On the evening of September 24, 2019, in Houston, Texas, a truly unforgettable moment unfolded when music icon Phil Collins delivered an emotional performance that left the crowd visibly moved. For the first time ever, he performed his heartfelt ballad “You Know What I Mean” alongside his son, Nic Collins, who played the piano with quiet passion and poise.

Before launching into the song, Phil treated the audience to his trademark wit, sharing humorous tales about life on the road and fellow artists like Sting. One playful moment came when a fan shouted, “We love you, Sting!”, prompting laughter from the entire venue. Then came the unexpected emotional pivot — as Phil chatted onstage, Nic quietly approached him and said, “Let’s get started, Dad!” The impromptu cue wasn’t part of the planned set, adding a layer of raw authenticity to the night.

“You Know What I Mean” hails from Face Value, Phil’s 1981 debut solo album, and holds special meaning for both father and son. It’s the only song from Phil’s catalog that Nic has publicly said he truly loves — a fact that gave their duet added emotional weight. Filmed from a prime fourth-row center spot, the video captures not just a song, but an intimate, once-in-a-lifetime connection between two generations of musicians.

More than just a standout performance, the duet became a symbol of love, legacy, and shared artistry. In that moment, fans weren’t just witnessing music — they were part of a tender exchange between a father and his son, wrapped in melody and memory.

You can find the full performance on YouTube — but don’t be surprised if it moves you to tears. It’s one of those rare moments that remind us why music matters.

The air crackled with anticipation as three of rock’s most iconic figures—Queen, Elton John, and Axl Rose—took the stage at the Freddie Mercury Tribute Concert in 1992. What followed was nothing short of magic: a spine-tingling performance of Bohemian Rhapsody that would forever be etched into the annals of music history.

From the first haunting notes of Elton John’s piano, the crowd at London’s Wembley Stadium was spellbound. His delicate yet commanding touch breathed new life into the song’s legendary opening, setting the stage for an emotional journey. Then came Brian May’s guitar—searing, soulful, and unmistakably Queen—ripping through the air with the same fiery brilliance that had defined the band’s golden era.

But the true showstopper was Axl Rose. Stepping into Freddie’s colossal shoes, the Guns N’ Roses frontman delivered a vocal performance that was both raw and reverent. His signature rasp added a gritty edge to the operatic masterpiece, while his electrifying stage presence ignited the crowd. As he belted out the climactic “Nothing really matters…” with unrestrained passion, it was clear: this wasn’t just a cover—it was a heartfelt homage to a fallen icon.

The audience roared, millions watching worldwide held their breath, and for those six minutes, Freddie’s spirit felt palpably alive. The collaboration wasn’t just a meeting of legends—it was a testament to the enduring power of Bohemian Rhapsody, a song that transcends time, genre, and even its own creator.

Decades later, the performance still gives chills. It’s more than a concert moment; it’s a reminder of Freddie Mercury’s unmatched genius and the way music can unite the past and present in one breathtaking crescendo. For anyone who’s ever air-guitared to May’s solo or sung their heart out to Mercury’s high notes, this tribute remains the ultimate celebration of rock’s greatest anthem—and the immortal voice behind it.

It was the kind of moment that no one expected — one that instantly captured the imagination of music and fashion enthusiasts worldwide.

Rock legend Sir Mick Jagger and his former wife, iconic supermodel Jerry Hall, shared a rare public reunion as they came together to celebrate a deeply personal milestone: the wedding of their son, James Jagger, to the radiant Anoushka Sharma. Though long divorced, the pair stood united, their presence adding depth and emotion to an already unforgettable celebration.

The ceremony itself was a vision of elegance. Anoushka floated down the aisle in an ethereal white gown adorned with delicate lacework that danced in the soft sunlight. Her veil, light as air, trailed behind her with timeless grace, while her luminous smile made her the very picture of joy. James stood waiting, striking a bold figure in a vivid blue suit and artfully printed shirt — a quiet nod to his father’s legendary rock style. Together, they exuded the kind of effortless glamour that belongs in storybooks.

Still, despite the charm of the newlyweds, it was the presence of Mick and Jerry that drew the most attention. Side by side, they watched their son with visible pride, their occasional smiles and shared glances speaking volumes. The moment wasn’t just about vows and rings — it was about growth, reconciliation, and the enduring strength of family.

Photos of the once-power couple embracing and smiling for family portraits quickly lit up social media. Fans around the globe reacted with awe and nostalgia, reminded of a time when Mick and Jerry ruled the worlds of rock and runway. Their complex past — laced with highs and lows, glamour and heartbreak — seemed to fade away for a moment, replaced by a quiet, mutual respect.

Guests noted that Jerry grew visibly emotional during the ceremony, dabbing her eyes as James slipped the ring onto Anoushka’s hand. Mick, ever the charismatic raconteur, delivered a spirited toast filled with humor and heartfelt reflections, drawing laughter and applause from the crowd. Beneath the bravado, though, there was a gentle vulnerability — the unmistakable pride of a father witnessing his son begin a new chapter.

Later that night, as the newlyweds swayed to their first dance, Mick and Jerry were seen standing just feet apart, their movements mirroring the music in an almost subconscious rhythm. It was a fleeting, wordless exchange — one that hinted at history, healing, and the ties that bind long after romance ends.

Images from the evening have since gone viral, sparking emotional reactions across the internet: “Absolutely beautiful.” “Such grace.” “This touched my heart.”

For one dazzling night, the Jagger-Hall family reminded the world that while relationships may shift and evolve, the bonds of love — especially those forged in parenthood — are lasting, resilient, and, sometimes, quietly profound.

Robert Plant has consistently taken a tactful stance when it comes to the topic of a Led Zeppelin reunion, often sidestepping speculation without direct comment. His silence was particularly notable following the release of the widely praised Becoming Led Zeppelin documentary, which introduced the iconic band to a fresh generation of fans.

Still, Plant has never distanced himself from Led Zeppelin’s musical legacy when it comes to his live performances. A newly resurfaced video of his 2014 appearance at the Pinkpop Festival in the Netherlands proves just that. Shared recently via the festival’s official YouTube channel, the footage captures Plant and his band, the Sensational Space Shifters, delivering a dynamic nine-song performance featuring five Led Zeppelin staples.

The set kicks off with Babe I’m Gonna Leave You—originally written by American folk artist Anne Bredon but credited to “Trad. arr. Page” on Zeppelin’s debut LP. Plant follows with powerful renditions of Black Dog, Going to California, Ramble On, and Whole Lotta Love.

The rest of the set showcases a blend of blues and folk influences, including a cover of Willie Dixon’s Spoonful, the traditional tune Little Maggie, and two of Plant’s solo tracks: Funny in My Mind (I Believe I’m Fixin’ to Die)—inspired by Bukka White’s Fixin’ to Die Blues—and Tin Pan Valley.

Pinkpop’s YouTube channel also features memorable performances from a diverse lineup of acts such as Soundgarden, Rage Against The Machine, Lenny Kravitz, Sepultura, Rammstein, Korn, Smashing Pumpkins, Faith No More, and Skunk Anansie.

Next month, Robert Plant will return to the stage with Suzy Dian and their band Saving Grace, with scheduled shows across France and Spain. Full tour dates are listed below.

Saving Grace with Robert Plant & Suzi Dian: 2025 tour dates

Jul 10: Saint-Malô-du-Bois Festival de Poupet, France
Jul 13: Lucca Summer Festival, Italy
Jul 15: Antibes Theatre Antique Vienne, France
Jul 17: Vienne Theatre Antique, France
Jul 19: Salon-de-Provence Château de l’Empéri, France
Jul 21: Marciac Jazz in Marciac, France
Jul 23: Carcassonne Festival de Carcassonne, France
Jul 26: Granada Palacio De Congresos De Granada, Spain
Jul 28: Valencia Palau de les Arts, Spain
Jul 30: Barcelona Teatro Liceo – Milleni Concert Series, Spain

What began as a routine episode of The Tonight Show quickly transformed into something unforgettable — a moment of rare vulnerability that silenced a studio and moved the world.

The set glowed in its usual soft hues, the Roots played their final notes, and the stage was set for what viewers expected to be another polished performance. Then Michael Bublé emerged. But this wasn’t the affable crooner the audience knew. There was a stillness in his posture, a gravity in his expression. He took the mic, and everything changed.

From the first bars of Sam Cooke’s “Bring It On Home to Me,” it was clear this was not just music — it was a reckoning. Bublé’s voice, always smooth and golden, now carried the scars of lived experience. His delivery was raw, stripped of artifice. Every syllable felt pulled from somewhere deep inside, each phrase saturated with longing and loss.

The audience, normally quick to cheer, sat in silent awe. Even Jimmy Fallon, famed for his quick wit and constant energy, was visibly shaken. He didn’t crack a joke, didn’t offer commentary. Instead, he stared in stunned silence, visibly moved. When the final note faded into the quiet, Fallon finally found his voice, breathless: “Oh my goodness, COME ON!”

That outburst broke the spell — and then the room erupted. Applause thundered through the studio. People rose to their feet, some wiping away tears. Others simply stood still, overwhelmed. In that moment, it wasn’t just a song they were applauding — it was the raw humanity behind it.

Social media was immediate and explosive. Clips of the performance spread like wildfire, accompanied by hashtags like #BubléUnplugged and #SoulOnStage. Fans and artists alike shared their shock and admiration. “I’ve never seen him like that,” one tweet read. “It wasn’t a performance — it was a release.” Another said, “I felt like I watched someone tell the truth for the first time.”

Behind the performance was a deeply personal choice. Sources close to Bublé shared that he had selected the song as a tribute — a reflection of years spent navigating private heartache, especially his son’s battle with cancer. That pain, that gratitude, that fragile joy — it all found its way into every note he sang that night.

Critics didn’t hesitate to declare it an instant classic. Publications called it “one of the purest expressions of grief and grace on network television.” Seasoned performers took to their platforms to praise the honesty. One iconic singer wrote, “He didn’t just sing — he testified.”

Later that week, Fallon spoke about the moment in his monologue: “We’ve had some unbelievable music on this stage. But every so often, something happens that transcends the show. Michael gave us more than a performance. He gave us a glimpse into something real — and we’ll never forget it.”

For those who witnessed it, live or online, that night redefined what live television can do. Michael Bublé didn’t just share a song — he opened a door to something deeply human. And the world listened.

Two of rock music’s most iconic legends, Bruce Springsteen and Jon Bon Jovi, joined forces for a rare and electrifying live performance at the prestigious MusiCares Person of the Year gala last night. Held at the Los Angeles Convention Center, the annual benefit concert honored a lifetime of artistic achievement and philanthropic efforts.

The star-studded event brought together music industry luminaries to celebrate the honoree — whose name is traditionally revealed at the event — but it was the high-voltage duet by Springsteen and Bon Jovi that stole the show. Performing a medley of their classic hits, including “Born to Run” and “Livin’ on a Prayer,” the two New Jersey natives sent the crowd into a frenzy, receiving standing ovations throughout the set.

“This is more than just a performance — it’s a celebration of resilience, community, and the power of music,” said Springsteen during a brief moment between songs. Bon Jovi added, “To be here with Bruce, honoring someone who has given so much to both music and humanity, is a full-circle moment.”

Proceeds from the evening will support MusiCares, the Recording Academy’s charity that provides critical assistance to musicians in need — including mental health services, addiction recovery support, and financial aid.

Other performers of the night included Alicia Keys, Foo Fighters, and H.E.R., making it one of the most memorable MusiCares events in recent history.

Under a Caribbean sky thick with heat and rhythm, Lucas Jagger found himself caught between two emotions: secondhand embarrassment and undeniable pride.

Before him, on the intimate yet electric stage of the Mustique Blues Festival, his father — yes, that father — was doing what he does best: bending time and logic with nothing but a mic and his legendary swagger.

Mick Jagger, 80 years young and still impossible to ignore, wasn’t about to let a milestone birthday turn him into a spectator. As the beat of “Moves Like Jagger” kicked in, he transformed from aging rock icon to gleeful chaos machine. His limbs moved with the unpredictability of a firecracker; each twirl, thrust, and strut summoned screams from the sunburned, starstruck crowd.

Lucas, parked safely in the VIP section, could only stare as the Rolling Stone rolled back the years in front of hundreds. He half-covered his face, as if shielding himself from the sheer spectacle of it all. Cameras flashed. Videos flew onto social media in real-time. Already, the captions were rolling in: “Mick’s still got it at 80!” and “Legend never rests.”

“He’s doing the thing again,” Lucas muttered under his breath, his tone equal parts awe and dread.

The crowd, though, wasn’t laughing. They were entranced. Some danced along awkwardly, trying to echo that famous looseness. Others simply stood frozen, watching a man who seemed to have no business moving like that at his age — yet did so with zero shame and total joy.

A woman beside Lucas leaned in, smiling knowingly. “You’re witnessing something rare. Most people never see their parents live so fully.”

And with that, Lucas softened. She wasn’t wrong. How many people ever get to say their dad once reinvented cool—and was still doing it on tropical dance floors well into his 80s?

When Mick hit the high point of the performance — all grins, arms flailing, tongue out in that iconic, impish flash — the crowd lost it. Palm trees shook with applause. Phones tilted, filming his every twist. His body glistened under the lights, not with fatigue, but with the kind of sweat only joy produces.

And when the final beat dropped, Mick struck a ridiculous, over-the-top bow, like a rock god performing Shakespeare. The crowd responded with the kind of roar that could echo for miles.

Later that night, walking along the beach under a moon that seemed to wink knowingly, Lucas nudged the man beside him — the one whose hips had defied not just science, but probably good judgment.

“Be honest, Dad… how are you still doing this?”

Mick just laughed, wrapping an arm around his son. “It’s not about how, Lucas. It’s about why. And the answer’s always been the same: the music never stops.”

In that moment, Lucas realized the truth. His father wasn’t just dancing to a song. He was dancing through life — with no plans to sit down anytime soon.

When two rock legends join forces on stage, magic is bound to happen—and that’s exactly what fans witnessed when Sheryl Crow and Joe Walsh teamed up to perform “Still the Good Old Days” and “Walk Away.” Blending classic rock vibes with contemporary energy, their collaboration was a celebration of enduring musical legacy, chemistry, and raw talent.

“Still the Good Old Days” – A Song About Embracing the Moment

Originally featured on Crow’s 2019 album “Threads,” “Still the Good Old Days” is a playful, upbeat duet that features Joe Walsh both vocally and on guitar. The lyrics echo a sentiment that resonates with many: while we might look back fondly on the past, there’s no reason the present can’t be just as good—if not better.

Watching Crow and Walsh perform it live brings a special kind of joy. Their smiles, their harmonies, and the effortless musical banter between them convey a real sense of camaraderie. It’s not just a performance—it’s a conversation between two artists who genuinely enjoy playing together.

“Walk Away” – A Blast from the Past

Joe Walsh took things up a notch with a blazing performance of “Walk Away,” his 1971 hit with the James Gang. Sheryl Crow, backing him on vocals and rhythm guitar, gave the song a fresh edge while honoring its gritty rock ‘n’ roll roots. Walsh’s signature slide guitar solos were as sharp and energetic as ever, proving that age has only refined his edge.

The crowd erupted as the song’s iconic riffs echoed through the venue—reminding everyone why Walsh remains a revered guitar hero.

Sheryl Crow and Joe Walsh’s joint performance of “Still the Good Old Days” and “Walk Away” was a powerful reminder of music’s enduring ability to unite, uplift, and transport us. It was more than a concert—it was a celebration of legacy, artistry, and the simple fact that, when it comes to rock and roll, some things only get better with time.

Nearly four decades later, Queen’s explosive “We Will Rock You” performance at Live Aid 1985 continues to echo through music history—and now it’s been officially crowned the most iconic festival moment of all time.

In a nationwide poll of 2,000 Brits, Queen’s legendary set at Wembley Stadium outshined every other contender, taking the top spot with 27% of the vote. The unforgettable moment saw Freddie Mercury command the stage with electrifying charisma, uniting a global audience in one of rock’s most powerful live moments.

Coming in second was David Bowie’s haunting 2000 Glastonbury headliner, tied at 13% with Kylie Minogue’s emotional comeback at the same festival just a year ago.

U2’s stirring Live Aid performance claimed fourth place, while Adele’s 2016 Glastonbury set followed closely behind. The list also paid homage to historic performances like Jimi Hendrix setting his guitar ablaze at Monterey in 1967 and The Who’s iconic set at Woodstock in 1969.

Also making the cut:

Bob Marley’s politically charged Smile Jamaica concert (1976)

Eminem and Rihanna’s duet of “Love The Way You Lie” at V Festival (2011)

The Rolling Stones rocking Glastonbury in 2013

The poll was launched to celebrate the return of Virgin Media’s V Festival, now reimagined as a virtual experience with headliners including Anne-Marie, Olly Murs, and Dizzee Rascal.

Virgin Media’s Chief Brand Officer, Cilesta Van Doorn, remarked:

“Festivals have always brought people together through music, creating lifelong memories. While we couldn’t gather in person this year, we’re thrilled to reignite that spirit virtually—and honor the moments that have defined generations.”

Some concerts entertain — others ignite. On one unforgettable night in 2016, Dallas became ground zero for a rock and roll detonation, courtesy of Joe Walsh and company. With his trademark sly grin, razor-sharp slide guitar, and an entire career’s worth of attitude strapped to his shoulders, Walsh didn’t just play a show — he unleashed a reckoning.

Sharing the stage with seasoned partners Waddy Wachtel and Joe Vitale, Walsh led a sonic charge that felt less like a trip down memory lane and more like a resurrection. And when they launched into “The Bomber,” it was clear: this wasn’t nostalgia — this was raw, undiluted power.

First appearing in 1970 on James Gang Rides Again, “The Bomber” isn’t your typical rock track. It’s part assault, part symphony — a daring medley that throws together thunderous riffs, a swirling homage to Ravel’s “Boléro,” and a cool detour into “Cast Your Fate to the Wind.” In its day, it pushed boundaries. In Dallas, it shattered expectations.

What could’ve been a simple callback to a classic instead felt immediate — vital, even. The crowd wasn’t just along for the ride. They were caught in it — from the first chord to the final explosion.

“The Bomber” hits differently live. Maybe it’s the scale, maybe it’s the audacity — or maybe it’s the undeniable energy of a band that knows what it’s doing and why it’s doing it. In a set stacked with anthems like “Life’s Been Good” and “Walk Away,” this wasn’t just a fan favorite — it was the crown jewel.

The beauty of this performance wasn’t just technical brilliance. It was that intangible electricity — the kind that made you forget the year, the decade, maybe even your own age. When Walsh locked in with the crowd, there was no past or present — just the moment, loud and alive.

If the tour name, “One Hell of a Night,” sounded ambitious, Walsh made good on every syllable. Dallas didn’t just get a concert — it got a statement. “The Bomber” wasn’t trotted out like a relic. It was fired like a weapon, aimed straight at the heart of anyone who’s ever said rock is dead.

And if you were lucky enough to be there that night, you know — rock isn’t dead.
It’s just waiting for someone like Joe Walsh to kick the door down and remind us how alive it still is.