed to reclaim his voice. Humbly, he acknowledged that he now sings with even greater skill and proficiency than before. If you’re interested in hearing more captivating stories from Joe Elliott, you can enjoy the complete interview below.

Philip H. Anselmo, renowned for his contributions to PANTERA and DOWN, was recently featured in Metal Hammer’s ‘Discs Of Doom’ series. In this series, artists reminisce about the albums that significantly impacted their lives.

When asked to name an album he believes shouldn’t exist, Anselmo pointed to METALLICA’s 1996 release Load. He expressed his disdain, stating, “I have to say ‘Load’ by METALLICA. It’s a dreadful record, my friend. I just can’t comprehend it. If they wanted to release something like that, they should have pursued a separate side project, you know?”

In terms of the album he wants to be remembered for, Anselmo selected PANTERA’s 1992 masterpiece, Vulgar Display Of Power, which achieved double-platinum status. He confidently stated, “I’m going with my gut instinct here: the first record that springs to mind is Vulgar Display Of Power. I believe there won’t be any disputes, and people will inherently understand why without any explanation whatsoever!”

Anselmo also disclosed that the first album he ever purchased was KISS‘ Alive. Reflecting on it, he shared, “I think it was KISS Alive. It’s highly underrated. When individuals delve into KISS’s extensive discography spanning over four decades, it might be somewhat cringe-worthy. However, that initial live recording possesses immense rock power and should not be disregarded.”

Over the course of their remarkable ten-year journey, The Beatles collaborated to produce an impressive repertoire of 213 songs. Such a vast collection naturally meant that some tracks couldn’t quite measure up to the brilliance of others. Undeniably, The Beatles achieved an extraordinary level of success in popular music history, with over 20 number-one singles. However, amidst their beloved and enduring songs, there were a few that failed to leave a lasting impression.

The band’s contractual obligations with EMI, overseen primarily by their manager Brian Epstein, demanded the release of two albums per year. During the early and mid-1960s, fueled by youthful energy, they managed to meet this requirement. As their musical prowess gained recognition, the band members gained the freedom to extend recording sessions, experiment with new sounds, and lighten their workload by selecting only the finest material. However, in the early days of their career, there were a handful of songs included merely to fill album space.

One prime example of this was ‘It’s Only Love,’ a track from the 1965 album Help! It must be said that this particular song was rather ordinary, especially considering the band’s exploration of folk and string quartets during that period. Its main writer, John Lennon, held no fondness for it and even regarded it as a lackluster creation. In a 1980 interview with David Sheff, Lennon expressed his disdain, saying, “‘It’s Only Love’ is mine. I always thought it was a lousy song. The lyrics were abysmal. I always hated that song.”

Paul McCartney’s involvement in the writing and recording process of ‘It’s Only Love’ was relatively minimal. Although he played bass and possibly contributed to some of the lyrics, McCartney didn’t even lend his vocals to the track. Reflecting on those days, he recalled, “Sometimes we didn’t bother too much if the lyrics turned out to be bland in some of those filler songs like ‘It’s Only Love.'” McCartney further explained in the book Many Years From Now, “If a lyric was truly terrible, we would edit it, but we weren’t overly meticulous about it because, after all, it’s just a rock ‘n’ roll song. It’s not literature.”

Clocking in at less than two minutes, ‘It’s Only Love’ never attained the status of a memorable Beatles track. While it appeared on the original British release of Help!, the song was later included on the American version of Rubber Soul a few months later. Rubber Soul marked the end of different track listings between the American and British album versions, and perhaps songs like ‘It’s Only Love’ contributed to this change.

Justin Hawkins, the lead singer of The Darkness, recently expressed his strong disapproval of John Frusciante’s guitar skills, going so far as to deem them “overrated” and “child-like.” Justin Hawkins shared his controversial opinions during a recent episode of his show, Justin Hawkins Rides Again, where he engaged in a conversation with special guest Pat Finnerty from What Makes This Song Stink.

In the episode titled “How NOT to Write a Song,” Hawkins delved into his previous comments regarding the Red Hot Chili Peppers’ guitarist, elaborating on why he believes Frusciante’s talent is not as exceptional as his fanbase perceives. Starting the discussion, Hawkins posed the question, “Why are the Red Hot Chili Peppers fans so sensitive? The videos we make about them receive a lot of ‘critique’ from RHCP fans.”

Expanding on his less-than-flattering opinion of Frusciante’s guitar prowess, Hawkins explained, “My issue with Red Hot Chili Peppers is that I don’t find anything compelling in John Frusciante’s guitar playing. If we consider Mark Knopfler from Dire Straits an underrated player, then I would describe John Frusciante as an overrated player. I have expressed this sentiment more than once.”

He continued, addressing a common counterargument, “People often retort, ‘You’re just jealous because he has sold more records than you.’ But the truth is, Mark Knopfler has sold far more records than me, and yet I don’t feel any envy towards him. I genuinely appreciate his guitar playing. So, that argument doesn’t hold water.”

In a show of solidarity, Finnerty chimed in, expressing his agreement with Hawkins: “I can’t understand why [Frusciante] is held in such high regard. It seems like those who listen to the Red Hot Chili Peppers only listen to the Red Hot Chili Peppers.”

When discussing the specific aspects of Frusciante’s playing that he dislikes, Hawkins passionately declared, “Someone once suggested to me that his intentionally minimalistic style is deliberate. Perhaps it’s an artistic phase where, after achieving mastery, you delve into naive and child-like scribbles. It seems he may have been exploring that concept, but it doesn’t change the fact that it falls short.”

In summary, Justin Hawkins of The Darkness strongly criticized John Frusciante’s guitar abilities, characterizing them as overrated and resembling a child’s simplistic approach. Hawkins voiced his sentiments during an episode of his show, with support from his guest, Pat Finnerty, who shared similar reservations about Frusciante’s musical prowess.

Musicians from renowned bands such as Whitesnake, Black Sabbath, The Rolling Stones, KISS, Disturbed, and Queensrÿche took to social media to express their reactions to the passing of the legendary Tina Turner. The groundbreaking rock singer, known as the “Queen of Rock ‘N’ Roll,” sadly passed away today at the age of 83 after a prolonged illness.

Turner had faced various health challenges in recent years, including a diagnosis of intestinal cancer in 2016 and a kidney transplant in 2017.

With a career spanning over five decades, Tina Turner was not only a globally adored icon but also one of the most popular and successful entertainers in the world. She was celebrated for her exceptional skills as a singer, dancer, actress, and author.

Among her numerous achievements, the esteemed artist received 12 Grammy Awards, was the first black and female artist to grace the cover of Rolling Stone magazine, and was honored with the Légion d’honneur by the French government. As one of the highest-selling artists of all time, her live performances captivated millions of fans worldwide. Initially inducted into the Rock and Roll Hall of Fame as part of the duo Ike & Tina Turner, she was later honored with a solo induction in October 2021.

Born as Anna Mae Bullock in Nutbush, Tennessee, Turner rose to fame in the 1960s alongside her then-husband Ike Turner as the lead singer of the Ike & Tina Turner Revue. Her electrifying stage presence and a collection of hits, including “River Deep – Mountain High” and “Proud Mary,” earned her critical acclaim. However, her widely publicized divorce and personal struggles led her to retreat from the music industry. During the 1970s, Turner embraced Buddhism and rebuilt her life, drawing strength from her spirituality.

In 1975, she made a triumphant return with her role as the Acid Queen in the film adaptation of The Who’s “Tommy,” delivering a memorable yet brief performance.

During the late 1970s, she released several albums, but it was in 1984 that her career skyrocketed with the release of “Private Dancer.” The album achieved quintuple platinum status in the United States and sold over 10 million copies worldwide. It spawned chart-topping hits such as “What’s Love Got To Do With It,” “Better Be Good To Me,” the title track, and a cover of Al Green’s “Let’s Stay Together.” “Private Dancer” garnered widespread recognition and earned Turner three Grammy Awards.

She followed this success with a string of hit albums, including “Break Every Rule,” “Foreign Affair,” and “What’s Love Got To Do With It.” Popular singles such as “Typical Male,” “The Best,” “I Don’t Wanna Lose You,” “I Don’t Wanna Fight,” and “Goldeneye” solidified her status as a powerhouse in rock ‘n’ roll. Memorable duets with David Bowie and Mick Jagger showcased her ability to hold her own alongside rock legends.

In 1985, she made another mark with her role in the film “Mad Max: Beyond Thunderdome” and its theme song, “We Don’t Need Another Hero,” which further solidified her high-profile status, extending well into the 1990s.

As an author, her bestselling memoir, “I, Tina,” was adapted into the Academy Award-nominated film “What’s Love Got To Do With It” in 1993. Her subsequent book, “My Love Story,” achieved global success in 2018. Additionally, Turner’s extraordinary life has been immortalized in three documentaries, including the HBO production “Tina” in 2021. Her story has also been portrayed in the biographical musical “Tina: The Tina Turner Musical,” which became a resounding success on Broadway and in London, earning Tony and Olivier awards.

 

 

Awestruck and filled with admiration, Sir Brian May found himself captivated by the astonishing talent of a young guitarist who took the stage during a performance on Britain’s Got Talent. The child’s awe-inspiring rendition included unforgettable Queen classics like “Bohemian Rhapsody” and “We Will Rock You.”

After captivating audiences around the globe for over five decades, the legendary guitar solos of Sir Brian May from the band Queen have earned unparalleled acclaim. Recently, a remarkable occurrence unfolded on the grand stage of Britain’s Got Talent, reigniting the spotlight on these extraordinary musical feats.

Embracing courage and determination, a precocious 11-year-old prodigy named Harry Churchill stepped forward, facing none other than the formidable Simon Cowell himself. In a mesmerizing display of talent, Harry embarked on a journey through the Queen repertoire, crafting a spellbinding Queen Medley that included the immortal masterpiece, “Bohemian Rhapsody.”

Just when anticipation reached its peak, the young virtuoso astounded everyone present by flawlessly executing the iconic “We Will Rock You” while effortlessly maneuvering his instrument behind his back, right before the judges’ very eyes.

The resplendent performance of this prodigious youngster left an indelible mark on the hearts and minds of all witnesses, capturing the attention of none other than Sir Brian May himself. Overwhelmed by the magnitude of Harry’s talent, the rock legend shared a video clip of the awe-inspiring audition, accompanied by expressions of sheer admiration.

Sir Brian captioned his post: “Harry Rocks !!!! Had to post this … congratulations Harry Churchill @harrysguitartime on smashing it tonight on @bgt !!! Go kill’em !!! Thanks @taliadean for the tip-off ! Bri.”

The Queen legend’s collaborator who brought the clip to his attention commented: “Isn’t he just smashing. Ooozing with spirit.”

Cowell, in response to the breathtaking display, bestowed heartfelt praise upon the budding star, affirming, “That was a truly exceptional audition,” while extending a resounding thumbs-up gesture of approval.

As Harry secures his place in the next round of the competition, the audacious question arises—how far will his journey on Britain’s Got Talent take him? Could fate conspire to unite this remarkable young talent with Sir Brian May himself on stage? The possibilities seem boundless, as the maestro of rock is unequivocally captivated by the raw brilliance that emanates from this young virtuoso.

Joe Elliott of Def Leppard recently spoke with Yahoo Entertainment about his singing voice, which is inherently more pop-oriented. He also acknowledged that he isn’t exactly the rock force that Brian Johnson of AC/DC is.

Joe Elliott was influenced as a child by a wide range of musicians who each had a distinctive edge to their sound. Singers like David Essex, Brian Ferry, and David Bowie served as influences for him. Despite having a rock aspect in their music, these musicians tended to favor pop and glam rock.

Joe’s natural singing voice, which he acknowledges tends more toward pop than rock, was influenced by these instances. A tune like “Diamond Star Halos” is more of him with the melodies and fills; yet, most of the time, he gets advice from others for his voice to match stronger tracks. He struggled to find his footing as a rock singer when making heavier music with Def Leppard.

Regarding his natural rock voice, Joe Elliott said: “I actually don’t have a great rock voice; I have a pop voice. I think I honestly think I sing a David Essex song, like ‘Rock On’ better than I sing my own, because I grew up on people that were just edgy. David Essex had a couple of hits that were pretty edgy for a pop singer, and then there was, like, you know Brian Ferry? I don’t sound anything like him, but he was a voice that was unique, and definitely, they were a rock band but a glam rock band.”

“It wasn’t Ponzi pop music; he was just, you know, [David] Bowie, the same thing. It was unique, and I was kind of led down the path of the rock singer when we were producing the hard stuff with Mo, but it was difficult for me to do. I’m not naturally Brian Johnson. I can do it, but if I’m left to my own devices, you listen to ‘Diamond Star Halos,’ and that’s the real me.”

Elliott was able to have a great career with Def Leppard despite not having a natural rock voice like Brian Johnson. Joe provided fans a glimpse into the work that goes into making Def Leppard songs by recognizing his natural pop voice and the different distinctive influences that formed him.

In a recent episode of his YouTube series, Justin Hawkins, the vocalist of The Darkness, expressed his admiration for Josh Freese, the new drummer of the Foo Fighters.

Justin Hawkins couldn’t help but praise Freese’s extraordinary talent, noting his impressive mastery of the songs, impeccable groove, powerful presence, and striking appearance with his full head of hair, muscular arms, and beautiful face.

Reflecting on their experience playing together at the Taylor Hawkins tribute concert, Hawkins revealed that although the decision to bring Freese on board was the right one, it carried a bittersweet sentiment. He acknowledged Freese’s impressive tenure with Nine Inch Nails, emphasizing that being part of such a renowned band required sheer greatness, a quality Freese undeniably possessed.

While acknowledging the preference for Taylor Hawkins to still be with them, Hawkins considered Freese a brilliant choice to fill the void left by his absence.

The anticipation among fans grew as the Foo Fighters prepared to resume their touring activities. During a recent live stream titled ‘Preparing Music for Concerts,’ the band introduced their new drummer, Josh Freese, formerly of Nine Inch Nails.

As fans eagerly await the release of the Foo Fighters’ upcoming album, ‘But Here We Are,’ on June 2nd, they are not only filled with excitement but also experience a range of emotions as they pay tribute to their late drummer, Taylor Hawkins while embracing the arrival of Freese as the newest member of the band.

Ringo Starr recently participated in an interview with CNN where he discussed his friendship with fellow Beatles bandmate Paul McCartney. Starr expressed that McCartney is not only one of his closest friends but also a brother to him.

Being an only child, Ringo Starr cherished the bond he shared with Paul McCartney and referred to him as a brother. He mentioned, “Paul called me the other day… We’re extremely close friends. We’re like brothers, and it was an amazing experience for me because as an only child, I suddenly had three brothers whom I could love, depend on, and assist. It was truly a remarkable moment.”

In addition to discussing his friendship with Paul McCartney, Starr reflected on the remarkable success of the Beatles. He attributed their achievements to the exceptional chemistry they had as a band, describing it as a brotherly bond between the four members.

Starr stated, “I believe it was the spark that existed among the four of us. We understood each other, and our music was of utmost importance. We always gave our best, whether we were having disagreements or sharing laughter.”

Starr also acknowledged that their music continues to resonate with every generation, emphasizing its lasting impact. He mentioned, “Even today, people from every era must listen to our music, which is incredible. You don’t necessarily have to love us, but you certainly can’t ignore us.”

During the rest of the interview, Starr discussed his ongoing tour with his All-Star Band. After having to halt his North American time last year due to testing positive for Covid-19, Starr expressed his enthusiasm for hitting the road again, ready to perform best.

If you’re interested, you can watch the complete interview here.

x