18-year-old John Foster brought his A-game to Sunday night’s (May 4) American Idol Top 10 episode, delivering a lively rendition of Bonnie Raitt’s “Something to Talk About.” This performance kicked off the show’s first-ever Ladies Night theme, where the Top 10 paid tribute to some of the most iconic female voices in music.

While John is known for his classic country style, he stepped out of his usual lane with this song choice. In a pre-performance clip, he shared a sweet moment with Miranda Lambert, this week’s mentor, revealing that she was his “first crush.”

“I was like, ‘Okay, I love you,’” Lambert said after Foster walked in with his cowboy hat and guitar. Despite his nerves, John admitted he had trouble even looking at her while singing. But Lambert made him feel at ease by singing along, creating a memorable connection that made the moment even more special.

John’s rendition of “Something to Talk About” was a hit, earning praise from both the audience and the judges. As one of the only country artists to make it past Hollywood Week, Foster continues to impress, even earning a spot on the iTunes country charts with his original song, “Tell That Angel I Love Her,” after his emotional Easter performance.

After his Bonnie Raitt cover, the judges couldn’t stop complimenting his growth.

“I feel like you are the one that has grown the most throughout this whole process,” said Carrie Underwood. “Every time you step on stage, you get more comfortable, connect with the audience more—I just love that.”

Luke Bryan added, “Your charisma meter is off the charts right now!” It’s clear John Foster’s star is shining brighter than ever.

Morgan Wallen’s live performance of “Superman” in The Shop Sessions provides a heartfelt, intimate look into his life, especially his journey as a father. Released on May 9, 2025, as part of his fourth album I’m the Problem, the song is a deeply emotional tribute to his four-year-old son, Indigo Wilder.

In “Superman,” Wallen opens up about his struggles, acknowledging the mistakes he’s made in the past and his challenges as a father. One powerful lyric, “One day you’re gonna see my mugshot / From a night when I got a little too drunk,” directly addresses the 2024 Nashville incident where he was arrested for throwing a chair off a rooftop bar. These honest reflections show Wallen’s vulnerability, expressing a desire for his son to understand and not judge him for his flaws.

The chorus further highlights Wallen’s inner battles:

“Now and then, that bottle’s my kryptonite
Brings a Man of Steel down to his knees
Don’t always know my wrong from right
Sometimes I’m my own worst enemy
No, I don’t always save the day
But you know, for you, I’ll always try
I do the best I can
But Superman’s still just a man sometimes.”

Here, Wallen compares his struggles with alcohol to Superman’s weakness to kryptonite, reminding us that even heroes have their flaws. By being open about his imperfections, he shows his commitment to being the best father he can be, despite his mistakes.

The stripped-down performance in The Shop Sessions makes the song even more powerful. With minimal instrumentation, Wallen’s raw vocals shine, allowing the emotions behind the lyrics to resonate deeply. This setting mirrors the song’s introspective and personal nature, making it an even more moving experience for listeners.

“Superman” not only highlights Wallen’s growth as an artist but also as a person. It’s a narrative of redemption, vulnerability, and fatherhood that connects on a deeply emotional level. Through this performance, Wallen proves that he’s not just an artist, but someone who’s evolving and learning from his past.

Young country singer turns “Mama Tried” into a raw and unforgettable moment

When 18-year-old John Foster took the stage to sing Merle Haggard’s “Mama Tried” on American Idol, no one expected what came next. What started as a classic country cover quickly turned into a deeply personal confession that left the audience and judges hanging on every word.

From the first strum of his guitar, you could feel the weight of the story he was telling. It wasn’t just a performance—it was a lived experience. Foster brought a quiet vulnerability to the song, making it feel like more than just lyrics. His voice, tinged with a worn-in ache far beyond his years, made the heartbreak real.

The message of “Mama Tried”—that even the best intentions from the people who love us can’t always save us from our own mistakes—hit especially hard. Foster didn’t just sing it; he felt every word. When he lingered on the line “no one could steer me right, but Mama tried,” it was like a soft apology to anyone who’s ever tried to save someone they love.

The stripped-down arrangement gave him space to connect. No flashy lights. No big production. Just a guitar, a heart full of regret, and a voice that cracked in all the right places.

A Love Song, A Redemption Arc, and a Run for the Finals

Foster has been steadily winning hearts with his honest, no-frills style. His earlier performance of George Strait’s “I Cross My Heart” also turned heads—and maybe even melted a few. Sitting in the front row was his girlfriend, Brooklyn, who Foster sweetly dedicated the song to.

“I’ve never been able to sing a love song and really mean it,” he said. “This one’s for Brooklyn.”

It was a soft, heartfelt moment that stood out amid the competition. As he sang, his eyes never left her—and when he closed out the last line, cameras caught Brooklyn beaming with pride.

Carrie Underwood, who chose the song for him, said it was “absolutely perfect.” Luke Bryan, once on the fence about Foster, called it his best yet. Even Lionel Richie joked about not picking a Willie Nelson tune, but added, “You’re amazing.”

With performances like these, Foster didn’t need a save—he earned his spot in the Top 7 while others, like Mattie Pruitt and Josh King, landed in the bottom two.

What’s Next for Foster?

John Foster isn’t just the “country kid” from Addis, Louisiana anymore. He’s proving himself as a powerful storyteller—someone who can take a classic song and breathe new life into it with nothing but truth and heart.

As Idol inches toward its finale, the competition is heating up. Jamal Roberts and Thunderstorm Artis are bringing the heat, but Foster has a secret weapon: sincerity. While others might chase polish and perfection, he brings something more rare—realness.

And in today’s world, that just might be what wins.

At the 2025 ACM Awards, Reba McEntire, Miranda Lambert, and Lainey Wilson teamed up for an unforgettable moment in country music, debuting their new song “Trailblazer.” This song is a heartfelt tribute to the legendary women who have shaped country music, both past and present, and celebrates their strength, resilience, and influence.

The song, co-written by Lambert and Wilson alongside Brandy Clark, resonated deeply with the trio as they penned it with tears in their eyes. McEntire, overwhelmed with emotion when she first heard it, shared her thoughts with Billboard: “It was that great. I couldn’t find a flaw in it, not a word.”

“Trailblazer” pays homage to iconic artists like Patsy Cline, Dolly Parton, and Loretta Lynn, while also reflecting on the personal stories of McEntire, Lambert, and Wilson. But, according to Wilson, the song’s heart is in its connection to all listeners, particularly across generations. “This could be a song that a grandmother, daughter, and grandchild could listen to,” she explained. “It’s about bringing people together through shared experiences.”

Lambert echoed this sentiment, emphasizing that the song isn’t just about the artists, but for anyone who has a dream or needs encouragement: “It’s about what the song means to little girls or anyone who needs to be surrounded by love and a little nudge to know they’re not alone.”

On May 8, during the 60th ACM Awards, the trio took the stage in matching suede outfits and delivered the world premiere of the track. Each woman showcased her solo vocals, but it was their harmonies and unity that truly captured the spirit of the song. As they closed the performance with a powerful, unified bow, the crowd was left in awe of this pure, emotional country moment.

“Trailblazer” was more than just a performance—it was a celebration of country music’s history and the women who continue to inspire its future.

Since John Foster first graced the American Idol stage, fans have been buzzing with one big question: is he related to country legend Dwight Yoakam? Could he be his son, nephew, or long-lost cousin?

Well, Foster has set the record straight with a friendly, yet firm, “no.” In a recent Facebook post, the 18-year-old Louisiana native playfully addressed the rumors, quipping that if he had a dollar for every time someone asked, he could fund his own tour. And honestly, it’s easy to see why people might wonder.

Foster has the full Western vibe—cowboy hat, swagger, and that signature ‘90s country twang. When he sings classics like “Amarillo by Morning” or “Neon Moon,” it feels more like stepping back in time than simply hearing a performance. His style may be strikingly similar to Dwight Yoakam’s, but in terms of family ties? Not so much.

John Foster Benoit—yep, that’s his real name—is just a small-town Louisiana guy with big dreams. He still works at Benoit’s Country Meat Block during his school breaks, where hot tamales and jerky are a local specialty. He’s also studying biology, and while music is his main focus now, he hasn’t ruled out a future in medicine if things don’t work out.

While music runs in the family, it has nothing to do with Dwight Yoakam. So much for that theory.

But the real truth is, none of that matters. Foster’s rise in country music isn’t about a famous last name—it’s about authenticity. In a world full of auto-tune and flashy beats, he shows up with nothing but a guitar, his drawl, and a whole lot of soul. His sound is real, drawing people in with its simplicity and honesty.

Foster’s appeal doesn’t come from a legacy; it comes from staying true to himself. He’s not following trends—he’s chasing something deeper. That’s what sets him apart.

No, he’s not Dwight Yoakam’s son. But with his unique style and genuine passion, he’s more than capable of carrying that torch—and making it his own. And in a way, maybe not being related makes his success even more remarkable.

Country music doesn’t need another name from the past—it needs more voices that feel like home. And John Foster? He’s already there.

Keith Urban’s long-awaited moment came at the 60th ACM Awards, where he was celebrated for earning the rare Triple Crown Award—a prestigious honor given to artists who’ve won New Artist of the Year, Male Artist of the Year, and Entertainer of the Year.

It took Urban 18 years to complete the Triple Crown trifecta. He was named New Artist of the Year in 2001, Male Vocalist of the Year in 2005 and 2006, and Entertainer of the Year in 2019. His journey to the award reflects the incredible longevity and success of his career.

This year’s ACM Awards, held on May 8, 2025, at the Ford Center in Frisco, Texas, was hosted by Reba McEntire and featured a packed evening of awards, performances, and memorable tributes. Keith Urban’s Triple Crown recognition stood out as one of the night’s most emotional moments.

The tribute to Keith was star-studded, with Chris Stapleton, Brothers Osborne, and Megan Moroney taking the stage to perform some of his biggest hits. Megan kicked things off with a heartfelt cover of “Stupid Boy,” followed by Chris Stapleton’s soulful rendition of “Blue Ain’t Your Color.” Brothers Osborne added their own energy to “Where The Blacktop Ends,” making it a night to remember.

Keith, along with his wife, Nicole Kidman, couldn’t resist dancing along. He even grabbed his guitar and joined Brothers Osborne onstage for the final song, before being presented with his well-earned Triple Crown Award.

Ella Langley made an unforgettable impact at the 60th Academy of Country Music Awards, turning the Ford Center into a whirlwind of emotion and raw talent. Performing just before she was named co-winner of the ACM Award for Single of the Year, Langley set the stage ablaze, securing her place as one of country music’s brightest rising stars.

The Alabama native poured her heart into her performance of the emotional ballad “If It Weren’t For The Wind.” With each note, Langley captivated the live audience and viewers at home with her powerful vocals and deep sincerity. The song, which reflects on love, longing, and the journey to independence, struck a chord with everyone in the room.

After stepping off the stage, still filled with adrenaline, Langley was called back to accept one of the night’s biggest awards. Alongside fellow country artist Riley Green, she won Single of the Year for their chart-topping duet “You Look Like You Love Me.” The song, which marked Langley’s first No. 1 hit on the Country Airplay chart, was praised for its seamless chemistry and raw emotional depth. Competing against huge names like Post Malone & Morgan Wallen, Chris Stapleton, Cody Johnson, and Shaboozey, their win was a defining moment.

“This song changed everything for me,” Langley said in her acceptance speech. “It taught me to stop worrying about what others expect and just create music I truly love.”

Riley Green, by her side, added, “I’m so proud of Ella. She represents Alabama so well. She’s a true artist, and this is just the beginning for her.”

Langley’s victory felt symbolic of a shift in country music, where authenticity, grit, and powerful storytelling are paving the way for new voices. Her win and performance at the ACM Awards weren’t just about celebrating her talent—they marked the arrival of a fresh, exciting force in the genre.

Hosted by Reba McEntire and broadcast live from Texas, the 60th ACM Awards featured iconic performances and surprise wins. But it was Langley’s heartfelt performance and well-deserved victory that truly resonated, signaling the rise of one of country music’s most promising new stars.

John Foster’s version of “You Never Even Called Me by My Name” is a heartfelt nod to classic country, yet with his own unique twist. Rather than copying the original, Foster adds his own personality to each note, making the song feel fresh and personal. His voice brings a warm, authentic vibe, blending sincerity with a playful touch that grabs your attention from the first verse.

While David Allan Coe’s take on the song was full of rough-edged humor, Foster goes for a softer, more intimate approach. His rendition feels like a story shared between friends, full of love and loss, rather than a joke yelled across a noisy bar. This emotional depth gives his performance a special kind of charm and relatability.

Foster’s delivery is laid-back and relaxed, as if he’s casually telling a familiar story. He doesn’t overplay the humor, allowing the lyrics to speak for themselves, which makes the performance feel genuine. It’s funny, yet there’s an underlying tenderness, as if he’s laughing to keep from crying.

What stands out in his version is how he stays true to the song’s spirit while giving it a modern update. The classic acoustic guitar, pedal steel, and honky-tonk piano are all there, but with just enough polish to make it feel fresh. It’s a tribute to old-school country, but with a twist that makes it relevant for today’s audience.

Foster’s interpretation of the iconic “perfect country and western song” verse is delivered with subtle charm. He doesn’t go overboard; instead, he lets the humor shine through naturally, connecting with the audience in a shared, knowing way. It’s this quiet connection that makes his version so memorable.

Perhaps what’s most striking about Foster’s take is his restraint. He doesn’t try to make it bigger than it needs to be. Instead, he focuses on storytelling, allowing the song’s themes of rejection and humor to resonate on a deeper level. His version transforms what was once a novelty into something real and reflective, capturing life’s bittersweet moments in a beautifully country way.

Foster clearly has a deep love for traditional country music. You can hear it in the way he shapes each lyric with care, honoring the genre’s roots while keeping it fresh. In a time when country music often leans toward pop, his rendition feels like a refreshing return to the basics—honest, simple, and full of character.

There’s a sense of nostalgia in his performance, evoking images of quiet country roads and vintage radios. But it doesn’t feel stuck in the past. Foster’s delivery gives the song a timeless quality, reminding us that great storytelling and genuine emotion never go out of style.

Ultimately, Foster offers more than just a cover—he gives us his interpretation, a personal take that feels lived in and meaningful. He knows when to hold back and when to let the moment breathe, making this performance feel like a song he’s carried with him for years. When he shares it with us, it’s not just a performance—it’s an invitation to listen, to connect, and to experience the song in a whole new way.

Jamal Roberts stole the show during the Top 8 episode of American Idol Season 23 with an emotional performance that had the audience and judges in awe. But before he wowed everyone with his powerhouse rendition of Fantasia’s “I Believe,” he shared some incredibly personal news.

On May 5, Jamal revealed that he had just welcomed his third child, a beautiful baby girl named Gianna Grace Roberts. He had kept the birth private, but the joy was evident as he shared the heartfelt moment with fans. “It was so personal to me, I did not share it. But I have a healthy, beautiful baby girl that was born today,” he said, clearly overwhelmed with emotion.

Already a proud father to daughters Harmoni and Lyrik, who were in the audience cheering him on, Jamal channeled all that love into his performance. He gave a stunning version of “I Believe,” a song chosen by judge Lionel Richie that speaks to triumph and faith. The song couldn’t have been more fitting for Jamal’s journey, especially in such a transformative moment in his life.

The heartfelt performance earned tears and praise from the judges and solidified Jamal’s place in the Top 6, thanks to the support of his fans. His emotional connection to the song and his powerful voice made it clear why he’s a favorite in the competition.

Looking ahead, the stakes are getting higher. The Top 7 will return on May 11 for a Disney-themed episode, celebrating Mother’s Day with tributes to their moms. The next round will see America voting to send five contestants to Disney Night #2 on May 12, where they’ll be mentored by Lin-Manuel Miranda. From there, the Top 3 will be revealed, heading into the grand finale on May 18.

With a newborn daughter, two adoring daughters supporting him, and a growing fanbase, Jamal Roberts isn’t just aiming for a title—he’s building a legacy with every performance.

At the 2025 CMT Music Awards, country fans got a real treat when Riley Green and Ella Langley joined forces on stage to perform their hit, “You Look Like You Love Me.” The performance was a true standout of the night — a perfect mix of raw emotion, vocal power, and undeniable chemistry.

The song itself is a modern country ballad with roots in classic storytelling. It’s all about the tension of a love that feels real but hasn’t been spoken aloud — a relatable feeling for just about anyone. Riley’s signature Southern grit paired beautifully with Ella’s soulful voice, giving the song a live energy that was even more powerful than the recorded version.

Two Voices, One Unforgettable Performance

Riley Green, no stranger to heartfelt lyrics and loyal fans, brought his rugged charm and genuine emotion to the stage, dressed in classic country fashion. His voice carried the song’s story with warmth and sincerity.

Ella Langley, one of country’s fastest-rising stars, made a big impression in her CMT performance debut. Her voice — strong yet full of feeling — held its own beside Green’s, and together they created a harmony that was both beautiful and moving. Their stage presence felt natural, like two artists who truly understood the heart of the song they were singing.

The Story Behind the Song

“You Look Like You Love Me” tells a simple but powerful story — two people clearly drawn to each other, unsure whether to say what they’re both feeling. That emotional tug-of-war came through clearly in the performance. With acoustic-driven instrumentation and a steady beat, the song walks the line between modern country and timeless themes.

On stage, the lighting was soft and warm, creating an intimate setting that let the focus stay on the vocals and the connection between the singers. It was the kind of moment that makes a live performance unforgettable.

A Moment to Remember

As the final notes rang out, the audience gave the duo a roaring ovation — a clear sign that they’d struck a chord. Riley Green and Ella Langley not only delivered a great performance, but they also reminded everyone why country music resonates so deeply: it’s about honest emotions, great storytelling, and voices that make you feel something.

This duet has already taken off, and after their CMT performance, it’s clear that Riley and Ella are just getting started. With this kind of talent and connection, there’s no doubt we’ll be seeing a lot more of them — and we can’t wait.