The recent statements by SEPULTURA guitarist Andreas Kisser regarding Max and Igor Cavalera’s decision to re-record early SEPULTURA albums like Morbid Visions, Bestial Devastation, and Schizophrenia have ignited debates among fans and the metal community. Kisser expressed skepticism about the artistic value of such a project, calling it “totally unnecessary” and “disrespectful to themselves in the past.” He also suggested the re-recordings might be financially motivated, contrasting them with Jairo ‘Tormentor’ Guedz’s band The Troops of Doom, which he praised for their honest tribute to SEPULTURA’s early era.
Andreas Kisser on New SEPULTURA Music
While the ongoing farewell tour marks the end of an era for SEPULTURA, Kisser revealed plans for new material. The band is working on four original tracks with drummer Greyson Nekrutman, which will accompany a live album featuring 40 songs recorded in 40 different cities worldwide. Kisser hinted at an “unexpectable” sound for the new songs, reinforcing the band’s intent to evolve rather than revisit the past.
Max Cavalera on Re-recording Classics
In defense of re-recording the early albums, Max Cavalera explained his and Igor’s desire to improve the sound quality of records they felt didn’t meet their potential. Max acknowledged the taboo around re-recording classics but emphasized the goal of creating raw, aggressive versions that stay true to the original spirit while reflecting their current performance style. The updated versions feature contributions from guitarist Travis Stone and bassist Igor Amadeus Cavalera, with production by Arthur Rizk and restored artwork by Eliran Kantor.
Fan Reactions and Legacy
This public difference in perspectives highlights the ongoing tension between SEPULTURA’s current lineup and the Cavalera brothers, stemming from their split in 1996. Fans are divided, with some appreciating the nostalgia and reinterpretation of classics, while others echo Kisser’s concerns about authenticity and motivation.
The dual efforts—SEPULTURA’s new music with Greyson and CAVALERA’s reimagined classics—offer fans distinct ways to engage with the band’s legacy, ensuring that both interpretations of SEPULTURA’s groundbreaking past remain in the spotlight.
