Since her breakout victory on American Idol in 2005, Carrie Underwood has become a powerhouse in the music industry, dominating charts with country hits like “Before He Cheats” and “Jesus Take the Wheel.” But while her musical roots run deep in country and gospel, Underwood has long had a passion for rock—and she just proved it in the most unexpected way.

In a move no one saw coming, Underwood recently joined rock band Papa Roach on stage during their Rise Of The Papa Roach Tour stop in Las Vegas, leaving the crowd stunned and electrified.

As fans packed the venue expecting a night of classic Papa Roach energy, the show took an epic turn when Underwood emerged from backstage and joined the band for a fiery performance of their iconic hit “Last Resort.” With pyrotechnics blazing and the audience in full roar, Underwood’s raw vocals blended seamlessly with frontman Jacoby Shaddix, delivering a moment that quickly went viral. Even one of the venue’s security guards was caught on camera passionately singing along.

Videos of the moment exploded across social media, with one fan writing, “Carrie Underwood and Papa Roach? This is the collab I never knew I needed!” Another commented, “If this is the future of rock, count me in—this performance was insane!”

Still buzzing after the set, Underwood took to social media to share her excitement, saying she was “still in disbelief over this one.”

But the night held more surprises. Later in the concert, Underwood returned to the stage to perform “Leave A Light On” with Papa Roach—a powerful ballad with a mission. As they performed, screens lit up with a message of hope, displaying the Suicide & Crisis Lifeline number, 988, and the logo of the American Foundation for Suicide Prevention (AFSP).

The emotional duet wasn’t just about music—it carried a purpose. In a joint statement, Underwood and Papa Roach revealed that proceeds from the song will go toward suicide prevention efforts and mental health awareness, with royalties being donated to the AFSP in perpetuity.

They encouraged fans to visit AFSP.org to learn how to recognize signs of emotional struggle in loved ones, offering tools and resources for those in need of support.

This unlikely pairing between a country queen and a rock band not only lit up the Vegas stage, but also brought a powerful message of compassion and mental health awareness to the forefront—proving once again that music knows no boundaries.

Music giants Sir Mick Jagger and Eric Clapton have honored the late John Mayall, a monumental figure in British music, following his peaceful passing at age 90 in California, surrounded by loved ones. Widely revered as the godfather of British blues, Mayall’s influence rippled through generations of artists and helped shape the very DNA of rock music.

Mayall was best known for forming The Bluesbreakers, a legendary incubator of talent that launched the careers of icons like Clapton, Peter Green, Mick Fleetwood, and Mick Taylor. His deep devotion to the blues ignited a cultural movement and revived a genre that would go on to inspire some of the biggest names in rock history.

In a heartfelt video posted to X, Eric Clapton shared a deeply personal tribute, crediting Mayall with giving him the direction and purpose he desperately needed as a young artist. “He rescued me from oblivion,” Clapton said. “He taught me to listen to myself, to play with heart, and to chase the music I loved—no matter what anyone else thought.”

Sir Mick Jagger also reflected on Mayall’s impact, calling him a “pioneer” and recalling how he helped the Rolling Stones during a pivotal time. It was Mayall who recommended guitarist Mick Taylor to the Stones following the death of Brian Jones, ushering in a new era for the band.

Ronnie Wood called Mayall “a musical trailblazer for all of us,” praising his encyclopedic knowledge of blues and his role in nurturing a generation of guitar legends.

Mayall’s journey began in Macclesfield and grew from humble roots, inspired by the American blues records in his father’s collection. Self-taught on piano, guitar, and harmonica, he built a career on passion rather than celebrity. Despite never chasing commercial accolades, he remained a relentless force in music—recording, touring, and mentoring well into his late 80s.

His most famous work, the 1966 album Blues Breakers with Eric Clapton, is considered a cornerstone of British blues. The Bluesbreakers, under Mayall’s guidance, became a revolving door of future superstars, including Peter Green, Jack Bruce, John McVie, and Aynsley Dunbar. Even Mick Taylor, who later joined the Stones, spent his formative years under Mayall’s wing.

Mayall’s influence reached far beyond the UK. He relocated to the U.S. in the late ’60s, releasing the acclaimed Blues from Laurel Canyon, and continued pushing musical boundaries. Over the decades, he adapted his sound while remaining rooted in blues tradition.

His dedication was unwavering. In 1982, he briefly reassembled the Bluesbreakers with original members like Taylor and McVie. In 2008, he retired the Bluesbreakers name and led the John Mayall Band into a new era. Despite his low profile, he earned widespread respect for his authenticity and work ethic.

Mayall received an OBE in 2005, a Grammy nomination for his album Wake Up Call, and was honored with a second nomination in 2022 for The Sun Is Shining Down. In 2024, he was posthumously inducted into the Rock & Roll Hall of Fame, which described him as a “visionary” and a “major influence on rock and roll.”

Fellow musicians echoed this sentiment. Steve Hackett, former Genesis guitarist, called him a “true champion of the blues,” while Joe Bonamassa paid tribute with a photo and a simple message: “Rest in Peace, my friend.”

Though Mayall never reached the mainstream fame of some of his protégés, his legacy is undeniable. His Bluesbreakers were more than a band—they were a movement. And Mayall, with his gravelly voice, fierce independence, and passion for the blues, was its unwavering heart.

He is survived by his six children—Gaz, Jason, Red, Ben, Zak, and Samson—along with seven grandchildren and four great-grandchildren.

John Mayall once said, “I’ve never had a hit record. I never won a Grammy. Rolling Stone never did a piece about me. I’m still an underground performer.” And yet, few artists have shaped modern music the way he did.

Rest easy, John. The blues—and the world—will never forget you.

When Bruce Springsteen brought a burst of old-school folk energy to the New Orleans Jazz & Heritage Festival, the result was pure magic. The Boss, known for his heartland rock anthems and larger-than-life stage presence, took a joyful detour into traditional American roots music with a barnstorming rendition of “Pay Me My Money Down”—and fans across the globe couldn’t get enough.

With a mischievous grin and an acoustic guitar slung over his shoulder, Springsteen danced around the stage, leading a jubilant crowd singalong. His husky, spirited vocals brought new life to the age-old work song, while a powerhouse backing band—The Sessions Band, freshly reassembled for the occasion—delivered a foot-stomping performance packed with fiddles, accordion, and a brass section that blew the roof off.

Every member of the ensemble had a chance to shine, taking the spotlight for blistering solos as Springsteen hyped the crowd like only he can. It wasn’t just a concert—it was a celebration. One that resonated deeply online.

Though the performance took place back in 2006, it wasn’t until May 4, 2019, that Springsteen shared it with the world via his official YouTube channel. The response was overwhelming. With over 29.5 million views, fans flooded the comments with pure joy. One viewer gushed, “Makes this 92-year-old dance around the room. Let’s have more joy like this!” Another said, “If this doesn’t make you happy and put a smile on your face, nothing will!”

The performance also marked a new chapter for Springsteen’s folk revival project. He introduced a revamped Sessions Band to the world that day—a group he hadn’t performed with since the late ’90s. Their chemistry was instant, and the energy so contagious that it carried across multiple songs from the set, including the stirring opener, “O Mary Don’t You Weep.”

“Pay Me My Money Down” isn’t just a fun tune—it carries historical weight. It originated as a work song sung by Black dockworkers from the Georgia Sea Islands, and its roots trace back through generations of American folk tradition. The Weavers helped bring it to wider attention in the 1950s, but Springsteen’s version, released as the lead single from his 2006 album We Shall Overcome: The Seeger Sessions, helped introduce the song to a whole new audience.

On tour, Springsteen often used the tune as his main set closer—a jubilant, freewheeling moment where the band could cut loose and the crowd could revel in the joy of pure, communal music.

When Brad Paisley steps onto the Grand Ole Opry stage, it’s never just another night—it’s an experience. A beloved member of the Opry since 2001, Paisley is known for delivering unforgettable performances, blending heartfelt country lyrics with lightning-fast guitar work that leaves the crowd cheering for more.

Over the years, Paisley has shared that legendary stage with some of country music’s biggest names—from Carrie Underwood to Keith Urban. But during his latest appearance on Tuesday, April 12, fans witnessed something truly unexpected: a cross-genre collaboration that turned the Opry upside down.

That night’s surprise guest? None other than rock and roll icon John Fogerty, the unmistakable voice and lead guitarist behind Creedence Clearwater Revival.

The two guitar legends joined forces for a powerhouse performance of “Proud Mary,” one of CCR’s most iconic tracks. Written by Fogerty himself, the song climbed to #2 on the charts in its original form and later took on new life through Tina Turner’s electrifying cover. At the Opry, Fogerty handled lead vocals while Paisley stepped back to let his guitar do the talking—adding a fresh, fiery edge to the classic hit.

Midway through the song, as Fogerty took a break, Paisley tore into a jaw-dropping solo that had the audience erupting in applause. It was a moment that showcased not only Paisley’s versatility but the electric chemistry between two generations of music royalty.

This unexpected collaboration bridged country and rock in the most thrilling way—and the standing ovation said it all.

Watch the full performance of “Proud Mary” below and see why the Opry still knows how to keep fans on their toes.

On November 13, 2022, the hallowed halls of Nashville’s Ryman Auditorium echoed with the sound of Southern rock history. Lynyrd Skynyrd, the legendary band that helped define a genre, celebrated 50 years of music with a powerhouse performance—one that would become even more poignant as the final appearance of founding member Gary Rossington.

Rossington, the last original Skynyrd member, passed away on March 5, 2023, at the age of 71. Just months before, he had taken the stage at the Ryman for one last electrifying night, playing fan favorites like “That Smell” and the eternal anthem “Freebird.”

The concert, filmed for a PBS special, was later released in theaters and is now available for streaming. The program captures not just a milestone, but a movement. As it aptly states, “Few bands have had the impact on creating a lifestyle that Skynyrd has with their fusion of blues rock and Southern hard rock swagger.”

From this historic night comes Celebrating 50 Years—Live At The Ryman, a live album set for release on June 27th. This commemorative collection includes performances with special guests Marcus King, John Osborne of The Brothers Osborne, Brent Smith of Shinedown, and Donnie Van Zant—honoring the band’s roots and enduring influence.

One of the most emotional highlights of the evening is a reimagined version of “Tuesday’s Gone,” featuring breakout artist Jelly Roll. First released in 1973 on the band’s debut album, the song gets a new life as Jelly Roll joins Skynyrd onstage for a performance soaked in raw emotion and reverence. The band wrote:

“Experience the soul-stirring moment when Jelly Roll joined Lynyrd Skynyrd on stage for an unforgettable performance of ‘Tuesday’s Gone.’”

With this release, Skynyrd doesn’t just mark five decades—they remind the world why their legacy continues to resonate across generations.

Imagine the haunting stillness of a darkened stage, pierced by a harmony so powerful it sends shivers down your spine. That was the scene at the Cynthia Woods Mitchell Pavilion in Houston, Texas, when Disturbed delivered their acclaimed cover of Simon & Garfunkel’s “The Sound of Silence”—this time, with a surprise that elevated it beyond the extraordinary.

Myles Kennedy of Alter Bridge joined David Draiman for a duet that felt like the very soul of the song had been reborn in shadow and fire. Kennedy, known for his searing vocals and his band’s seven critically acclaimed rock albums, added an ethereal contrast to Draiman’s gravelly, emotionally raw delivery. Together, they created something deeper, darker, and even more unforgettable than before—an eerie echo of Simon and Garfunkel reimagined in a storm of sound.

Disturbed’s version of “The Sound of Silence,” first released in 2015, already had a legacy of its own—garnering over 90 million views on YouTube and a rare seal of approval from Paul Simon himself. So impressed was Simon that he personally emailed Draiman with his praise and shared the video publicly—a surreal honor for any artist covering a classic.

The Houston performance may not have hit the same viral numbers just yet, but with 17.4 million views and counting, it’s clearly struck a chord. Fans from all corners—rock veterans, Simon & Garfunkel purists, and Myles Kennedy devotees alike—have flooded the comment section, many reduced to tears by the sheer emotional force of the duet.

One fan summed it up perfectly:

“I saw Simon & Garfunkel live as a kid and cried through the whole thing. Then came Disturbed’s cover—more tears. But this version… this version destroyed me.”

This isn’t just a song. It’s a collision of generations, genres, and giants—where silence doesn’t just speak, it roars.

Some songs never fade—they become part of our culture. “Come and Get Your Love” is one of those songs. Its catchy beat and joyful chorus still show up in movies, on the radio, and in retro playlists. But behind the good vibes is a story of strength and a band that broke the mold.

Redbone wasn’t just any rock band. Founded by Native American brothers Pat and Lolly Vegas, they pushed through barriers in a music industry that often ignored Indigenous artists. Their biggest hit wasn’t just popular—it was a celebration of joy, unity, and cultural pride.

The song first hit the charts in 1974 and climbed into the Top 5. Since then, it’s lived many lives—on dance floors, in film soundtracks, and as a favorite across generations. But what made “Come and Get Your Love” so lasting? Let’s take a look at the story behind the song.

Pat and Lolly Vegas, born Patrick and Candido Vazquez, grew up in California with a deep love for music. In the 1960s, they worked as songwriters and session musicians. At the time, they were told to change their names to make it in the business—so they became the Vegas brothers and worked mostly behind the scenes.

Onstage, they fit the era’s surf-rock style, hiding their Native heritage. But with Redbone, they stopped hiding and proudly embraced their roots. They mixed rock, funk, and Indigenous sounds into something all their own.

The name Redbone comes from Cajun slang for people of mixed heritage. By 1973, when they released the album Wovoka, all four band members had Native American ancestry. They even wore traditional clothing during performances, making a strong statement of identity.

Before “Come and Get Your Love,” Redbone had success with “The Witch Queen of New Orleans” in 1971. But “Come and Get Your Love,” written by Lolly (with help from Pat), would become their biggest hit. The album version had a slow intro, but the single was trimmed to highlight its upbeat rhythm. That move worked—the song became a smash hit and made Redbone the first Native American band to break into the U.S. pop Top 5.

But this isn’t just a love song. It’s more like a call to connect with something bigger. The lyrics don’t speak to one person—they invite everyone to open up to love, energy, and inspiration.

The singer comforts the listener, telling them there’s nothing wrong and to find strength from “the main vine”—a metaphor for something divine and life-giving. The message is about being yourself and finding harmony with the world.

Still, you don’t need to dig deep to enjoy it. The groove, the beat, the chorus—they’re all enough to make you sing along. And when the music fades, it’s worth remembering how Redbone turned a simple, feel-good tune into something truly timeless.

Chester Bennington’s performance of One More Light on Jimmy Kimmel Live stands as one of his most emotionally charged moments—a tribute to his late friend Chris Cornell that, unknowingly, would become a chilling reflection of his own fate. Just two months after Cornell’s passing, the world was stunned by Bennington’s tragic death, casting his tribute performance in an entirely new light.

As he poured his heart out during the live rendition, Bennington’s voice cracked with grief, creating a raw, intimate portrayal of pain and loss. The performance was especially poignant, as it came just one day after Cornell’s death. It’s clear that Bennington was not only singing for his friend but for himself as well, making the song’s emotional weight even more powerful.

Bennington’s voice, often regarded as one of the best in rock, reached new heights of vulnerability during this performance. His climactic scream at 3:47, filled with anguish, resonates deeply, leaving a lasting impact on anyone who listens. The rawness of his voice as he sings the final chorus gives the performance an intensity that is impossible to ignore.

Fans who watched the performance immediately recognized the significance of this moment. Comments like “That scream for ‘I do’ is one of the most emotionally packed sounds I’ve heard in a long time. Almost haunting” and “The pain in his voice. Goosebumps every time I hear this live version. RIP Chester” reflect the deep emotional connection viewers had with Bennington’s tribute.

This wasn’t the only time Bennington delivered a powerful rendition of One More Light. At the 2017 Rock Werchter festival in Belgium, he once again showed how deeply the song resonated with him, even venturing into the crowd to share his healing energy with his fans.

One More Light was the third single from Linkin Park’s album of the same name, released on May 19, 2017, just two months before Bennington’s passing. Co-written by Bennington’s bandmate Mike Shinoda, the song was a reflection of the grief that comes with losing someone close. Shinoda explained that the song was a reminder to cherish the people you love, as those moments are what truly matter.

In the end, One More Light became more than just a song for Bennington; it became a symbol of his own journey, a tribute that transcended its original intent, and a haunting reminder of the pain he carried with him.

It’s a question many concertgoers find themselves asking: how do performers keep up their energy for such long sets, especially as the years go by? We often wonder how they can stand for hours, let alone sing and put on a high-energy show for thousands of fans. But one legendary artist continues to defy expectations—Bruce Springsteen.

Known for his dynamic energy on stage, The Boss is proving that age hasn’t diminished his passion. During a remarkable performance at the Heinz von Heiden Arena in Hanover, Germany, Springsteen delivered an awe-inspiring 30-song set, filled with his iconic hits like Into the Fire and The E Street Shuffle.

What truly wowed fans was the live debut of Janey Needs a Shooter—a song that, despite dating back to the 1970s, had never been performed by Springsteen until that night. Although a version of the track appeared on Warren Zevon’s 1980 album, it was Springsteen’s 2024 performance that marked the first time fans heard it live, a thrilling moment for long-time followers.

It’s a testament to the enduring power of Springsteen’s stage presence and his refusal to let time slow him down. Whether it’s performing decades-old songs or introducing new surprises, The Boss continues to remind us that true passion never fades.

The opening night of Paul McCartney’s “Got Back” tour in Spokane, Washington, delivered a surprising and deeply emotional moment for fans as McCartney performed a duet with the late John Lennon—through the magic of modern technology. The iconic Beatles track “I’ve Got a Feeling” was brought to life with a video of Lennon, his vocals isolated by Peter Jackson during the making of The Beatles: Get Back documentary. When Lennon’s image appeared on the big screen, the crowd erupted in awe.

Though virtual duets have become more common in recent years—often seen in collaborations with guest artists or for big performances like Elton John and Dua Lipa’s duet on “Cold Heart”—this moment took the concept to a whole new level, blending nostalgia with cutting-edge creativity. McCartney shared that Jackson had reached out with the idea of extracting Lennon’s voice to let him “sing” alongside the live band. “We can isolate John’s vocals, and he can sing with you,” Jackson texted, to which McCartney replied enthusiastically, “Oh, yeah!”

The night continued with McCartney guiding the crowd through a mix of beloved Beatles classics, Wings hits, and solo songs. As he often does, McCartney dedicated “Here Today” to his late friend and bandmate, Lennon, reflecting on the sadness of never fully expressing his love for him while he was still alive.

The tributes didn’t stop there. McCartney also honored the late George Harrison by playing “Something” on a ukulele that Harrison had gifted him, adding another layer of sentimentality to the night.

“Well, we said we’d come back, and we got back,” McCartney said, smiling at the Spokane crowd. “And believe me, we’re really happy to be back. I’m going to take a moment for myself to drink it all in.”

McCartney’s return to the stage marked his first tour since 2019, with plans for a 2020 European leg halted by the pandemic. During that time, McCartney created McCartney III, recording every instrument himself, before reimagining the album with contributions from artists like Beck and Phoebe Bridgers.