Author

Tim Roberts

Browsing

Michael Sweet of Stryper recently shared a candid update about his voice struggles following thyroidectomy surgery, revealing his concerns about delivering flawless performances. Taking to Instagram, Sweet reflected on his apprehensions as he returned to the stage for the first time post-surgery.

Expressing his nerves and uncertainties, Sweet confessed to feeling a sense of pressure to maintain perfection, acknowledging the inevitable changes that come with age and medical procedures. Despite striving for perfection, he emphasized the importance of adapting to new challenges and giving his all for his fans.

Sweet’s journey with voice concerns began with his thyroidectomy surgery on December 15, which prompted initial worries about the impact on his vocal abilities. However, as he gradually resumed recording vocals for Stryper’s upcoming album, he found reassurance in his voice’s resilience.

Teasing details about the new album, Sweet hinted at a blend of heaviness and melodic intricacies, promising a standout addition to Stryper’s discography. While the album retains elements of their signature “pop metal” sound, it also introduces fresh dynamics and sing-along choruses, enhancing the listening experience for fans.

As Stryper prepares to unveil their latest musical endeavor, Sweet remains dedicated to delivering memorable performances despite the challenges he faces. While specific details about the album’s release date and title remain under wraps, anticipation builds for what promises to be a noteworthy addition to the band’s repertoire.

Sebastian Bach, frontman of Skid Row, recently shared his feelings of disappointment regarding David Lee Roth in a candid interview with Paltrocast. Bach recounted a poignant excerpt from Roth’s book where the Van Halen icon recounted feelings of loneliness and a vow to never have a real friend again.

This struck a chord with Bach, prompting him to reach out to Roth with hopes of forging a genuine connection. However, his attempts at friendship didn’t unfold as anticipated.

Reflecting on his encounter with Roth, Bach expressed his initial excitement at the prospect of befriending the legendary rocker, who had always been warm and amicable towards him. Armed with Roth’s cell phone number, Bach eagerly reached out, envisioning a burgeoning friendship. However, his efforts were met with silence, leaving him feeling disappointed and perplexed.

Despite the lack of response, Bach remains hopeful for a chance to connect with Roth on a personal level, extending an open invitation for a hangout session.

Turning back the clock to 1985, when Roth departed Van Halen to pursue a solo career, Bach found himself on the cusp of a potential opportunity to join the iconic band. With Roth’s departure and Sammy Hagar taking the reins, followed by the brief tenure of Gary Cherone, Van Halen was in flux.

Bach revealed that there were discussions about him stepping into the lead singer role, although he never got the chance to audition. Speculating on the reasons behind this missed opportunity, Bach hinted at potential reluctance from management to see him depart from Skid Row.

As the saga of Van Halen’s lineup changes unfolded over the years, Bach’s almost association with the legendary band remains a fascinating footnote in rock history.

Richie Sambora, former member of Bon Jovi, recently weighed in on the band’s dynamics and Jon Bon Jovi’s vocals in response to online chatter. The conversation ignited when Bon Jovi announced signed versions of their latest album ‘Forever,’ sparking discussions among fans on various platforms.

As fans questioned the availability of signed albums outside the US, suspicions arose regarding an individual allegedly hoarding copies for dubious giveaways. This individual, referred to cryptically as “he who shall not be named,” was identified by some as Jerry Braden, the host of Bon Jovi Discussions, who purportedly made disparaging remarks about Sambora on social media.

In the midst of this online discourse, users criticized Jon Bon Jovi’s vocals, suggesting a decline in quality despite his claims of vocal cord surgery improving his voice. Sambora echoed these sentiments, responding with a succinct “Unfortunately clearly not…”

Sambora’s departure from Bon Jovi in 2013 has kept fans curious about potential reunions or collaborations. In a previous interview, Sambora hinted at the possibility of rejoining the band after a decade and addressed concerns over Jon Bon Jovi’s vocal health. Acknowledging the need for Jon to take a breather to address vocal issues, Sambora emphasized the importance of delivering for the fans, hinting at a potential reunion in the future.

While Sambora’s comments shed light on the complexities within Bon Jovi, fans remain hopeful for a reunion that could see the former guitarist back in the fold, alongside Jon Bon Jovi, for the ultimate rock comeback.

 

Jay Weinberg took to Instagram shortly after Slipknot’s announcement of Eloy Casagrande as their new drummer, reflecting on his recent experiences with Infectious Grooves and expressing gratitude for the opportunity to perform with the band.

Sharing snapshots from his shows with Infectious Grooves, Weinberg conveyed mixed emotions about the conclusion of the tour:

“What an incredible (albeit bittersweet) finale to this unforgettable Infectious Grooves run. It’s been an honor to share the stage with such talented musicians and a welcoming crew. This tour will undoubtedly hold a special place in my heart.”

Weinberg also opened up about the challenges he faced due to his surgery for a torn labrum and femoral adjustment, highlighting his determination to seize the opportunity despite uncertainty:

“When Mike Muir initially reached out to me for these shows, I was still on crutches, uncertain if I’d be ready to play drums by mid-March. However, I couldn’t resist the chance to collaborate with some of my musical heroes in a genre entirely new to me. The intricacies of funk music presented a fresh and exhilarating challenge.”

In response to Weinberg’s post, fans flooded the comment section with messages of support and encouragement. Some expressed solidarity with Weinberg’s decision to pursue his happiness outside of Slipknot, while others praised his talent and authenticity:

“It’s great to see you thriving in a space where you’re valued and appreciated for your skills.”

“You don’t need a mask to shine, Jay. Your talent speaks for itself.”

“Your joy and passion are evident, Jay. Keep doing what you love, and we’ll always have your back.”

Weinberg’s journey with Infectious Grooves began in January, leading up to their recent performances, which garnered widespread acclaim. Meanwhile, Slipknot debuted with Casagrande at the Sick New World festival, sparking discussions among fans about the drummer’s fit within the band.

In a recent Instagram video, John Petrucci provided insight into the making of the upcoming Dream Theater album featuring Mike Portnoy, detailing the meticulous process that went into crafting their signature sound.

Reflecting on the guitar recording sessions, Petrucci expressed satisfaction with the outcome, emphasizing the collaborative effort with their skilled engineer, Jimmy T (James Meslin), to achieve what they dubbed the “Mount Rushmore of guitar tones”:

“I’m thrilled to announce that I’ve officially completed recording all the guitars for what we’ll refer to as DT16, our latest Dream Theater album. Jimmy T and I embarked on a mission to capture the ultimate guitar tones, and I’m incredibly pleased with the results. We had a blast in the studio, dialing in the perfect sound.”

Petrucci delved into the technical aspects of their approach, revealing a nod to Dream Theater’s illustrious past with the involvement of longtime engineer Doug Oberkircher, known for his work on classic albums like ‘Images And Words’ and ‘Scenes From A Memory’:

“In our pursuit of sonic excellence, and with Mike Portnoy back in the fold, we decided to pay homage to our roots. We reached out to our friend Doug Oberkircher, who still possessed the original Neve preamps used on those iconic recordings. Acquiring these preamps allowed us to infuse our new material with the same raw energy and warmth that defined our earlier work. The result? A blend of aggression and depth, akin to a blazing T-Rex sculpted from chocolate cake [laughs]. Needless to say, we’re thrilled with the outcome.”

Meanwhile, Portnoy celebrated completing his drum parts for his eagerly awaited return to the band, teasing fans with hints of what’s to come:

“Today marks the end of my drumming sessions for DT16! But this is just the beginning… There’s still plenty of work ahead on guitars, bass, keys, vocals, and more. We’re keeping details under wraps for now, but rest assured, we’re incredibly excited about what we’ve created. Stay tuned for updates!”

As anticipation builds for the album’s release, Petrucci and Portnoy remain tight-lipped about specifics, keeping fans eagerly awaiting the unveiling of their latest masterpiece. Dream Theater’s European leg of the 40th Anniversary Tour 2024 – 2025 is set to kick off on October 20, promising a thrilling showcase of their enduring musical legacy.

You can watch the musician’s video message here.

In a recent statement addressing the delays in the delivery process of his solo record, Mick Mars took to Instagram to express his gratitude to fans for their overwhelming support and patience.

Accompanied by photos of himself packaging and signing new editions of his debut solo album, ‘The Other Side of Mars,’ Mars conveyed his appreciation for the enthusiastic response from fans:

“Apologies for the extended wait; we had to press more records due to the incredible demand on my web-store. I’m truly honored by the overwhelming support!”

In a subsequent comment, Mars extended his thanks once more:

“Thank you all so much.”

While Mötley Crüe faced some criticism for their latest song release, ‘Dogs of War,’ Mars garnered more positive feedback for his solo endeavor, with his record quickly climbing the charts. In February, Mars celebrated his solo effort reaching the number one spot on the iTunes Charts with a heartfelt message on Instagram:

“Waking up to find myself topping the iTunes Charts feels surreal. I’m at a loss for words. Thank you immensely for your unwavering support. And a special thanks to iTunes and Spotify for the feature!”

However, ‘Dogs of War’ received mixed reactions from Mötley Crüe fans, with some expressing reservations about its departure from the band’s signature sound. Commenting on a snippet shared by the band on Instagram, one fan remarked:

“I’m a die-hard Motley Crue fan, but this song just doesn’t feel like them to me.”

Another fan echoed similar sentiments:

“While I love Crue and admire John 5’s talent, this song doesn’t quite hit the mark for me. It’s not bad, and the guitar work is exceptional, but it lacks the memorable quality of their classics like ‘Too Fast for Love’ or ‘Shout at the Devil.’ I’m eager to hear more music from them.”

Some fans also noted the absence of Mars’ distinctive guitar stylings:

“It feels like something’s missing.”

In addition to fan feedback, Mötley Crüe’s new release faced tough competition, trailing behind Sebastian Bach, whose latest single, ‘(Hold On) To The Dream,’ secured the top spot on Heavy 1 Radio’s Top 20 singles list, further highlighting the dynamic landscape of rock music.

In a candid interview with Metal Hammer, Lzzy Hale of Halestorm shared her surprise at the overwhelming response after publicly discussing her bisexuality, reflecting on the journey of self-discovery and the unexpected impact of her revelation.

Recalling the moment when her sexual orientation became public knowledge, Hale recounted a seemingly innocuous interaction on Twitter that snowballed into a significant revelation:

“I casually responded to a question on Twitter, mentioning my bisexuality, and suddenly it was like the floodgates opened. While my inner circle, including my bandmates and family, were already aware, it never occurred to me that the vast majority, about 95%, were completely unaware. Suddenly, I found myself thrust into the spotlight, realizing that I needed to be prepared to address this newfound aspect of my identity.”

Despite the initial shock, Hale embraced the opportunity to engage in conversations about these deeply personal matters, finding solace and fulfillment in connecting with her fans:

“While I do cherish certain aspects of my life as private, I’ve found immense joy in being open about topics like this. I’ve received heartwarming embraces from young fans at our shows who are navigating their own journeys of self-acceptance and coming out. I’m at a stage in my life where I can openly discuss these matters and offer support to those who may be struggling.”

Hale’s decision to share her bisexuality on social media during Pride Month in June 2022 sparked a wave of empowerment and solidarity within the LGBTQ+ community. In her heartfelt Instagram post, she eloquently expressed her unapologetic embrace of her identity and urged others to do the same:

“I’m unapologetically bisexual, navigating the vast spectrum of this magnificent rainbow we all inhabit. I encourage you to embrace your true self, celebrating what sets you apart and owning your uniqueness as your greatest strength. Your authenticity is a precious gift, one that no one can take from you unless you allow them to. Embrace every facet of yourself, for we only have one shot at this journey. Rock on, motherf*ckers! I salute you!”

Reflecting on her journey, Hale revealed the challenges of reconciling her sexuality with her upbringing and likened her experience to that of Judas Priest frontman Rob Halford’s journey of self-discovery and acceptance.

Bret Michaels Promises Not To Disappoint Poison Fans With Lineup Plans For Upcoming TourBret Michaels is extending a heartfelt invitation to Lou Gramm for Foreigner’s upcoming induction into the Rock and Roll Hall of Fame, signaling a potential reconciliation amidst the band’s historic milestone.

In celebration of Gramm’s birthday, the Poison frontman shared a photo of the two, accompanied by a generous offer in his Instagram post:

“As a birthday gesture to my friend Lou Gramm, I’m extending an invitation for him to join me at the arena show just outside Washington DC on September 18. Furthermore, I’ll be flying him on my private jet, ensuring he enjoys a selection of delectable snacks and beverages. I personally guarantee his safe arrival for Foreigner’s well-deserved induction into the Rock Hall… Tune in tomorrow at 9 am PST on The Show on Rock 105.3 with my daughter Raine and our amazing hosts – San Diego Seals rock!”

Amidst the anticipation of Gramm’s potential attendance, Foreigner’s induction into the Rock Hall marks a significant moment for the band, despite longstanding internal tensions. Mick Jones, in correspondence with Billboard, expressed his openness to reconciling with Gramm:

“On a personal level, I hold no animosity towards Lou. We did share the stage at the 40th-anniversary concert. It’s been quite some time since Lou departed from Foreigner, and I believe any lingering grievances belong to the past. There’s strength in releasing resentments and moving forward.”

However, Gramm revealed his ongoing struggle to reconnect with Jones, citing communication barriers:

“I had hoped our induction into the Songwriters Hall of Fame would pave the way for reconciliation. It had been years since I last heard from Mick, but we had a fantastic time at the Songwriters Hall of Fame ceremony, playing alongside the house band and basking in the honor. Despite that night, our relationship seemed on the mend, yet I haven’t heard from him since.”

As the induction ceremony approaches on October 19 in Cleveland, the question remains whether Gramm will join Foreigner on stage, heralding a potential reunion amid the band’s monumental achievement.

During a recent appearance on SiriusXM’s Phish Radio show, Drew Carey didn’t hold back when critiquing U2‘s live performance, contrasting it with his awe-inspiring experience witnessing Phish at the new Las Vegas venue.

Reflecting on his concert outings, Carey expressed astonishment at Phish’s performance, which left an indelible impression on him:

“It was mind-blowing how phenomenal it was. I couldn’t stop raving about it to my friends and The Price Is Right audience… I ended up going back the following two weekends in a row. But then, just three songs into Thursday night with Phish at the Sphere, I found myself feeling a bit disgruntled. I actually felt tempted to ring up U2 and demand a refund. It made them seem like a mere bar band.”

Carey acknowledged U2’s prowess but underscored Phish’s adept utilization of the venue’s audiovisual capabilities:

“It’s not a knock on U2; they put on a solid show. However, I believe Phish truly maximized the potential of the audio and visual elements within that space. Now my mind is racing with ideas of what else could be achieved at the Sphere.”

Meanwhile, U2 faced criticism over their ticket pricing from Iron Maiden’s Bruce Dickinson. In a candid interview with Mexico’s ATMósferas Magazine, Dickinson voiced his reservations about the exorbitant costs:

“It boils down to two things: the nature of the show and the demographics of the audience. I won’t name names, but most artists charging $1,200 per ticket — like U2’s show in Las Vegas at the Sphere — don’t interest me. I’m not willing to fork out that much to see them. Maybe $100, but for me, it’s about keeping ticket prices reasonable.”

U2 concluded their residency at the Sphere in Las Vegas with a final show on March 2, drawing fans from over 100 countries for 40 sold-out performances. As per Billboard Boxscore, the initial 17 shows generated $109.8 million in revenue and sold 281,000 tickets, establishing a record as the fastest-earning residency in Boxscore history.

During a sit-down with Ultimate Classic Rock Nights host Matt Wardlaw, Joe Satriani and Steve Vai shed light on their latest musical collaboration, which included an unexpected twist involving the classic Metallica anthem, ‘Enter Sandman.’

When Wardlaw inquired about the decision to incorporate ‘Enter Sandman’ into the encore of their ongoing tour, Satriani revealed the serendipitous inspiration behind the choice:

“I was brainstorming with my keyboardist, Ray Thistlethwaite, who has this incredible vocal range. We had just wrapped up a G3 tour where he wowed everyone with his renditions of vintage ’60s tunes. We wanted to mix things up and decided on a more diverse setlist. We knew we were going to feature ‘The Sea of Emotion, Pt. 1.’”

Satriani then recounted Thistlethwaite’s unexpected enthusiasm for tackling the iconic Metallica track:

“We were tossing around some wild ideas for songs, and at one point, I threw out ‘Enter Sandman.’ I didn’t really expect him to bite, but he immediately said, ‘Let’s do it. I want to give it a shot.’ I was pleasantly surprised because his style is different from James [Hetfield], but every night, he nails it. It’s been a blast.”

Despite their longstanding friendship, Satriani and Vai only recently ventured into the studio together, culminating in the release of ‘The Sea of Emotion, Pt. 1’ and an impending full-length album collaboration. Reflecting on their creative process, Vai elaborated:

“It all unfolded quite organically. Joe and I often tour separately on the heels of our solo projects. Our schedules happened to align, and we thought, ‘Hey, why not hit the road together?’ It’s like a G2 setup, where I perform for an hour, followed by Joe. While G3 typically involves another artist, this time it’s just us. We thought, ‘Why not have some fresh material to bring to the stage?’”

Their synergy continued as they reunited with Eric Johnson for a G3 tour earlier this year, commencing on March 22 at Hard Rock Live in Orlando, Florida, with their final performance scheduled for May 12 in Santa Rosa, California.