Dolly Parton is navigating a new chapter in life after the passing of her husband of nearly 60 years, Carl Dean, who died in March at the age of 82 in Nashville. While the loss has been deeply personal, Dolly has chosen to stay busy—and in many ways, that’s helped her through the grieving process.

Just weeks after Carl’s passing, Dolly was back in front of fans at Dollywood’s opening day, where she performed and took a moment to thank everyone for their love and support. Since then, she’s announced new books, music collaborations, and stayed active with her many projects. As she put it in a recent Today Show interview, staying involved in her work has been the best medicine:

“I get very emotional when people bring it up. But we were together 60 years. I’ve loved him since I was 18 years old,” she shared, her voice catching slightly. “It’s a big adjustment—just trying to change patterns and habits. I’ll do fine. I’m very involved in my work, and that’s been the best thing that could happen to me. But I’ll always miss him, of course, and always love him. He was a great partner to me.”

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Dolly also expressed heartfelt gratitude to the fans who reached out from around the world. “I got so many cards, letters, flowers. I had no idea Carl Dean was so famous,” she joked with a smile—proof that even in sorrow, she hasn’t lost her signature sense of humor.

Although the last few months have brought big changes, Dolly says she’s doing better than expected:
“I’ve been with him for 60 years. There’s a lot I’ll have to relearn, but I’ll keep him close. I need to laugh, I need some fun—I’ve been crying enough. I’m at peace knowing he’s at peace, but that doesn’t stop me from missing him.”

She also revealed that Carl had endured significant health challenges in his final days. “He suffered a great deal,” she said. “It’s a hole in my heart, but we’ll fill that with good memories. He’ll always be with me.”

Dolly recalled sweet, simple memories of Carl, including how he’d visit Dollywood anonymously—buying his own ticket and waiting in line like everyone else because he didn’t want special treatment. “He didn’t want anyone giving him a ticket just because he was Dolly’s husband,” she laughed. “People think that’s the funniest thing.”

Their love story began in 1964 outside a laundromat in Nashville on the very day Dolly moved to town to chase her music dreams. After two years of dating, they secretly tied the knot in Ringgold, Georgia, with her mother by her side—defying her record label’s wishes to keep her single for image reasons.

While Carl rarely appeared in public, his quiet strength and steady presence were a constant in Dolly’s life. He was her anchor in a whirlwind world, and now, even as she carries on without him, Dolly’s strength and grace continue to shine.

John Foster’s heartfelt performances have truly captivated American Idol fans, especially his original ballad “Tell That Angel I Love Her,” which touched everyone deeply. The song, dedicated to his late friend Maggie Dunn, showcases his ability to channel grief and love into his music in a way that resonates with people of all backgrounds. Foster’s authenticity shines through as he channels the emotions tied to personal loss, creating a powerful connection with his audience.

From his hometown of Addis, Louisiana, Foster brings a raw, emotional sincerity to his performances. His song “Someone to Sing To,” written in memory of Maggie and another friend, Caroline Gill, demonstrates the depth of his songwriting, even if it wasn’t part of his Idol performance. It’s clear that John’s musical journey is just beginning, and his ability to weave personal stories into his music is what sets him apart. His performances not only entertain but also provide solace, a reminder of music’s healing power.

Fans are rallying around Foster as he continues to make his mark on the show, with his story and voice echoing the path of Louisiana’s own Laine Hardy. It’s impossible not to root for this young talent as he makes waves in the competition.

Night two of American Idol’s Top 24 showdown kicked off with a high-energy performance, setting the stage for what’s shaping up to be an unforgettable season. While fans are counting down the weeks until a new Idol is crowned, there’s still a lot of competition ahead—and it’s up to America to decide who makes it to the finale.

Among the standout contenders is 18-year-old John Foster, the last true country act still in the running. Hailing from Louisiana, John first grabbed the judges’ attention with a classic Alan Jackson hit, “Don’t Rock the Jukebox.” Though it was a strong start, Carrie Underwood wanted more from him vocally—and he delivered. John followed up with Conway Twitty’s “Goodbye Time,” giving the judges a glimpse of the range and emotion he’s capable of.

While the panel had initial doubts about how John would stack up against powerhouse vocalists, he quickly proved them wrong. He breezed through Hollywood Week, surviving two intense rounds of eliminations and earning his spot in the coveted Top 24.

Taking the stage in Hawaii, John paid tribute to his roots with a lively rendition of Garth Brooks’ “Callin’ Baton Rouge.” The crowd loved it, and so did the judges. Luke Bryan called it “a Hawaiian hoedown” and praised John for staying true to himself as an artist. “It was perfect. One of my favorite performances you’ve done,” he said. Lionel Richie echoed the sentiment, applauding his stage presence and song choice.

But John didn’t stop there. For the “Rock & Roll Hall of Fame” theme night, he switched gears with an electrifying cover of Elvis Presley’s “Jailhouse Rock.” Before his performance, music legend James Taylor offered some mentorship, encouraging him to loosen up and have fun. John took the advice to heart—adding some playful dance moves to his usual cowboy hat and guitar combo.

Kicking off the performance with a big grin and asking the crowd, “Y’all ready to rock the house tonight?” John brought the energy, the attitude, and a whole lot of charm to the stage—proving he’s got more than just country chops.

From his original audition featuring George Jones and Conway Twitty classics to heartfelt performances of “In Color” by Jamey Johnson and Brooks & Dunn’s “Neon Moon,” John Foster has steadily won over America’s hearts. He even shared an emotional original, “Tell That Angel I Love Her,” showcasing his songwriting talent.

With a mix of traditional country soul and modern stage presence, John Foster is shaping up to be a true underdog—and one to watch closely as the competition heats up.

Riley Green and Ella Langley lit up The Voice stage with a heartfelt performance during the live finale, joining a star-studded lineup that included Dan + Shay, Kelly Clarkson, Myles Smith, and even iconic band Tears for Fears.

While the Season 26 winner was still to be announced—finalists included Jeremy Beloate (Team Snoop Dogg), Danny Joseph (Team Reba McEntire), Sydney Sterlace (Team Gwen Stefani), and Shye (Team Michael Bublé)—fans were treated to a special moment from two of country music’s rising stars.

Riley Green and Ella Langley, both successful solo artists, have struck gold with their collaborations. Their breakout duet “You Look Like You Love Me” not only topped the Country Airplay chart in December 2024 but also earned them the CMA Award for Musical Event of the Year. Impressively, it marked the first time in nearly a year that a female artist had reached No. 1 on that chart—an incredible milestone for Langley.

Riding the wave of that success, the duo followed up with another duet, “Don’t Mind If I Do,” which appears as the title track on Green’s new album released on October 18.

During the live finale of The Voice, the pair performed “Don’t Mind If I Do” for the first time on television. Green kicked things off solo on a cozy, candlelit stage that gave off warm, rustic vibes. Midway through the emotional ballad, Langley joined him in a show-stopping animal print dress, adding harmonies and chemistry that instantly captivated the audience.

Their onstage connection and heartfelt delivery made for a standout moment in the night—proof that these two are one of country music’s most exciting new pairings.

In the small town of Addis, Louisiana, Benoit’s Country Meat Block is known for its hearty plate lunches—meatloaf, mashed potatoes, green beans, and dessert for just $10.99. But lately, it’s also become the home of something extra special: a sense of pride, thanks to John Foster, the rising “American Idol” star. Just half a mile from the Mississippi River, this family-owned Cajun shop is buzzing with excitement as one of their own takes the national stage.

John’s Louisiana roots run deep, with family ties to Church Point and Lawtell. He even brought a taste of home to his Idol audition in Nashville—boudin, jerky, and Benoit’s signature seasoning. According to his grandmother, Verbie Benoit, Luke Bryan was so taken with the seasoning that he couldn’t stop licking it off his fingers backstage. Verbie, who’s 75, never imagined this kind of national attention but says John continues to amaze her. She’s now heading to Hollywood with 31 family members to cheer him on in the Top 10, praying not for him to win, but for God’s presence in his journey.

Despite his growing fame, John stays grounded. He’s a biology student at LSU, studying online while chasing his dreams. A former co-valedictorian, he’s not only smart and talented but, as his grandmother lovingly says, “a good Christian boy.” One teacher even predicted he’d be governor one day, and the family jokes he might just be president.

At Benoit’s, long-time employees like Rick Bourgoyne and Blake Sarradet proudly point out that “Foster” is actually John’s middle name—his full name is John Foster Benoit III. They’ve watched him grow up, working holidays at the shop, and credit his musical start to his uncle, local musician Gaylen Martin. Newer employees like Regina DeBenedetto are just as invested, voting for him 30 times and encouraging others to do the same. “He listens, he learns, and he brings it on stage,” she says.

Whether John becomes a star or a doctor, one thing’s for sure—he’s got the right ingredients for success: talent, humility, and a sprinkle of Cajun spice.

Toby Keith has always worn his patriotism proudly, especially when it comes to supporting the U.S. military. Inspired by his own father, a veteran, Toby grew up with a deep respect for service members—a value he passed on to his own children. Throughout his career, he’s shown his appreciation in powerful ways, writing songs that honor those who serve and performing for U.S. troops overseas a remarkable eleven times.

One of his most unforgettable tributes came in September 2012 during a concert where he created a moment that touched millions. While performing his emotional hit “American Soldier,” Toby invited a military wife on stage to honor her husband, who was serving in Afghanistan. As she bravely stood beside him, holding back tears, the crowd didn’t know what was coming next.

In a stunning surprise, her husband—Major Pete Cruz—walked onto the stage, home early from deployment. The reunion was instant and raw: the couple embraced, kissed, and cried as thousands of fans stood in awe. It was one of those rare, pure moments of love and patriotism that left the entire audience misty-eyed.

Toby kept the emotion going by inviting the couple to stay on stage as he launched into “Courtesy of the Red, White, and Blue (The Angry American).” Major Pete even stepped up to the mic to sing the fiery line, “We’ll put a boot in your ass; it’s the American way,” bringing the crowd to their feet in roaring applause.

This wasn’t the first time Toby had honored a military hero during a show. In 2011, he welcomed Corporal Matthew Bradford—a wounded Marine—to the stage in Virginia Beach for a duet of “American Soldier.” As Matthew made his way forward, the audience erupted in chants of “USA!” The moment moved everyone. One fan later shared how seeing Toby perform for the troops overseas had helped her “forget reality” for just a little while.

Toby Keith’s songs often tell big, bold stories about American pride—but it’s the real-life moments he creates on stage that truly make an impact. Whether he’s honoring veterans, reuniting families, or simply reminding us of the sacrifices made by military members and their loved ones, Toby doesn’t just sing about patriotism—he lives it. And for the fans lucky enough to witness those moments, they become memories that last a lifetime.

John Foster lit up the American Idol 2025 stage with a performance that left fans and judges buzzing. Taking on Elvis Presley’s iconic hit “Jailhouse Rock,” John didn’t just sing the song—he brought it to life with his signature southern charm and larger-than-life energy.

From the first beat, John had the audience hooked. His vocals were strong and confident, but it was his showmanship that truly stole the spotlight. Strutting across the stage with the swagger of a seasoned star, he turned the classic tune into a full-blown concert moment. The crowd clapped along, cheering louder with every note, clearly loving every second.

What made this performance truly memorable was the way John made the song his own. He didn’t just cover Elvis—he channeled the King’s spirit while adding his own flavor. The judges were visibly impressed, applauding not just his vocals but his ability to command the stage like a pro.

Choosing “Jailhouse Rock” was a bold move, but it paid off big time. The upbeat rock-and-roll vibe was a perfect match for John’s energy, and he delivered with heart, charisma, and just the right touch of flair. His performance had the room buzzing, and it was clear he had taken a big step forward in the competition.

Whether it was his slick dance moves, engaging eye contact, or infectious enthusiasm, John created more than a performance—he created a moment. And if this is any indication of what’s to come, he’s definitely one to watch this season on American Idol.

John Foster’s performance of “She Used to Be Mine” is an emotional journey that captivates listeners from the very first note. His voice is raw and sincere, drawing everyone in with its soft rasp that feels both familiar and fresh. Every word he sings seems to carry the weight of personal experience, yet he delivers it with such subtlety that it feels like a whispered confession rather than a performance.

As the song progresses, Foster’s voice rises gently, not for effect, but to pour out the deep emotions behind the lyrics. The power of his voice doesn’t come from volume but from its ability to evoke feeling with every pause and breath, making each moment resonate with the listener. The emotion behind his delivery is palpable, especially when the lyrics touch on pain and regret. His voice trembles ever so slightly, as though he’s holding back tears, and yet it feels so intimate that the listener is invited into the vulnerability of the song.

Foster’s vocal control is evident in every subtle key change and modulation. Rather than showing off, he lets the song unfold naturally, guiding the emotional arc of the piece with precision. The climax isn’t loud or dramatic—it’s a soft swell, almost like a quiet tide of emotion that builds, before gently fading into a haunting, whispered ending. His voice leaves an impression not by being bold, but by being deeply sincere and tender.

In a similar vein, Foster honored Carrie Underwood with his rendition of “I Told You So,” a song she famously recorded with Randy Travis. For the first time on the Idol stage, he performed without his guitar, further proving his versatility as an artist. After the performance, Underwood, visibly touched, expressed her admiration: “I love watching you grow every time you take the stage,” she said. “I really think Randy Travis would approve.” It’s clear that Foster’s talent and heart continue to win over both the judges and fans alike.

@qtmandyyy

No worries…its just @officialjohnfoster singing @Thenashvillepalace with James Carothers and fiddle player, Andy Varner. #johnfoster #johnfostermusic #musicbyjohnfoster #thenashvillepalace #fyppppppppppppppppppppppp #nashville #musiccity #wedontownrightstothismusic #rawvideo #raw #brooksanddunn @Ronnie Dunn

♬ original sound – Amanda

Back in the late ’80s and early ’90s, a few standout artists helped steer country music back toward its traditional roots. At a time when pop influences were taking over, the sounds of Randy Travis, George Strait, and Alan Jackson felt like a breath of fresh air. Their influence shaped the country scene of the ’90s—and their legacy continues to inspire today’s artists. That’s why fans still consider them true country legends.

For many, getting the chance to see one of these icons live is a dream come true. On June 7, 2014, over 100,000 fans packed AT&T Stadium in Arlington, Texas, for George Strait’s record-breaking Cowboy Rides Away Tour. That night, they witnessed something unforgettable: Strait teaming up with fellow legend Alan Jackson for two incredible duets—“Amarillo by Morning” and “Murder on Music Row.”

While the two stars are often seen as equals in the country world, Jackson took a moment between songs to pay tribute to Strait. “George, I’ve just got to say, this is the coolest country music concert there’s ever been,” he said, raising a toast to Strait’s long and storied career. Jackson also shared how much Strait meant to him coming up: “I’ve been a fan since Unwound, man. You’re one of the reasons I came to Nashville.” It was a touching moment between two of country’s finest.

A Song with a Message: “Murder on Music Row”
Murder on Music Row isn’t just a duet—it’s a bold statement about the direction of country music. Written by Larry Cordle and Larry Shell in 1999, the song takes aim at the growing pop influence in the genre and mourns the fading of traditional country sounds. With the hard-hitting line, “Someone killed country music, cut out its heart and soul,” it struck a chord with fans who felt the same way.

Originally recorded by Cordle’s bluegrass group, the song got a second life when Strait and Jackson recorded it together. Though never officially released as a single, it still made waves, reaching No. 38 on the Billboard country chart. Before performing it live at AT&T Stadium, Jackson remarked, “It’s still appropriate today,” nodding to the song’s ongoing relevance.

A Powerful Performance
When Strait and Jackson took the stage for Murder on Music Row, it wasn’t just a performance—it was a heartfelt stand for the roots of country music. Their voices blended perfectly, full of respect and conviction, delivering a message that resonated with longtime fans. It was one of those rare musical moments that felt both nostalgic and powerful, reminding everyone in the crowd why these two are still among the greats.