Robert Plant and Alison Krauss brought their rare musical magic back to Los Angeles, performing at the Greek Theatre for the first time since their Grammy-winning run in 2008. The set featured songs from their two joint albums, Raising Sand (2007) and Raise the Roof (2021), along with three reimagined Led Zeppelin classics.
Though they come from very different musical worlds — Plant from rock, Krauss from bluegrass — their voices and styles blend beautifully. This duo, formed decades into their solo careers, is a rare and successful partnership that feels both surprising and natural.
The band backing them was outstanding, led by guitarist JD McPherson and drummer Jay Bellerose. McPherson brought energy and soul, while Bellerose’s creative rhythms added a unique feel to every song. Longtime collaborators like Stuart Duncan and Viktor Krauss (Alison’s brother) rounded out the group with rich, rootsy instrumentation.
Highlights of the night included powerful renditions of “The Battle of Evermore” and “When the Levee Breaks,” where Krauss shined with both her voice and violin. A countrified version of “Rock and Roll” added fun and flair early in the set.
While Krauss stayed mostly quiet on stage, Plant handled the banter, joking about their long breaks between tours. The encore, a lively cover of “Can’t Let Go,” sent fans home smiling — and hoping it won’t be another 14 years before the duo returns.
The unforgettable image of Metallica’s iconic frontman, James Hetfield, sharing the stage with pop powerhouse Lady Gaga during their fiery rendition of “Moth Into Flame” is etched into Grammy history. This unlikely duo ignited the 59th Annual Grammy Awards on February 12, 2017, at the Staples Center in Los Angeles.
Their collaboration didn’t originate in a studio or at a record label, but rather over dinner at actor Bradley Cooper’s home. It was there that Metallica drummer Lars Ulrich struck up a conversation with Lady Gaga, and inspiration sparked.
“We were seated next to each other,” Ulrich recalled. “I suddenly thought, ‘This could be awesome.’ So I said, ‘We’re doing the Grammys soon — want to jump in?’ And without hesitation, she said, ‘Absolutely.’”
That spontaneous conversation led to one of the most talked-about live performances of the night — a blistering, genre-defying version of “Moth Into Flame.” But their performance didn’t go entirely according to plan.
Before they even hit their first note, presenter Laverne Cox mistakenly omitted Metallica’s name in the introduction, an oversight she later addressed on Twitter. Then, a technical glitch rendered Hetfield’s microphone silent at the start of the performance.
Rather than faltering, Gaga acted fast. She moved to share her mic with Hetfield, turning what could have been a major setback into a powerful, improvised moment of musical unity.
In fact, it was that raw spontaneity — born from technical failure — that made the performance so compelling. While the rehearsal may have gone off without a hitch, it lacked the electric unpredictability of the live show. Gaga and Hetfield’s quick recovery and shared stage presence captivated the audience and earned applause not just for their music, but for their showmanship.
When the Paris Bercy arena was electric with energy as Bruce Springsteen delivered a rousing performance of his feel-good anthem, “Waitin’ on a Sunny Day.” But it wasn’t just the music that made the evening extraordinary—it was a spontaneous, emotional moment with a young fan that turned the night into something magical.
Midway through the song, as the crowd joyfully echoed the lyrics from The Rising, Springsteen did what few artists of his stature dare to do: he turned the spotlight outward. Noticing a young girl in the audience, he invited her up on stage. Beaming with excitement, she sang along with surprising confidence, holding her own beside one of music’s most iconic performers.
The crowd roared in approval, swept up in the warmth and sincerity of the moment. True to his generous spirit, Springsteen didn’t just share the mic—he shared the moment. After the duet, he gently led the young girl back to her spot in the crowd, making sure she was safe and sound, adding a personal touch that fans will never forget.
Moments like these are what define a Springsteen concert. Beyond the soaring guitars and timeless lyrics, it’s the deep human connection he fosters that leaves a lasting impression. That night in Paris wasn’t just a concert—it was a shared experience of joy, kindness, and music that transcended the stage. Once again, The Boss reminded us all why his performances are legendary.
Interest in Bruce Springsteen—affectionately known as “the Boss”—has seen a powerful revival in recent years. His autobiographical Broadway performance, originally staged for two months in 2017 and later adapted into a well-received Netflix special, made a triumphant return in 2021. And now, the buzz is all about his latest U.S. tour with the legendary E Street Band.
Though fans have voiced frustration over steep ticket costs, largely blamed on Ticketmaster’s dynamic pricing algorithms, enthusiasm for Springsteen’s live performances remains sky-high. Despite the financial hurdle, the concerts have been met with glowing reviews. A heartwarming video from 2012, where Springsteen invites a young girl to sing “Waitin’ on a Sunny Day” on stage, illustrates why he continues to capture hearts around the world.
The girl, whose grandparents go by the username Mfernkes, was one of many children Springsteen routinely welcomed on stage for that particular song—a tradition that reflected his belief in resilience and the next generation. “We were lucky he chose our granddaughter, and we were so proud of her,” they shared. And rightly so—it was a moment to remember.
User 42awww commented, “This must be one of the most precious memories of your life! In 20 years, she’ll look back and realize how iconic that moment with Bruce was.” Many others chimed in with praise for Springsteen’s generosity and sincerity. But such genuine connections are being overshadowed by fans’ growing discontent with ticket pricing. In fact, the beloved Springsteen fanzine Backstreets has announced its closure after 43 years, citing the broken ticketing system. They were clear, however, in stating that their frustration lies not with Springsteen himself, but with the near-total control exercised by Ticketmaster.
The core issue dates back to 2010, when Ticketmaster merged with Live Nation—an event promoter and venue operator—effectively consolidating the ticketing industry under one dominant roof. CNBC reports that this conglomerate now holds sway over roughly 70% of the U.S. ticketing and live events market. By managing both venues and ticket sales, the company can inflate prices based on demand, disproportionately impacting fans of artists like Taylor Swift, Beyoncé, and Springsteen. Add to that the pent-up demand for concerts in the wake of the COVID-19 pandemic, and you’ve got a recipe for discontent.
There is, however, a glimmer of hope: the Ticketmaster-Live Nation monopoly is currently being scrutinized in a Senate Judiciary Committee hearing. Fans and artists alike are hoping for a future where attending a concert isn’t financially out of reach.
In the words of Backstreets, “If anything should be said about Bruce Springsteen as we close this chapter, it’s that his remarkable artistry sparked a passionate and lasting fan community for more than four decades. That’s nothing short of extraordinary.”
This Friday, April 25, the Gagosian gallery in Beverly Hills will debut a rare and revealing photo exhibition by none other than Paul McCartney. Titled Paul McCartney: Rearview Mirror: Photographs, December 1963–February 1964, the collection features 36 candid photographs taken by McCartney himself during a pivotal period in Beatles history — just before and during the band’s legendary first trip to America.
Shot through McCartney’s personal lens, the images capture not only iconic moments but also intimate glimpses of Beatlemania in full swing. Locations range from Liverpool and London to New York, Miami, Washington, D.C., and Paris — places where the frenzy of fans followed the Fab Four at every turn. The exhibition showcases a mix of color and black-and-white photos, including spontaneous shots of Paul’s bandmates, crowd scenes, and even self-portraits.
A companion video, now available on the Gagosian’s YouTube channel, gives viewers behind-the-scenes access as McCartney inspects and signs prints at Griffin Editions in Brooklyn. During his visit, he chatted with Joshua Chuang, the gallery’s director of photography, sharing personal anecdotes about the photos and the memories they invoke.
One emotional moment in the video shows McCartney reflecting on a series of photos featuring John Lennon. “He was a great guy,” McCartney says. “I’m proud to have known and worked with him. That part of my life — it’s huge.”
Paul goes on to describe the essence of the era captured in the pictures: “For me, it’s all about remembering the joy. Life moves fast, people come and go — but the good times, the great memories — those stay. That’s what these images bring back.”
Opening Night and Special Features
The opening reception for the exhibit will take place from 5 to 8 p.m. PT on April 25. McCartney worked closely with both Gagosian and Griffin Editions to produce a limited run of signed prints from the collection. A portion of proceeds from sales will support Southern California communities recovering from recent wildfires.
Adding to the experience, the exhibition also features Beatles memorabilia from the early ’60s, plus rare footage from Albert and David Maysles — the documentarians who trailed the band during their 1964 U.S. invasion.
Humor finds its way into the show, too. In one scene from the video, McCartney laughs while examining a photo he snapped of George Harrison lounging poolside in Miami. A woman in a bikini hands George a drink as the camera captures his teen complexion in vivid detail.
“These days, someone would’ve airbrushed those pimples out,” Paul jokes. “But here we are highlighting them. Sorry, George — you’re still a heartthrob.”
He fondly recalls their school days: “George was my little mate. We met on the bus to school, can you believe it?”
Another highlight includes McCartney reminiscing about the band’s landmark appearance on The Ed Sullivan Show. “At first, we thought it was just another TV gig,” Paul admits. But just before stepping out for a solo performance, a crew member gave him a jarring heads-up: “You nervous? You should be — 73 million people are watching.” With that, the curtains opened. “And I’m just standing there, thinking, ‘Ahhhh!’” Paul laughs.
The Rearview Mirror exhibit runs through June 21 — a nostalgic, heartfelt, and often humorous window into one of the most iconic moments in music history, captured through the eyes of someone who lived it.
On May 26, 2010, during the finale of American Idol, Barry and Robin Gibb stepped into the spotlight together. The stage dimmed, and the first notes of “How Deep Is Your Love” drifted through the air. But what unfolded wasn’t just a song—it was a moment suspended in time.
It would be the last time the Bee Gees, legendary siblings of sound and soul, would perform together. Maurice had already passed, and though Robin’s illness remained mostly private, its shadow loomed. Still, in that instant, none of it mattered. The music rose above loss. Two brothers stood united in harmony, as if the song itself were holding them together.
Their voices blended with a fragile intensity that seemed to still the entire arena. Barry watched Robin with a look heavy with emotion—regret, love, perhaps the weight of finality. The lyrics, once romantic, now felt like an elegy. “How deep is your love?” wasn’t just sung; it was pleaded.
As the last chord faded into silence, the audience sat breathless before bursting into applause. Barry and Robin exchanged a long, quiet glance—one that fans would later revisit, realizing its significance. Within two years, Robin would be gone.
That performance has since become more than a memory. It was a goodbye masked in melody—a final communion between two brothers, bound by music, marked by loss, and remembered in love.
On the night of October 31, 2024, Centre Bell in Montréal, Quebec, was transformed into a rock and roll cathedral as Bruce Springsteen and The E Street Band delivered a performance for the ages. The crowd reached a fever pitch during their rousing rendition of “Twist and Shout,” when Springsteen called on fans to bring the noise—and they answered with a thunderous response that shook the arena to its foundations.
It was more than just a concert—it was a moment etched in music history. While no recording can fully capture the electric energy in the room, those lucky enough to be there felt the magic firsthand. The E Street Band fed off the crowd’s relentless enthusiasm, and even Springsteen, a veteran of legendary shows, was visibly moved. He later called the audience “one of the most incredible arena crowds we’ve ever had.”
Montréal has long been known for its passionate music scene, but this performance reaffirmed the city’s status as a powerhouse of live music devotion. Springsteen’s connection with the audience was palpable, turning “Twist and Shout” into more than a song—it became a communal celebration, a symphony of voices shaking Centre Bell like never before.
Originally scheduled for November 2023, this rescheduled Halloween show became a defining high point of the 2024 tour. The finale left fans buzzing, with many proclaiming it one of the best Springsteen shows in recent memory. With footage of the event now going viral, it’s a must-watch for any fan of The Boss.
In a heartfelt and unexpected musical moment, Metallica frontman James Hetfield stepped away from heavy riffs to share the stage with his daughter, Cali Hetfield, for an emotional acoustic cover of Adele’s ballad “Crazy for You.”
The performance, captured on video and now making waves across social media, showcases a different side of the iconic rocker. Seated with an acoustic guitar, Hetfield provides a gentle, stripped-down accompaniment while his daughter takes the lead with powerful, soulful vocals that have quickly captivated fans around the world.
The intimate duet took place during a special charity event in their hometown, giving fans a rare glimpse of Hetfield in a quieter, more personal setting. The chemistry between father and daughter is palpable, with James occasionally joining in with soft harmonies, clearly proud of Cali’s impressive vocal control and emotional delivery.
Fans and fellow musicians alike have responded with overwhelming praise, with many calling the performance “goosebump-inducing” and “unexpectedly beautiful.” For longtime Metallica fans, the moment offered a touching contrast to Hetfield’s usual onstage persona, revealing a tender, family-oriented side of the legendary frontman.
Cali Hetfield has occasionally appeared alongside her father in past events, but this performance has sparked renewed interest in her musical future. While no official plans for solo releases have been announced, many are hoping this is just the beginning of more collaborations—or even a debut from the younger Hetfield.
This unique father-daughter duet proves that great music knows no boundaries, bridging the gap between genres, generations, and hearts. Whether you’re a diehard Metallica fan or a devoted Adele listener, this performance is well worth the watch.
On a warm July night in 2017, two of music’s most beloved voices—James Taylor and Bonnie Raitt—shared the stage at San Francisco’s AT&T Park for a performance that would linger in the hearts of fans long after the final chord faded. Among the many magical moments from their co-headlining summer tour, one stood above the rest: a deeply moving rendition of Taylor’s classic ballad, “You Can Close Your Eyes.”
Captured in a heartfelt fan video, this tender duet radiated authenticity and emotional resonance. Taylor, seated with his acoustic guitar, began the song with gentle familiarity. Raitt, standing by his side, joined in with soulful harmonies that wrapped around his vocals like an embrace. Their connection—both personal and musical—was unmistakable, creating a moment of profound beauty.
The performance was a highlight of a nationwide stadium tour that saw the duo playing to packed crowds in iconic venues like Fenway Park, Wrigley Field, and the Toyota Center. Time and again, “You Can Close Your Eyes” served as the evening’s quiet crescendo—a gentle goodbye that often closed the show, leaving audiences visibly moved.
Originally penned by Taylor in 1971 for his Mud Slide Slim and the Blue Horizon album, the song has long held a cherished spot in his repertoire. Yet with Raitt’s graceful harmonies, it took on new life—its poignancy intensified, its message more intimate. As reported by the Houston Press, the song often stirred visible emotion, prompting tears and embraces among concertgoers.
More than a duet, their performance was a masterclass in understated brilliance—proof that simplicity, when paired with sincerity, can be utterly transcendent. Taylor and Raitt, both legends in their own right, reminded us that some songs grow even richer with time and experience.
Whether experienced live under the stars or discovered later on screen, their 2017 rendition of “You Can Close Your Eyes” stands as a timeless moment in concert history—one that continues to resonate with anyone who believes in the enduring magic of music.
At a recent awards gala in London, Paul McCartney took the stage to present a major honor to his friend Bruce Springsteen—delivering a mix of admiration and light-hearted ribbing that delighted the crowd. Springsteen made history as the first artist from outside the U.K. to receive the Ivor Novello Academy Fellowship, a top accolade recognizing songwriting excellence.
McCartney didn’t miss the opportunity for a cheeky jab. “I couldn’t imagine a more deserving winner,” he said, before humorously suggesting other music legends like Bob Dylan, Paul Simon, Billy Joel, Beyoncé, and Taylor Swift might have given Springsteen a run for the title. He poked fun at Springsteen’s rugged, blue-collar persona, quipping, “He looks like the working man’s hero—but the man’s never had a proper job in his life.” Still, McCartney praised his friend’s immense talent, adding, “He’s easily top five. Maybe.”
Accepting the honor, Springsteen kept the laughs coming as he shared a recent memory of performing in northern England’s notoriously harsh weather. “The rain was coming sideways, the wind howling,” he said. “And I thought, ‘What is this madness?’” But looking out at the soaked, cheering crowd, he felt a strong sense of kinship. “These folks—these are my people,” he said with a grin.
He also took the audience back to his first U.K. visit in 1975, chuckling about his less-than-stellar experience with airplane food and his hunt for American-style cheeseburgers upon landing. At the Hammersmith Odeon, he was greeted by a massive sign that read: “London is finally ready for Bruce Springsteen.” Laughing, he recalled thinking, “Are you sure London’s ready for me?”
The Ivor Novello Awards are determined by the Ivors Academy, and this year, Springsteen received their most prestigious honor. Fellow music great Bernie Taupin was also recognized for his Outstanding Contribution to British Music.
