Megan Moroney brought pure emotion and undeniable talent to the stage at the 60th ACM Awards, delivering a soul-stirring live rendition of her song “Stupid Boy.” Known for her honest storytelling and smoky vocals, Moroney reminded everyone why she’s one of country music’s fastest-rising stars.

Dressed in her signature Southern-chic style, Megan stood confidently under the spotlight, pouring her heart into every word of “Stupid Boy.” The vulnerable ballad—packed with biting truth and bittersweet strength—was met with thunderous applause as she sang about heartbreak, lessons learned, and the kind of boy you only fall for once.

The live performance stripped the song down to its emotional core, showcasing Megan’s incredible vocal control and her ability to connect with the crowd on a deeply personal level. It was one of the night’s standout moments, proving that Moroney’s talent goes far beyond catchy melodies—she’s a powerhouse storyteller.

Fans were quick to flood social media with praise, calling the performance “chilling,” “authentic,” and “the best of the night.” It’s clear Megan Moroney is no longer just a rising star—she’s a force to be reckoned with in country music.

With performances like this, it’s safe to say Megan Moroney is making her mark—one heartfelt lyric at a time.

Sterling Heights got a taste of country’s rising force on Saturday night as Ella Langley stormed the stage with her signature blend of Southern grit, emotional honesty, and rock-edge swagger. Performing under the summer lights at the Michigan Lottery Amphitheatre, Langley delivered a set that was equal parts raw and electric — a perfect match for a crowd that came ready to stomp, sway, and sing their hearts out.

Fresh off the buzz of her breakout single “You Look Like You Love Me” (which recently topped the charts), Langley had fans on their feet from the first chord. With her raspy vocals, fearless lyrics, and unapologetically real stage presence, she turned every song into a moment that hit hard and stayed with you.

Wearing her signature black boots and a no-nonsense attitude, Langley opened the night with high-octane tracks like “Damn You” and “Hell of a Drug” — songs that blend backroad storytelling with rock-and-roll defiance. But the real emotional punch came midway through her set, when she slowed things down and let the crowd lean in for a stripped-back, soul-baring version of “You Look Like You Love Me.”

Fans stood in hushed awe as Langley delivered the haunting chorus with nothing but a guitar and a spotlight. “You kiss me like it’s real / but I feel you letting go…” she sang — and judging by the misty eyes in the crowd, she wasn’t the only one feeling it.

The night wasn’t just emotional — it was fun. Langley joked with fans between songs, raised her cup to the folks in the cheap seats, and made the entire amphitheater feel like a backyard party. A highlight? Her surprise mashup of ’90s country classics that had the crowd two-stepping and boot-scootin’ along like it was a honky-tonk Saturday in Nashville.

As the night wrapped, Langley shouted out Sterling Heights with a smile and a promise: “Y’all have been one hell of a crowd. Let’s do this again real soon.”

If you were there, you already know: Ella Langley didn’t just play Sterling Heights — she owned it.

@313presents

Excuse me @Riley Green @Ella Langley, it looks like Detroit loves you 🤠♥️ #rileygreen #ellalangley #youlooklikeyouloveme #concerts #michigan

♬ original sound – 313 Presents

In a world where country music often leans toward polished production and catchy hooks, Ella Langley and Aaron Raitiere have taken a different path—with a song that’s all heart, no filter.

Their duet, “You Look Like You Love Me,” isn’t just another ballad—it’s a quiet storm. Raw, honest, and emotionally charged, it captures that in-between moment in love: when feelings are there, but words fall short.

The idea was born during what started as a slow, silent writing session. “It was one of those days where we didn’t say much at first,” Raitiere shared in a post-ACM Awards interview. “Then Ella just said, ‘He didn’t say he loved me, but he looked like he did.’ And I knew we were onto something.”

That simple line cracked open a flood of feeling—and the rest came fast. The two wrote the song in just over an hour, drawing from quiet heartbreak and unspoken connection. “We weren’t chasing a hit,” Langley said. “We were chasing something honest.”

And that honesty shows. With gentle steel guitar, stripped-back acoustics, and voices that blend like old friends, the song feels less like a performance and more like a conversation you weren’t meant to hear—but can’t stop listening to.

Lyrics like:
“You don’t say a thing / but your eyes beg me to stay / so I guess I’ll pretend / you feel the same way”
cut deep without raising their voice. It’s a masterclass in emotional restraint—and somehow, that makes it hit even harder.

The chemistry between Langley and Raitiere is undeniable. You can hear the respect in every note, every pause. “After we finished writing, we just sat there in silence,” Langley said. “That’s when I knew—this song meant something.”

Since its release, the track has quietly blown up. Fans are using it in TikTok montages, road trip playlists, and late-night confessionals. It’s not just resonating—it’s living in people’s stories.

Critics are calling it one of the standout songs of the year—not because it’s flashy, but because it’s fearless in its vulnerability. It reminds us what country music is supposed to do: tell the truth, even when it hurts.

“You Look Like You Love Me” doesn’t scream for attention—it earns it. And that whisper of a feeling? It’s one you won’t forget.

In 2016, Craig Morgan’s world changed forever. His 19-year-old son, Jerry, tragically passed away in a tubing accident on Kentucky Lake. The heartbreak was unimaginable — the kind of loss that shakes a person to their core. But in the quiet hours of mourning, something extraordinary happened.

At 2:30 a.m., Craig woke up with a song playing in his mind — not just a tune, but a full chorus. “I was singing it in my head before I even opened my eyes,” he later shared. That moment led to the creation of “The Father, My Son, and the Holy Ghost,” a deeply personal ballad that would resonate with millions.

A Song Straight From the Heart
When Craig debuted the song at the Grand Ole Opry in 2019, he thought it would be a one-time performance — a private message of love and loss. But country legend Ricky Skaggs had other ideas. After seeing the impact of Craig’s performance, Skaggs encouraged him to keep sharing the song. “People need to hear this,” he told Craig.

So Craig released it. Quietly. No big promotion. Just a father’s tribute to his son.

Blake Shelton’s Support Changed Everything
Enter Blake Shelton. After hearing the song, Blake was deeply moved — and determined to help. He took to social media, posting tweet after tweet urging fans, artists, and radio stations to download Craig’s song. His passion was contagious.

Within days, “The Father, My Son, and the Holy Ghost” shot to No. 1 on the iTunes country chart — and then all the way to the top of the overall iTunes chart, surpassing massive pop and country hits alike. And Blake couldn’t have been prouder.

“Congratulations @cmorganmusic. This one’s for Jerry,” he tweeted after the chart-topping moment.

Craig responded with heartfelt thanks:
“Blake Shelton. You are an amazing friend and a true champion for country music. Thank you from the bottom of my heart.”

A TV Moment That Left Everyone in Tears
The song’s emotional power reached a whole new level when Craig performed it on The Kelly Clarkson Show. With Blake Shelton beside him and Kelly Clarkson and actress Eva Mendes in the audience, Craig delivered a raw, tear-filled performance.

There wasn’t a dry eye in the room. Blake looked down, visibly emotional. Kelly covered her face, wiping away tears. It wasn’t just a song — it was a moment. One that reminded everyone watching why music matters.

A Legacy of Love
“The Father, My Son, and the Holy Ghost” is more than a tribute — it’s a lifeline for anyone who’s ever experienced loss. It’s a reminder that pain can coexist with faith, and that music can help carry us through the darkest nights.

You can stream the song now — but be ready. It’s not just something you hear. It’s something you feel.

Country music’s rising powerhouse, Ella Langley, recently delivered a breathtaking acoustic performance of her breakout hit “You Look Like You Love Me” at the Academy of Country Music (ACM) headquarters — and it was nothing short of magical.

A Quiet Moment That Spoke Volumes
In a room far removed from the usual concert lights and roar of a crowd, Langley stood with just a guitar and her voice — no frills, no distractions. And somehow, that made it even more powerful. Her performance brought out every ounce of emotion behind the song, giving fans a raw, vulnerable glimpse into the heartache that inspired it.

A Career-Changing Hit
“You Look Like You Love Me,” her duet with Riley Green, has become more than just a fan favorite — it’s a milestone. The track soared to the top of Billboard’s Country Airplay chart in December 2024, marking a major moment: Langley became the first female artist in nearly a year to claim the No. 1 spot. That kind of climb isn’t just impressive — it’s historic.

Their chemistry in the song is electric. Whether it’s on the official track or during their CMA Awards performance last fall, Langley and Green manage to balance heartbreak and connection in a way that feels all too real.

Stripped-Down and Straight From the Heart
At the ACM HQ session, without a full band or flashy production, Langley’s voice took center stage — and it didn’t disappoint. Her performance was soaked in sincerity, every lyric landing with a quiet force that held the room still. It wasn’t about hitting high notes or big moments; it was about honesty — and that’s what made it unforgettable.

A Song That Hit Home
Co-written with Aaron Raitiere, the track is classic country storytelling with a modern edge. Lines like “You kiss me like it’s real, but I feel you letting go” hit hard in this setting. And when the song made a massive leap from No. 7 to No. 1, it wasn’t just a chart win — it was a cultural moment for fans and female artists alike.

Changing the Country Music Landscape
Langley’s chart-topping success follows in the footsteps of Lainey Wilson’s “Watermelon Moonshine,” which last hit No. 1 in October 2023. That nearly year-long gap without a woman leading the Country Airplay chart makes Langley’s moment all the more meaningful — and signals a hopeful shift for more female voices to be heard at the top.

Just Getting Started
With more live sessions and a national tour on the way, Ella Langley’s star is only getting brighter. Her ability to mix the grit of Southern rock with the soul of traditional country is carving out a space that’s uniquely hers. And if this ACM performance proves anything, it’s that Ella isn’t just singing songs — she’s living them.

Final Thoughts
Whether it’s a packed arena or a quiet acoustic set, Ella Langley knows how to make you feel something. Her performance at ACM HQ was a powerful reminder that sometimes, the softest moments leave the biggest impact. And with everything she’s building, one thing is crystal clear: country music has a new leading lady — and she’s just getting started.

Country grit met rock-and-roll edge on Friday night as Riley Green and Ella Langley set the stage on fire at Pine Knob Music Theatre in Detroit. Performing their smoldering duet “Don’t Mind If I Do,” the two delivered a moment packed with slow-burn tension, big vocals, and undeniable chemistry — proving once again that country music is alive, evolving, and full of surprises.

Green, true to form in his flannel shirt and boots, greeted the crowd with that signature Southern grin. But things took a turn the second Ella Langley walked out. Decked out in black leather and exuding pure confidence, she didn’t just take the stage — she took command of it.

The moment “Don’t Mind If I Do” kicked off, the energy snapped into high gear. The song’s bluesy, mid-tempo groove set the perfect backdrop for a duet that felt more like a fiery back-and-forth than a love song. Green brought his easygoing charm, while Langley hit every lyric with razor-sharp intensity — part challenge, part dare.

They didn’t have to touch. They didn’t even have to get close. The tension between them did all the talking. The crowd of 15,000 couldn’t look away, hanging on every glance, every smirk, every lyric.

As they sang the chorus — “Don’t mind if I do, don’t mind if I stay / Got a little buzz and you’re lookin’ my way” — the entire venue sang along like it was already a chart-topping hit. Langley’s gritty vocals twisted around Green’s smooth drawl like smoke on whiskey, creating a raw, electric sound that gave the song its edge.

Backed by a band that didn’t hold back, the performance had bite. Slide guitar echoed through the night, drums thumped like a pounding heart, and everything from the vocals to the stage presence screamed one thing: this wasn’t just another duet — this was a showdown.

When the song ended, the roar from the crowd said it all. Green tipped his hat. Langley flashed a sly grin. No words needed.

In a night filled with standout moments, “Don’t Mind If I Do” felt like the highlight. Riley Green and Ella Langley didn’t just sing a song — they lit a fire. And judging by the crowd’s reaction, fans are hoping it keeps burning.

Rising country powerhouse Ella Langley delivered a raw, unforgettable performance in Knoxville on Saturday night that proved why she’s quickly becoming one of the most talked-about voices in country music.

Taking the stage at the packed Knoxville Civic Coliseum, the Alabama native didn’t rely on flashy effects or gimmicks. It was just her, her band, and a song that hits like a punch to the heart — her breakout single, “You Look Like You Love Me.”

From the first note, you could feel the shift in the room. The crowd fell silent. The lights dimmed. And Langley’s voice — full of grit, emotion, and undeniable truth — took over.

“This one’s about the kind of heartbreak that doesn’t slam the door,” she told the crowd. “It just slowly fades, even while they’re smiling at you.”

And that’s exactly what the song delivers: the quiet kind of pain that lingers. With lines like “You kiss me like it’s real, but I feel you letting go,” Langley captured that in-between space where love starts to disappear — and the audience felt every word.

By the time she hit the final chorus, the entire crowd was singing along, some with tears in their eyes, others just staring in stunned silence. It was one of those rare moments where an artist isn’t just singing a song — they’re living it in real time.

Fans wearing her merch and holding up homemade signs like “You Saved Me, Ella” cheered her on with thunderous applause. Some wept. Some stood frozen. All of them knew they were witnessing something special.

Langley’s stage presence isn’t flashy or forced — it’s honest. She doesn’t try to be perfect; she just tells the truth, and that’s what makes her unforgettable.

This Knoxville stop comes during her red-hot 2025 tour, still hungover, which is already selling out venues across the South. With millions of streams and growing comparisons to early Miranda Lambert, Langley is clearly on the rise — but Saturday night’s show proved she’s more than hype. She’s heart.

And when she ended the song with that soft, almost whispered final line — “you look like you love me, but you don’t anymore” — the entire coliseum stood in a roaring ovation that lasted well over a minute.

Ella Langley didn’t just sing her song. She felt it. And in doing so, she made sure everyone else felt it too.

If performances like this are any sign of what’s ahead, Ella Langley isn’t just on her way to becoming country music’s next big thing — she’s becoming its next true voice.

At just 18 years old, American Idol Season 23 standout John Foster is already living out the kind of country music dream most only imagine. The small-town Louisiana teen has officially signed a $1 million record deal with MCA Nashville—the same legendary label that’s home to icons like George Strait, Reba McEntire, and Vince Gill.

“This is more than just a dream,” Foster shared at his Nashville signing. “George Strait was my hero growing up, and now I’m on the same label he’s on. I’m so thankful—and I’m ready to get to work.”

A New Star with a Classic Sound
Music industry insiders are already calling the deal one of the biggest to come out of American Idol in recent years, praising Foster’s blend of traditional country roots and authentic storytelling.

“John has the heart, the voice, and the grit. He’s everything we believe country music needs right now,” said [Executive Name], VP of A&R at MCA Nashville. “This isn’t just a signing—it’s an investment in the future of the genre.”

Foster’s old-school sound—with its steel guitar, honest lyrics, and down-home charm—has drawn comparisons to the likes of George Strait, Randy Travis, and even Alan Jackson. But make no mistake—his voice and story are entirely his own.

Big Plans Ahead
Foster’s debut album is already in the works and expected to release in early 2026, with a first single dropping later this year. And yes, a national tour is also being planned for 2026.

“I’m not chasing trends,” he said. “I just want to make music that feels real—music that sounds like home.”

That commitment to honesty is what won fans over during his Idol run, and it’s clearly what’s guiding his next chapter.

Fans React: “He’s the Real Deal”
Social media lit up as the news broke, with fans celebrating what they see as the start of something special.

“$1 million?? He’s worth every bit of it. Can’t wait for the album.”
“This is the beginning of something big—he’s the next George Strait.”
“That voice, that heart—John Foster is what Nashville’s been missing.”

Clips of Foster’s emotional Idol performance of “I Cross My Heart” have resurfaced online, reminding everyone why they fell in love with his voice in the first place.

One fan summed it up best:

“We watched him grow, and now he’s flying. This isn’t just a win for John—this is a win for country music.”

Ella Langley kicked off her Still Hungover Tour with a bang—and a surprise that left fans buzzing all night long.

Fresh off a massive year thanks to her debut album hungover and the runaway success of “you look like you love me,” Ella launched her 2025 tour in front of a sold-out crowd at Oklahoma City’s Tower Theatre. Fans came ready for a party, and Ella delivered with favorites like “Paint The Town Blue,” “That’s Why We Fight,” “Girl You’re Taking Home,” and her latest viral track, “weren’t for the wind.”

@afiler

✨LIVE✨Ella Langley @Ella Langley surprises OKC with special guest, Wyatt Flores @Wyatt Flores performing, YOU LOOK LIKE YOU LOVE ME🖤 #ella #ellalangley #ellalangleymusic #ellalangleylive #youlooklikeyouloveme #wyatt #wyattflores #wyattfloresmusic #country #countrymusic #live #liveduet #liveperformance #livecountry #f #fy #fyp #fypシ #for #foryoupage #foryourpage #ok #oklahoma #oklahomacity #okc #towertheatre #towertheatreokc

♬ original sound – Ashley Filer

But the biggest moment of the night? A surprise guest appearance by Oklahoma’s own Wyatt Flores.

Stepping in for Riley Green during “you look like you love me,” Flores strolled out to roaring applause and looked right at home. Despite dealing with some technical hiccups—his in-ear monitors weren’t exactly cooperating—Wyatt powered through with a huge smile and genuine energy that lit up the stage. His chemistry with Ella was undeniable, making the beloved duet feel fresh, fun, and downright magical.

Fans couldn’t get enough of the duo’s raw vocals and easy connection. And judging by the reaction, it’s safe to say: we need an official duet from these two, like, yesterday.

Ella’s Still Hungover Tour is just getting started, and if the first night is any indication, fans are in for something special.

Keep an eye out—these two might just pop up together again. And if they do? You won’t want to miss it.

Ella Langley and Riley Green gave fans an unforgettable moment at the 2024 CMA Awards—not only did they perform their steamy duet “You Look Like You Love Me,” but they also walked away with the trophy for Musical Event of the Year.

The chemistry between the two was undeniable as they brought their hit song to life on stage. Ella started the performance right from the audience, wearing a stunning sheer black outfit with feather details. Seated in front of Parker McCollum and his wife Hallie Ray Light, she stood and began singing the opening lines while making her way toward the stage. She even gave a playful nod to the lyrics by tipping Michael Trotter Jr.’s cowboy hat as she passed him—talk about stage presence!

When she reached the performance setup—a bar scene complete with stools and beer bottles—Riley Green entered from the crowd, dressed in classic country style with jeans, a crisp white shirt, black suede jacket, and his signature cowboy hat. He strummed his acoustic guitar as he joined Ella on the verse, and soon, they were side by side, locking into rich harmonies that had the crowd hooked.

Their voices blended seamlessly on the chorus:
“Excuse me / You look like you love me / You look like you want me / To want you to come on home…”

Written by Ella Langley, Riley Green, and Aaron Raitiere, “You Look Like You Love Me” is featured on Langley’s debut album Hungover and has quickly become her most-streamed song to date.

Before the awards show, Green shared his thoughts on the song’s rise with the Country Music Association.

“I’ve been a fan of Ella’s for a long time… I didn’t expect it to be such a big hit, but it’s really taken on a life of its own. Long before radio picked it up, fans were already singing along at shows—it’s been a really special one.”

Ella echoed that sentiment in a recent Entertainment Tonight interview, saying,

“Riley was the perfect fit. We grew up on the same kind of music… I actually wrote this song as a joke, never thinking it would go anywhere. So yeah, it’s been a pretty wild ride. It’s changing my life.”

And the journey’s just getting started—Ella will be joining Riley on the Damn Country Music Tour in 2025, bringing that hit duet to even more fans across the country.

A Star-Studded CMA Night
The 2024 CMA Awards were packed with epic performances and unexpected collaborations. Alongside Langley and Green’s fan-favorite moment, artists like Luke Bryan, Lainey Wilson, Post Malone, Cody Johnson, Ashley McBryde, and Chris Stapleton all took the stage.

Other memorable highlights included Kelsea Ballerini and Noah Kahan’s emotional duet “Cowboys Cry Too,” Post Malone teaming up with Stapleton for “California Sober,” and a heartfelt tribute to Tom Petty by Dierks Bentley, Molly Tuttle, and others.

Brooks & Dunn joined Jelly Roll for a powerhouse performance of “Believe,” and Thomas Rhett and Teddy Swims mashed up their current hits in an unexpected yet crowd-pleasing moment.

The evening was hosted by Luke Bryan, Peyton Manning, and Lainey Wilson and aired live from Nashville’s Bridgestone Arena on November 20. If you missed it, you can still catch all the magic on Hulu starting November 21.

@rfdtv

@Ella Langley performs “you look like you love me” live in Nashville, TN #ellalangley #youlooklikeyouloveme #rileygreen #livemusic #nashville #musiccity

♬ you look like you love me – Ella Langley & Riley Green