This Friday, April 25, the Gagosian gallery in Beverly Hills will debut a rare and revealing photo exhibition by none other than Paul McCartney. Titled Paul McCartney: Rearview Mirror: Photographs, December 1963–February 1964, the collection features 36 candid photographs taken by McCartney himself during a pivotal period in Beatles history — just before and during the band’s legendary first trip to America.

Shot through McCartney’s personal lens, the images capture not only iconic moments but also intimate glimpses of Beatlemania in full swing. Locations range from Liverpool and London to New York, Miami, Washington, D.C., and Paris — places where the frenzy of fans followed the Fab Four at every turn. The exhibition showcases a mix of color and black-and-white photos, including spontaneous shots of Paul’s bandmates, crowd scenes, and even self-portraits.

A companion video, now available on the Gagosian’s YouTube channel, gives viewers behind-the-scenes access as McCartney inspects and signs prints at Griffin Editions in Brooklyn. During his visit, he chatted with Joshua Chuang, the gallery’s director of photography, sharing personal anecdotes about the photos and the memories they invoke.

One emotional moment in the video shows McCartney reflecting on a series of photos featuring John Lennon. “He was a great guy,” McCartney says. “I’m proud to have known and worked with him. That part of my life — it’s huge.”

Paul goes on to describe the essence of the era captured in the pictures: “For me, it’s all about remembering the joy. Life moves fast, people come and go — but the good times, the great memories — those stay. That’s what these images bring back.”

Opening Night and Special Features

The opening reception for the exhibit will take place from 5 to 8 p.m. PT on April 25. McCartney worked closely with both Gagosian and Griffin Editions to produce a limited run of signed prints from the collection. A portion of proceeds from sales will support Southern California communities recovering from recent wildfires.

Adding to the experience, the exhibition also features Beatles memorabilia from the early ’60s, plus rare footage from Albert and David Maysles — the documentarians who trailed the band during their 1964 U.S. invasion.

A Glimpse at the Lighter Side

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Humor finds its way into the show, too. In one scene from the video, McCartney laughs while examining a photo he snapped of George Harrison lounging poolside in Miami. A woman in a bikini hands George a drink as the camera captures his teen complexion in vivid detail.

“These days, someone would’ve airbrushed those pimples out,” Paul jokes. “But here we are highlighting them. Sorry, George — you’re still a heartthrob.”

He fondly recalls their school days: “George was my little mate. We met on the bus to school, can you believe it?”

Another highlight includes McCartney reminiscing about the band’s landmark appearance on The Ed Sullivan Show. “At first, we thought it was just another TV gig,” Paul admits. But just before stepping out for a solo performance, a crew member gave him a jarring heads-up: “You nervous? You should be — 73 million people are watching.” With that, the curtains opened. “And I’m just standing there, thinking, ‘Ahhhh!’” Paul laughs.

The Rearview Mirror exhibit runs through June 21 — a nostalgic, heartfelt, and often humorous window into one of the most iconic moments in music history, captured through the eyes of someone who lived it.

On May 26, 2010, during the finale of American Idol, Barry and Robin Gibb stepped into the spotlight together. The stage dimmed, and the first notes of “How Deep Is Your Love” drifted through the air. But what unfolded wasn’t just a song—it was a moment suspended in time.

It would be the last time the Bee Gees, legendary siblings of sound and soul, would perform together. Maurice had already passed, and though Robin’s illness remained mostly private, its shadow loomed. Still, in that instant, none of it mattered. The music rose above loss. Two brothers stood united in harmony, as if the song itself were holding them together.

Their voices blended with a fragile intensity that seemed to still the entire arena. Barry watched Robin with a look heavy with emotion—regret, love, perhaps the weight of finality. The lyrics, once romantic, now felt like an elegy. “How deep is your love?” wasn’t just sung; it was pleaded.

As the last chord faded into silence, the audience sat breathless before bursting into applause. Barry and Robin exchanged a long, quiet glance—one that fans would later revisit, realizing its significance. Within two years, Robin would be gone.

That performance has since become more than a memory. It was a goodbye masked in melody—a final communion between two brothers, bound by music, marked by loss, and remembered in love.

On the night of October 31, 2024, Centre Bell in Montréal, Quebec, was transformed into a rock and roll cathedral as Bruce Springsteen and The E Street Band delivered a performance for the ages. The crowd reached a fever pitch during their rousing rendition of “Twist and Shout,” when Springsteen called on fans to bring the noise—and they answered with a thunderous response that shook the arena to its foundations.

It was more than just a concert—it was a moment etched in music history. While no recording can fully capture the electric energy in the room, those lucky enough to be there felt the magic firsthand. The E Street Band fed off the crowd’s relentless enthusiasm, and even Springsteen, a veteran of legendary shows, was visibly moved. He later called the audience “one of the most incredible arena crowds we’ve ever had.”

Montréal has long been known for its passionate music scene, but this performance reaffirmed the city’s status as a powerhouse of live music devotion. Springsteen’s connection with the audience was palpable, turning “Twist and Shout” into more than a song—it became a communal celebration, a symphony of voices shaking Centre Bell like never before.

Originally scheduled for November 2023, this rescheduled Halloween show became a defining high point of the 2024 tour. The finale left fans buzzing, with many proclaiming it one of the best Springsteen shows in recent memory. With footage of the event now going viral, it’s a must-watch for any fan of The Boss.

On a warm July night in 2017, two of music’s most beloved voices—James Taylor and Bonnie Raitt—shared the stage at San Francisco’s AT&T Park for a performance that would linger in the hearts of fans long after the final chord faded. Among the many magical moments from their co-headlining summer tour, one stood above the rest: a deeply moving rendition of Taylor’s classic ballad, “You Can Close Your Eyes.”

Captured in a heartfelt fan video, this tender duet radiated authenticity and emotional resonance. Taylor, seated with his acoustic guitar, began the song with gentle familiarity. Raitt, standing by his side, joined in with soulful harmonies that wrapped around his vocals like an embrace. Their connection—both personal and musical—was unmistakable, creating a moment of profound beauty.

The performance was a highlight of a nationwide stadium tour that saw the duo playing to packed crowds in iconic venues like Fenway Park, Wrigley Field, and the Toyota Center. Time and again, “You Can Close Your Eyes” served as the evening’s quiet crescendo—a gentle goodbye that often closed the show, leaving audiences visibly moved.

Originally penned by Taylor in 1971 for his Mud Slide Slim and the Blue Horizon album, the song has long held a cherished spot in his repertoire. Yet with Raitt’s graceful harmonies, it took on new life—its poignancy intensified, its message more intimate. As reported by the Houston Press, the song often stirred visible emotion, prompting tears and embraces among concertgoers.

More than a duet, their performance was a masterclass in understated brilliance—proof that simplicity, when paired with sincerity, can be utterly transcendent. Taylor and Raitt, both legends in their own right, reminded us that some songs grow even richer with time and experience.

Whether experienced live under the stars or discovered later on screen, their 2017 rendition of “You Can Close Your Eyes” stands as a timeless moment in concert history—one that continues to resonate with anyone who believes in the enduring magic of music.

At a recent awards gala in London, Paul McCartney took the stage to present a major honor to his friend Bruce Springsteen—delivering a mix of admiration and light-hearted ribbing that delighted the crowd. Springsteen made history as the first artist from outside the U.K. to receive the Ivor Novello Academy Fellowship, a top accolade recognizing songwriting excellence.

McCartney didn’t miss the opportunity for a cheeky jab. “I couldn’t imagine a more deserving winner,” he said, before humorously suggesting other music legends like Bob Dylan, Paul Simon, Billy Joel, Beyoncé, and Taylor Swift might have given Springsteen a run for the title. He poked fun at Springsteen’s rugged, blue-collar persona, quipping, “He looks like the working man’s hero—but the man’s never had a proper job in his life.” Still, McCartney praised his friend’s immense talent, adding, “He’s easily top five. Maybe.”

Accepting the honor, Springsteen kept the laughs coming as he shared a recent memory of performing in northern England’s notoriously harsh weather. “The rain was coming sideways, the wind howling,” he said. “And I thought, ‘What is this madness?’” But looking out at the soaked, cheering crowd, he felt a strong sense of kinship. “These folks—these are my people,” he said with a grin.

He also took the audience back to his first U.K. visit in 1975, chuckling about his less-than-stellar experience with airplane food and his hunt for American-style cheeseburgers upon landing. At the Hammersmith Odeon, he was greeted by a massive sign that read: “London is finally ready for Bruce Springsteen.” Laughing, he recalled thinking, “Are you sure London’s ready for me?”

The Ivor Novello Awards are determined by the Ivors Academy, and this year, Springsteen received their most prestigious honor. Fellow music great Bernie Taupin was also recognized for his Outstanding Contribution to British Music.

In a night carved into the soul of American cultural memory, Bruce Springsteen took the stage at the 1997 Kennedy Center Honors and delivered more than a performance—it was a raw, reverent offering to one of music’s most enduring prophets: Bob Dylan. With his unmistakable rasp and stripped-down gravitas, Springsteen’s rendition of “The Times They Are A-Changin’” became more than homage. It was a mirror, a message, and a movement rekindled.

The grandeur of Washington, D.C.’s Kennedy Center glowed with the presence of dignitaries, artists, and luminaries. Yet, when Springsteen emerged from the wings, dressed in black and haloed by golden light, the room shifted. It was a moment steeped in stillness and anticipation. With every stroke of his guitar, he summoned something ancient and urgent—an echo that had never quite faded.

From the first words—“Come gather ’round people wherever you roam…”—Springsteen did more than revisit Dylan’s anthem. He reignited it. With each line, he conjured the spirit of a generation that had once marched through fire and fog, but his voice wasn’t bound to the past. It cut through the present, laced with grit and grace, reminding everyone that the times are not just changing—they’re demanding it.

As the chorus rose, so too did the audience. Figures of power and prestige leaned in, hushed and humbled. The simplicity of the performance made it seismic. Springsteen wasn’t embellishing; he was excavating. Each lyric, delivered with quiet conviction, became a thread stitching the past to the present. This wasn’t just Dylan’s song anymore—it was everyone’s.

What made the tribute unforgettable wasn’t any grand spectacle. It was the absence of it. No theatrics, no pretense—just reverence. Springsteen didn’t attempt to reinterpret Dylan; he let the song speak through him, with the clarity of a conscience and the weight of lived truth. Every verse was a testament, a bridge built of empathy and endurance.

For Dylan—always the elusive bard—the moment seemed to land with subtle impact. He sat in his seat, offering a small, knowing smile, the kind that says more than applause ever could. It was clear: the message had been received, not as a relic, but as a living pulse.

That evening, Bruce Springsteen didn’t just honor Bob Dylan—he amplified him. He reminded the world that songs of protest and purpose don’t gather dust. They gather strength. “The Times They Are A-Changin’” became, once again, a rallying cry—not locked in history, but alive in the now.

And as the final notes dissolved into the night, something lingered. A spark. A truth. That as long as voices like Springsteen’s carry Dylan’s fire forward, the world will always have reason to change—and to hope.

On September 21, 2019, the stage at Dallas, Texas, ignited with sonic brilliance as rock legend Joe Walsh joined forces with his Eagles bandmate and country music maestro Vince Gill at Eric Clapton’s Crossroads Guitar Festival. Their rendition of “Rocky Mountain Way” didn’t just revisit a classic—it reinvented it with electrifying energy.

From the first growl of Walsh’s iconic talk box intro, the crowd was hooked. His raspy vocals and razor-sharp guitar tone reminded everyone why he remains a towering figure in rock history. Even after all these years, his performance burned with the same fire that made the track a staple of ’70s rock radio.

Vince Gill added a fresh dynamic, weaving his polished country flair into the gritty fabric of the song. His melodic solos and smooth phrasing played perfectly against Walsh’s raw intensity, resulting in a genre-bending jam that felt both nostalgic and new.

The Crossroads Guitar Festival, known for spotlighting guitar excellence, hit a high point with this unforgettable collaboration. Backed by a powerhouse rhythm section, Walsh and Gill transformed the 1973 hit into a masterclass in musical chemistry and showmanship.

As the last chord echoed through the venue, the standing ovation said it all—two masters, one iconic song, and a performance that rocked the Lone Star State to its core.

At the 1997 Rock & Roll Hall of Fame induction, a rare and unforgettable collaboration unfolded on stage as Crosby, Stills & Nash delivered a moving performance of their classic anthem “Teach Your Children.” The moment was made even more special by the presence of two equally influential artists—James Taylor and Emmylou Harris—who joined the trio in a powerful, harmony-rich rendition that celebrated the song’s enduring spirit.

This performance coincided with the long-anticipated induction of Crosby, Stills & Nash into the Hall of Fame. The trio—David Crosby, Stephen Stills, and Graham Nash—had shaped the landscape of American folk rock since their formation in 1968. Renowned for their seamless harmonies and socially reflective lyrics, they became a musical voice for a generation navigating turbulent social and political change.

“Teach Your Children,” a standout track from their 1970 album Déjà Vu (recorded as Crosby, Stills, Nash & Young), remains a timeless call for empathy and understanding between generations. Penned by Graham Nash, the song captures the essence of reciprocal learning and compassion between parents and children. Its gentle cadence and universal message have cemented its place as a beloved folk standard for over 50 years.

The inclusion of James Taylor and Emmylou Harris brought an extra layer of richness to the performance. Taylor, a defining figure in the singer-songwriter movement of the 1970s, lent his signature guitar style and soothing vocals. Harris, whose contributions to country, folk, and Americana are legendary, added a hauntingly beautiful harmony that perfectly complemented the group’s sound.

Together, the five artists created a version of “Teach Your Children” that felt both nostalgic and freshly resonant—a blending of voices and legacies that elevated the song’s message. It wasn’t just a tribute to the past; it was a reminder of music’s power to bridge divides and foster understanding.

That evening stands out as one of the most poignant in Rock & Roll Hall of Fame history—a gathering of kindred musical spirits sharing a message of unity, reflection, and hope that still echoes today.

What happens when rock royalty goes on vacation and winds up center stage at a major festival? Lisbon’s Rock in Rio found out Thursday night when the Rolling Stones welcomed a surprise guest during their headlining set: none other than Bruce Springsteen. The Boss stepped out with guitar in hand to perform a fiery duet with Mick Jagger on the Stones’ classic “Tumbling Dice,” electrifying the Portuguese crowd with a rendition full of swagger and soul.

Hints of the collaboration surfaced earlier in the day when Patti Scialfa, Springsteen’s wife, shared a nostalgic Instagram post tagging Lisbon and featuring a #ThrowbackThursday photo of herself, Bruce, and Jagger—sparking speculation among fans.

This marked only the second live appearance by the Stones since pausing their Australian tour in the wake of L’Wren Scott’s death, a loss that deeply affected frontman Mick Jagger. Their previous concert, held in Oslo, Norway, was notable too—E Street Band guitarist Steven Van Zandt was in the audience, on break from filming his Netflix show Lilyhammer. As the Stones continue their “14 on Fire” tour with a stop in Zurich on June 1st, fans may want to keep an eye out—perhaps Nils Lofgren could be the next surprise guest.

Notably, this isn’t the first time Springsteen and the Stones have shared a stage. In December 2012, during the Stones’ Newark, New Jersey performance at the Prudential Center, Bruce joined them for the same song, “Tumbling Dice,” during a concert packed with guest stars like Lady Gaga, the Black Keys, and ex-Stones guitarist Mick Taylor. That show was broadcast live on pay-per-view.

Even outside of collaborations, Springsteen has long shown his appreciation for the Stones’ legacy. Over the years, E Street Band setlists have included covers of “The Last Time,” “Satisfaction,” “Jumpin’ Jack Flash,” and a near-nightly run of “Street Fighting Man” during their 1984–85 tour. In 2010, Bruce also teamed up with Alejandro Escovedo at New Jersey’s Stone Pony to perform “Beast of Burden.”