Enter an unexpected duo: rock legend Mick Jagger and pop powerhouse Christina Aguilera, who was then sharing the spotlight with Adam Levine as a judge on The Voice. Inspired by Jagger’s iconic swagger, the band crafted a dance-pop track that marked a sharp turn from their usual soul-infused sound. With Aguilera’s powerhouse vocals layered in, Moves Like Jagger was born—and it exploded.
The single went on to sell over eight million copies worldwide, becoming one of the most successful digital tracks ever. In the UK alone, it was the second best-selling single of the year. Even Jagger gave it his stamp of approval, calling the tribute “very flattering” and allowing Maroon 5 to use archival clips of him in the song’s music video.
“It brought us back to life,” Levine admits. “That song was a game-changer. Hands All Over was a difficult album to make, and when it didn’t perform, we were disheartened. But Moves Like Jagger reignited our passion and momentum.”
He credits Aguilera with helping unlock the song’s potential. “We were looking for a strong female voice, and Christina’s incredible,” he says. “We had this built-in chemistry from The Voice, so collaborating musically felt natural.”
This past weekend, the Eagles soared back into the spotlight, proving once again that no force—not even the loss of founding member Glenn Frey—could ground them for long. In a stunning return, the band took the stage with country-rock icon Vince Gill and Glenn’s son, Deacon Frey, stepping in to honor the legacy while propelling the band forward. And true to form, the Eagles didn’t just reunite—they made it unforgettable.
The crowd erupted as none other than Bob Seger made a surprise appearance, joining the band just in time to bring down the house with a searing performance of “Heartache Tonight.” Backed by the Eagles’ signature harmonies, Seger delivered the song with raw energy, swaying and strutting across the stage, visibly moved by the moment and the magic of performing alongside longtime friends.
Here’s a bit of rock history for the curious: “Heartache Tonight” was the result of a spontaneous jam session between Glenn Frey and J.D. Souther, who were listening to Sam Cooke records when they began piecing together the first verse. On a whim, they rang up Seger, played him what they had, and without missing a beat, he belted out the now-iconic chorus.
Seger not only co-wrote the 1979 hit but also lent his voice to the original recording. His decades-long friendship with Frey, stretching over half a century, made this reunion especially poignant. It was clear from the passion he poured into the performance that this one was for Glenn.
Moments like these remind us why we fell in love with rock and roll in the first place: the camaraderie, the spontaneity, and the timeless power of a great song delivered by legends who still know how to light up a stage.
Dave Grohl joined the Los Angeles Philharmonic for a special collaboration, delivering renditions of two Foo Fighters classics—“The Sky Is a Neighborhood” and “Everlong.” Later that evening, the crowd was treated to another unexpected moment when actress and singer Cynthia Erivo took the stage to perform a powerful cover of Prince’s “Purple Rain.”
This event marked Grohl’s first live performance of Foo Fighters material since August 2024. Although he hadn’t played with the band in recent months, he did reunite with his former Nirvana bandmates for a one-off set at January’s FireAid concert—an appearance that followed public news of him fathering a child outside of marriage.
In a recent interview with the Los Angeles Times, Gustavo Dudamel, music and artistic director of the LA Phil, called the opportunity to play at Coachella “a dream realized.”
“We’ve always hoped someone would take that bold step and say, ‘Let’s make this happen,’” Dudamel said. “Our summers at the Hollywood Bowl collaborating with artists from all genres led us here. It feels like the perfect moment to bring classical music into a space where it’s not typically heard—and to celebrate everything we’ve built together over the years.”
After charming fans worldwide with their playful kitchen performances, Toyah Willcox and Robert Fripp took to the Cropredy Festival stage to remind everyone just how powerful they are as seasoned musicians. Stepping beyond their cheeky Sunday Lunch videos, the pair unleashed a show-stopping set that included a breathtaking version of Led Zeppelin’s epic “Kashmir” — and in the audience, none other than Robert Plant himself was there to witness the magic.
Their set was a dynamic blend of reinvented rock classics and Toyah’s own hits, including crowd favorites like “Thunder In The Mountains,” “It’s A Mystery,” and “I Want To Be Free.” But it was their fiery renditions of tracks like Black Sabbath’s “Paranoid” and Metallica’s “Enter Sandman” that set the stage ablaze, leading up to a towering performance of “Kashmir” from Physical Graffiti.
Before diving into the Zeppelin classic, Toyah teased the audience with heartfelt pride:
“We’re immensely proud of this next song,” she said. “It’s by someone we love to the moon and back. I won’t say more—but the Midlands has given the world some brilliant musicians.”
As the first notes of “Kashmir” thundered through the festival grounds, a surge of energy swept over the crowd. Backed by a full band, Toyah and Fripp delivered a rendition that was raw, commanding, and packed with a reverence for the source material — a far cry from their usual light-hearted covers, and a full-on display of their musical might.
When the final notes faded into the night, Toyah’s voice rang out, brimming with excitement:
“We are so proud to have Mr. Robert Plant watching from the audience tonight!”
The revelation sent a ripple of awe through the crowd. One attendee, YouTuber ganazby, later shared his surreal experience online:
“Robert Plant was standing right behind me, near the bar, nodding his approval. It was an incredible moment.”
In a festival filled with unforgettable performances, the magic of seeing two generations of rock brilliance collide — on stage and in the audience — made this night truly historic.
The idea of what someone’s final words might be often feels heavy — especially when it comes to legends like Tom Petty. While we may never know the last thing he said, Petty’s true farewell echoed through the music he loved, leaving a message that still reverberates with fans today.
On September 25, 2017, just days before his passing, Tom Petty took the stage one last time at the Hollywood Bowl in Los Angeles. The show marked the grand finale of the Heartbreakers’ 40th Anniversary Tour — a celebration of four decades of unforgettable rock.
As the night drew to a close, Petty and his band launched into “American Girl,” one of his most iconic anthems. The crowd roared the lyrics back at him, the atmosphere electric, the bond between artist and fans palpable. It was a triumphant moment — no one realized it would also be a final goodbye.
Petty had just completed three sold-out shows in Los Angeles, and to the audience, the legend seemed unstoppable. But life had other plans.
On the night of October 1, 2017, Petty was found unconscious at his home and rushed to the hospital. Despite medical efforts, he was taken off life support on October 2 after doctors found no brain activity. He was 66 years old.
An autopsy later revealed that a mix of medications — including powerful painkillers like fentanyl — had contributed to his accidental overdose. Petty had reportedly been dealing with unbearable pain from a fractured hip while still pushing forward to finish the tour.
Though his passing left an unfillable void, Tom Petty’s spirit remains fiercely alive in the music he left behind. That final night at the Hollywood Bowl, with “American Girl” ringing out into the California night, stands as a powerful tribute to his enduring legacy.
In the end, Tom Petty’s last message wasn’t spoken — it was sung, from the heart, and it continues to inspire and uplift anyone who listens.
Jim Breuer isn’t just a stand-up comedian — he’s a full-fledged rock fanatic known for his spot-on impressions and infectious energy. One of his most beloved routines is a heavy-metal twist on the children’s favorite “Hokey Pokey,” hilariously reimagined as “AC/‘Hokey DC’s Pokey.” In this parody, Breuer channels Brian Johnson’s signature screeching vocals and wild stage antics, fusing childhood nostalgia with the raw power of rock.
The skit quickly went viral, earning Breuer widespread attention across social media. His uncanny vocal delivery and physical comedy resonated not only with comedy lovers but also with hardcore AC/DC fans, who appreciated the genuine affection behind his act. Unlike many parodies that poke fun, Breuer’s performances always celebrated the spirit of the music he loved.
It didn’t take long before the real Brian Johnson heard about the act — and instead of brushing it off, he embraced it. What followed was a collaboration nobody could have predicted.
When Comedy and Rock Legends Collide
Rather than just laughing from a distance, Johnson decided to team up with Breuer. Their meeting in a recording studio resulted in a wild and unforgettable jam session, where they tore through AC/DC’s “Rock and Roll Ain’t Noise Pollution” together.
The session was far more than a gimmick. It was a genuine merging of two passionate performers — Johnson, the rock titan, and Breuer, the comedian with a rocker’s soul. Together, they crafted a moment of pure, unscripted magic that thrilled fans from both worlds.
For Breuer, the opportunity was surreal. He had long admired Johnson’s powerhouse vocals and raw charisma, and jamming with him was a moment of pure fulfillment. In interviews afterward, Breuer described Johnson as the “most powerful and most down-to-earth” rock voice he’d ever encountered.
A Tribute That Struck a Chord
Speaking to Rolling Stone, Breuer reflected on the incredible experience, calling it one of the highlights of his life. From impersonating Johnson on stage to standing beside him in a recording booth, Breuer’s journey showed just how deep his love for AC/DC ran.
He also praised Johnson’s warm, unpretentious nature, saying the rock frontman was every bit as funny and genuine offstage as he was commanding on it. Their performance wasn’t polished or overproduced — it was raw, organic, and bursting with personality, capturing the true spirit of rock.
What stood out wasn’t just the music, but the evident camaraderie between the two. Seeing Johnson laughing, joking, and fully embracing the moment made it clear why AC/DC’s energy has endured for decades. And Breuer proved that what starts as a comedic tribute can turn into something genuinely heartfelt.
Fans Celebrate an Unexpected Rock Moment
The video of Breuer and Johnson’s jam quickly lit up the internet, drawing massive praise from fans. It wasn’t just another viral clip — it became a testament to how music and humor can bridge worlds.
Fans were thrilled to see Johnson dive headfirst into the silliness with full enthusiasm, reminding everyone that even rock legends know how to have fun. Meanwhile, Breuer’s performance showed he’s more than just a funny man — he’s a true rock disciple at heart.
Together, they created a moment that wasn’t just hilarious — it was inspiring. In the end, Jim Breuer proved that dreams — even the wildest ones — can come true when they’re powered by passion and a little bit of rock ‘n’ roll.
Paul McCartney delivered an unforgettable and deeply emotional performance at the 2022 Glastonbury Festival, reuniting — in spirit and song — with his late Beatles bandmate John Lennon.
During a historic headline set, the 80-year-old legend brought the crowd to tears when he used a video screen to duet with Lennon on the Beatles classic “I’ve Got a Feeling.” Earlier in the night, McCartney had already thrilled fans by welcoming Foo Fighters’ Dave Grohl and rock icon Bruce Springsteen to the stage, but the surprise collaboration with Lennon stood as the evening’s most poignant moment.
The last time McCartney and Lennon recorded vocals together was during a laid-back studio jam in 1974, and their final posthumous collaboration came in 1996 with the Beatles’ release of “Real Love.” Now, as part of his Got Back tour, McCartney crafted a powerful new version of “I’ve Got a Feeling,” syncing his live vocals with isolated footage of Lennon from 1969.
Though McCartney often revisits songs from the Beatles’ catalog in his concerts, this moment was particularly rare — few times before had he incorporated archival footage into a live performance. While Queen famously used old clips of Freddie Mercury during their 2005 shows, McCartney’s use of Lennon’s voice was a first for him, offering an extraordinary treat for Beatles fans around the world.
Earlier in the evening, McCartney also paid tribute to another fallen bandmate, George Harrison, with a touching ukulele performance of Harrison’s classic “Something” — a cover he has occasionally brought into his setlists over the years. McCartney’s tributes to his friends are longstanding; he wrote the heartfelt song “Here Today” in 1982 to honor Lennon, capturing the complexity and deep affection of their friendship.
Reflecting on “Here Today,” McCartney once shared: “It was a love song really — not to John, but about John, about what we meant to each other. I wanted to get out from behind my own defenses and say what I felt.”
The Got Back tour also highlights songs from McCartney III, an album born out of the Covid-19 lockdown — what McCartney playfully dubbed his period of “rockdown.” The album completed a trilogy that had been half a century in the making, beginning with McCartney in 1970.
During the emotional Glastonbury duet, the vocals from Lennon were sourced and cleaned up during Peter Jackson’s Get Back documentary project, making the moment even more powerful. After the song ended, McCartney, visibly moved, told the crowd, “That’s so special for me, man. I know it’s virtual, but come on — it’s John. We’re back together.”
Despite the turmoil of war at home, the Dzvinochok boys choir and the Vognyk girls choir made the long journey from Kyiv to Vienna, joining the Rolling Stones for a powerful rendition of their 1969 classic “You Can’t Always Get What You Want” during Friday night’s show at Austria’s Ernst Happel Stadium. It was a moving gesture of solidarity with Ukraine, celebrated by both the band and the crowd.
“They traveled a long way to be with us tonight,” Mick Jagger told the audience, noting the grueling 15-hour drive from Kyiv. “They drove all the way here.”
For choirmaster Ruben Tolmachov, the performance was deeply emotional. “This is a once-in-a-lifetime experience for our choirs,” he said. “We are thrilled to have made it to Vienna — it’s a night none of us will ever forget.”
Normally part of the Rolling Stones’ early setlist, the band chose to spotlight “You Can’t Always Get What You Want” during their first encore, before closing the night with the classic anthem “(I Can’t Get No) Satisfaction.” The show also featured standout moments like “Wild Horses,” a live cover of Bob Dylan’s “Like a Rolling Stone,” and a rare performance of their 1966 track “Out of Time,” which had never been played live before this tour.
The Stones’ tour will next hit Lyon’s Groupama Stadium on July 19, with the final show scheduled for August 3 at Berlin’s Waldbühne. There’s still no word on whether the band plans to extend their 60th-anniversary celebrations to other parts of the world.
For fans who can’t make it to the shows, there’s still something to look forward to: My Life as a Rolling Stone, a four-part documentary series debuting soon on Epix. Each episode will dive deep into the life of a different band member, featuring fresh interviews with Mick Jagger, Keith Richards, and Ron Wood.
In 1975, an eclectic mix of artists hit the road on a wild, unconventional tour across America with Bob Dylan. Among them were iconic figures like folk legend Joni Mitchell, Roger McGuinn of The Byrds, and Beat poet Allen Ginsberg.
Yet, it was Joan Baez — Dylan’s former partner in both music and life — who left the deepest mark. Their complicated, heartfelt bond is tenderly portrayed in Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, premiering on Netflix this Wednesday.
Blending documentary and concert film, Rolling Thunder Revue offers an intimate look at Dylan’s mythical 1975 tour, skillfully pieced together from 120 hours of newly restored, never-before-seen footage. The film also features fresh interviews with Dylan and Baez, both now 78, where they open up about their enduring connection.
“We could harmonize on anything. Sometimes, even lying in bed, I’d hear her voice,” Dylan reflects in his first on-camera interview in over a decade. “Joan’s bravery is otherworldly — she’s like someone who just fell from a star.”
Baez, equally effusive, says, “The charisma he carries is unmatched — I’ve never seen anything like it before or since.”
Their story began in 1961 amidst New York’s vibrant folk revival, where they met and soon became both musical allies and romantic partners. They spent the early ’60s touring and inspiring each other to channel their activism through protest songs, before parting ways around 1965 — a breakup immortalized in D. A. Pennebaker’s 1967 documentary Don’t Look Back.
Despite their romantic split, Dylan and Baez remained close, frequently reuniting onstage for duets like “Blowin’ in the Wind,” “The Water is Wide,” and “I Dreamed I Saw St. Augustine” — all featured in Rolling Thunder Revue.
“The film really captures the depth of their bond, forged during such formative years,” says producer Margaret Bodde. “When you create friendships that deep, they tend to last a lifetime. For fans, it’s a rare, beautiful window into their relationship.”
Beyond the performances, the documentary reveals candid, often playful backstage moments between the two. In one touching scene, Baez confides about marrying journalist David Harris, whom she later divorced in 1973. Another highlight features Baez humorously impersonating Dylan — donning his signature white face paint and floral hat, fooling even the crew.
“She literally became Bob for a moment,” Bodde notes. “It speaks volumes about their relationship and touches on the film’s broader themes — the blurred lines between identity, performance, and reality, which Scorsese so brilliantly explores.”
When Queen and Adam Lambert hit the stage in Ukraine for a mesmerizing rendition of “We Are the Champions”, it transcended a mere concert—it became a moment of unforgettable history. The atmosphere was charged with anticipation, as the crowd buzzed with excitement and an overwhelming sense of pride. The first notes of the song echoed through the venue, and suddenly, thousands of voices joined together, creating a wave of collective strength and unity that spread across the entire arena.
Standing at the center of it all, Adam Lambert commanded the stage with a perfect mix of respect and his own magnetic presence. His voice effortlessly captured the power of Freddie Mercury’s iconic legacy, while adding a fresh, personal touch that made the performance his own. Every lyric felt like a personal declaration, every note a tribute—not just to the timeless legacy of Queen, but to the resilience of the people who came together to share this unforgettable moment.
In the background, Brian May’s guitar roared with the same fiery passion that has defined Queen for decades, while Roger Taylor’s drums beat out the song’s rhythm with precision and strength. The connection between the band and the audience was palpable—an emotional bond that underscored the meaning of the song, especially in light of the historical significance of the location and the resilience of its people.
As the final chorus echoed through the venue—“We are the champions… of the world!”—the crowd became a part of the performance. Their voices blended with the band’s, creating an unstoppable roar of emotion, filled with tears, cheers, and raised fists. It wasn’t just a performance—it was a moment of powerful unity, of strength, and of hope. A reminder that no matter the challenges, champions will always rise.
