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Music legends Bob Dylan and Willie Nelson are joining forces once again for the highly anticipated Outlaw Music Festival tour. Kicking off on May 13th in Phoenix and wrapping up on September 19th in East Troy, Wisconsin, the 35-date tour celebrates the festival’s 10th anniversary with an all-star lineup.

Fans can look forward to performances by Sheryl Crow, Wilco, Billy Strings, Nathaniel Rateliff and the Night Sweats, the Avett Brothers, Lake Street Dive, Waxahatchee, Lucinda Williams, Bruce Hornsby and the Noisemakers, and more. In a statement, Nelson shared his excitement, saying, “I can’t wait to join friends and family in bringing this celebration to the fans we love.”

While the Outlaw Music Festival officially started in 2016, it has grown into a legendary annual tour, featuring iconic acts like Bonnie Raitt, Chris Stapleton, Neil Young, Robert Plant, and Alison Krauss. This year marks a special reunion for Dylan and Nelson, who last toured together in 2024 but faced challenges when Nelson missed several shows due to health issues, with his son Lukas Nelson stepping in.

Tickets go on sale to the public on February 7th, with a Citi presale beginning on February 4th. Don’t miss this historic tour as two musical giants hit the road once more, celebrating a decade of outlaw music and unforgettable performances.

In 2006, two rock legends shared the stage for a night that redefined music history. Pink Floyd’s David Gilmour invited David Bowie to join him at The Royal Albert Hall, creating a spellbinding performance of “Comfortably Numb” that left the audience in awe.

The iconic duet featured Bowie’s haunting vocals on the verses and Gilmour’s soul-stirring guitar solos, backed by a mesmerizing laser show. This unforgettable collaboration, captured on Gilmour’s Remember That Night live DVD, showcased the magic of two musical giants at the peak of their powers.

This rare moment of musical brilliance proved that Bowie and Gilmour were more than just rockstars—they were legends whose artistry would echo through the ages.

After 27 years apart, rock legends Robert Plant, Jimmy Page, and John Paul Jones reunited for the unforgettable Celebration Day concert, delivering a powerful performance of “Kashmir” that shook the O2 Arena in London. Joined by Jason Bonham, son of the late John Bonham, the band honored their legacy with a heartfelt tribute that resonated with millions worldwide.

This electrifying version of “Kashmir” not only reignited the magic of Led Zeppelin but also served as an emotional homage to the original drummer, bringing fans to tears and racking up 153 million views online. Comments flooded in, praising the powerful vocals, mesmerizing keyboard work, and thunderous drumming that paid the ultimate tribute to rock history.

With this historic reunion, Led Zeppelin once again proved why they are timeless icons of rock and roll, leaving fans hoping for more magic in the future.

In a dramatic Phantom of the Opera-style entrance, legendary bassist John Paul Jones emerged from beneath the stage, commanding a pipe organ with a powerful rendition of “Your Time Is Gonna Come.” The magic didn’t stop there—Jones took fans on an unforgettable journey through Led Zeppelin’s catalog, seamlessly transitioning between instruments. He played “No Quarter” on piano, delivered a haunting lap steel guitar version of “When the Levee Breaks,” poured his soul into “Since I’ve Been Loving You” on piano, and brought out the mandolin for a beautiful take on “Going to California.”

This masterful display of musicianship reminded everyone why Jones is still one of rock’s most revered figures. Fans were left in awe, soaking in a rare musical experience from the Rock & Roll Hall of Famer.

Jones is set to perform again at the festival, collaborating with Finnish cellist Anssi Karttunen and former Sonic Youth guitarist Thurston Moore. His last full concert was in 2019 with his project Sons of Chipotle, but he made memorable appearances in 2022, reviving Them Crooked Vultures alongside Dave Grohl and Josh Homme for Taylor Hawkins tribute shows.

Big Ears Festival witnessed a legend at work, proving once more that John Paul Jones remains an unstoppable force in the world of rock and roll.

Angus Young, the iconic guitarist of AC/DC, is famous for more than just his electrifying riffs and schoolboy outfit—he’s also known for his legendary duck walk. Inspired by Chuck Berry, who first introduced the duck walk in the 1950s, Angus put his own spin on the move, making it more energetic and theatrical. This high-octane version first appeared during AC/DC’s early shows in the 1970s and quickly became a signature part of their identity. It wasn’t just about flashy showmanship; it embodied rebellion and rock ‘n’ roll spirit, becoming synonymous with Angus and AC/DC’s explosive performances.

The duck walk isn’t merely a stage trick for Angus Young—it’s a testament to his love for music. Whether he’s tearing through classics like “Highway to Hell” or “Thunderstruck,” his energetic moves ignite the crowd and turn each concert into an unforgettable experience. Despite being in his late 60s, Angus still performs the duck walk with the same youthful energy, showcasing his incredible stamina and passion for rock ‘n’ roll. His commitment to this iconic move has cemented his status as one of rock’s most charismatic performers.

To this day, Angus Young keeps the tradition alive at AC/DC concerts, thrilling fans around the world. The duck walk has become more than just a performance—it’s a symbol of rock’s enduring spirit. Watching him slide across the stage with his guitar is a powerful reminder that rock ‘n’ roll knows no age. Angus’s duck walk isn’t just a move; it’s a legacy that continues to inspire fans across generations, keeping the spirit of AC/DC as electrifying as ever.

“Zombie,” the lead single from The Cranberries’ second album No Need to Argue (1994), stands as the band’s most iconic track. In April 2020, its powerful music video became the first by an Irish band to surpass 1 billion views on YouTube, and by January 2022, it had soared to an astounding 1.3 billion views.

Another notable performance of “Zombie” comes from The Cranberries’ live show at the 20,300-capacity Palais Omnisports de Paris-Bercy in 1999. With nearly 166 million views, this professionally filmed concert captures the band’s electrifying energy and the crowd’s enthusiastic sing-along, creating a memorable live rendition of the song.

“Zombie” stands apart in The Cranberries’ discography for both its heavier sound and its deeply emotional lyrics. Departing from the band’s usual pop-oriented style, the track leans towards alternative rock and grunge influences, a shift attributed to lead singer and songwriter Dolores O’Riordan. She explained that the raw, intense sound was inspired by the weighty subject matter of the song rather than a desire to follow the grunge trend.

The song was written as a tribute to Johnathan Ball and Tim Parry, two young victims of a 1993 IRA bombing in Warrington, England. Reflecting on her inspiration in a 2017 interview with Classic Rock, O’Riordan recalled, “I remember at the time there were a lot of bombs going off in England and The Troubles were pretty bad… and just being really sad about it.” Unlike most of The Cranberries’ tracks, which were collaborative efforts, O’Riordan penned “Zombie” alone, infusing it with her personal anguish and perspective.

O’Riordan was vocal about the song’s anti-violence message, distancing herself and her heritage from the political conflict. In an interview with Andrew Mueller for Vox, she stated, “The IRA are not me. I’m not the IRA. The Cranberries are not the IRA. My family are not. When it says in the song, ‘It’s not me, it’s not my family,’ that’s what I’m saying. It’s not Ireland, it’s some idiots living in the past.” Despite concerns from Island Records about the song’s provocative nature, the band insisted on its release as a single.

A distinctive aspect of “Zombie” is O’Riordan’s unique vocal style. She employs a sharp yodel-like shift between chest and head registers, especially in the second syllable of “Zom-bie.” This rapid change in pitch, combined with her pronounced Irish accent and elements of sean-nós singing, creates a haunting and unmistakable vocal signature. This vocal approach, mixed with Gaelic keening and lilting vocables, helped solidify “Zombie” as a timeless anthem that resonates with listeners worldwide.

On November 24, 1991, the world bid farewell to Freddie Mercury, the iconic frontman of Queen, who succumbed to complications from AIDS. In the wake of his passing, the surviving members of Queen—Brian May, Roger Taylor, and John Deacon—alongside their manager, Jim Beach, swiftly began planning a tribute concert to honor Mercury’s legacy, raise funds for AIDS research, and heighten public awareness of the disease. Remarkably, all 72,000 tickets for the April 20, 1992, event at London’s Wembley Stadium sold out within three hours, even before any performers beyond the remaining Queen members were announced.

The concert commenced with performances by artists influenced by Queen’s music. Metallica delivered renditions of “Enter Sandman,” “Sad but True,” and “Nothing Else Matters.” Extreme offered a medley of Queen hits, while Def Leppard, joined by Brian May, performed “Now I’m Here.” Guns N’ Roses energized the crowd with tracks like “Paradise City” and “Knockin’ on Heaven’s Door.” Between sets, video tributes to Mercury were showcased, and actress Elizabeth Taylor delivered a poignant speech on AIDS prevention.

The second half of the concert featured the remaining Queen members collaborating with a stellar lineup of guest musicians. Elton John, Roger Daltrey, Tony Iommi, Ian Hunter, James Hetfield, George Michael, Seal, Paul Young, Robert Plant, Axl Rose, Slash, Liza Minnelli, and others graced the stage. A standout moment was the duet between David Bowie and Annie Lennox on “Under Pressure,” with Lennox delivering a captivating performance of Mercury’s parts.

Reflecting on the origins of “Under Pressure,” the song emerged from an impromptu collaboration between Queen and David Bowie in the Swiss Alps. During a relaxed evening of cover songs, Bowie proposed creating a new track together. They developed the backing track and, upon Bowie’s suggestion, each recorded their envisioned vocal melodies separately, without listening to each other’s contributions. These spontaneous sessions culminated in the iconic song we know today.

The Freddie Mercury Tribute Concert not only celebrated the life of a musical legend but also played a pivotal role in launching the Mercury Phoenix Trust, an AIDS charity organization dedicated to combating the disease worldwide.

The announcement was as unexpected as it was thrilling: just hours before showtime, news spread that McCartney would grace the intimate Bowery Ballroom, a stark contrast to the massive arenas he typically commands. With a capacity of just 575, the venue offered fans a rare opportunity to experience the icon up close. Tickets, priced at an accessible $50, were sold exclusively at the box office, leading to eager lines forming despite the brisk weather.

As the lights dimmed and the first chords resonated, the audience was transported through six decades of musical brilliance. McCartney, accompanied by his long-time band and a dynamic three-piece horn section, delivered a two-hour set that seamlessly blended Beatles classics with solo masterpieces. From the invigorating opener “A Hard Day’s Night” to the soulful “Let It Be” and the anthemic “Hey Jude,” each song was met with rapturous applause and heartfelt sing-alongs.

Beyond the music, McCartney’s personal anecdotes added a profound layer to the evening. He reminisced about the Beatles’ early days, sharing stories of their rise to fame and their unwavering commitment to social justice, including their refusal to perform at segregated venues in the 1960s. A poignant moment arrived when he dedicated “Blackbird” to the civil rights movement, highlighting the song’s enduring relevance.

The audience, a diverse mix spanning generations, was entranced. Many couldn’t believe their fortune, expressing sheer disbelief and joy at witnessing such an intimate performance by a living legend. The stripped-down acoustic segments showcased McCartney’s timeless vocals and masterful musicianship, while the full-band numbers had the crowd on their feet, dancing and singing along.

As the final notes of “Golden Slumbers” and “The End” echoed through the hall, the crowd erupted in a standing ovation, fully aware that they had witnessed a once-in-a-lifetime event. The magic of the evening was not just in the music but in the shared experience—a testament to McCartney’s unparalleled ability to unite and inspire through his art.

Reflecting on the night, it’s clear that Paul McCartney’s surprise concert at the Bowery Ballroom wasn’t merely a performance; it was a heartfelt gift to the city and its people. In an era dominated by grand productions and digital experiences, this intimate gathering served as a powerful reminder of the raw, unifying power of live music.

Steven Tyler, the legendary Aerosmith frontman, standing in the shadow of one of the world’s most iconic ancient landmarks, belting out the classic hit with an orchestra backing him. But what really steals the show is the sight of two cellists, Luka Šulić and Stjepan Hauser of 2CELLOS, absolutely shredding their instruments, making cellos sound like screaming electric guitars. It’s a surreal blend of rock ‘n’ roll and classical music, set against the breathtaking backdrop of the Colosseum.

This performance was part of the grand finale of Celebrity Fight Night in Rome, a star-studded charity event that brought together some of the biggest names in music, film, and sports. The Colosseum, with its rich history and awe-inspiring architecture, provided the perfect stage for a night of unforgettable moments. One of the most talked-about highlights was Steven Tyler’s rendition of Dream On. As he stepped up to perform, he casually took a piece of gum out of his mouth and stuck it under Elton John’s piano—yes, that Elton John. It’s the kind of rockstar move that only Tyler could pull off, and it’s now forever tied to the memory of that night at the Colosseum.

The concert also featured Andrea Bocelli, who joined forces with 2CELLOS to perform the Game of Thrones theme and Funiculi Funicula. The combination of Bocelli’s powerful voice and the haunting melodies of the cellos echoing through the ancient amphitheater was nothing short of magical. The night ended with a moving performance of Imagine, with Steven Tyler and Andrea Bocelli singing together, accompanied by David Foster on piano and a stage full of stars, including Sharon Stone, Renato Zero, and Chris Botti.

The Colosseum, with its grandeur and historical significance, added an extra layer of awe to the event. It’s not every day that you get to see a rock legend like Steven Tyler perform in such a legendary setting. The juxtaposition of modern music and ancient architecture created a once-in-a-lifetime experience for everyone lucky enough to be there.

So, while the Colosseum has seen countless historic moments over the centuries, this concert—complete with Steven Tyler’s gum-sticking antics and the electrifying performances of 2CELLOS—will surely go down as one of its most memorable modern-day events. And who knows? Maybe that piece of gum is still there, tucked under Elton John’s piano, adding a quirky footnote to the Colosseum’s storied history.

Before their 1999 co-headlining tour, Bob Dylan and Paul Simon met at Simon’s New York apartment to brainstorm duet ideas. They played folk songs on acoustic guitars, enjoying the raw, simple sound. However, they soon realized fans wanted to hear them perform each other’s hits, so they built their setlist around that.

The tour kicked off on June 6, 1999, at the World Arena in Colorado Springs, Colorado. Simon opened the show (they took turns headlining each night), and Dylan joined him for duets on “The Sound of Silence,” a medley of “I Walk The Line” and “Blue Moon of Kentucky,” and “Forever Young.” By the second show, they swapped “Forever Young” for “Knockin’ On Heaven’s Door” and kept that lineup for the rest of the tour, occasionally changing the medley to include “That’ll Be The Day” or “The Wanderer.”

Their musical connection went back decades. In 1964, Simon and Garfunkel covered Dylan’s “The Times They Are-A Changin’,” and in 1969, Dylan covered Simon’s “The Boxer” on his album Self Portrait. Despite this, they didn’t share the stage until the 1999 tour. Reflecting on the collaboration, Dylan said, “I consider him one of the preeminent songwriters of our time. Every song he does has a vitality you don’t find everywhere.”