The legendary Sir Tom Jones may have entered the stage at Chicago Theatre with the aid of a walking stick and a chair, but any hint of his 82 years vanished the moment he began to sing. With a cheeky nod to his hip replacement and a promise it was only temporary, Jones quickly proved that age has barely touched his timeless voice—still as rich and powerful as it was in the swinging ’60s.

Sitting center stage, the Welsh icon captivated the packed house, his baritone as commanding as ever. Opening with the haunting “I’m Growing Old,” he set the tone for a night that balanced introspection with pure showmanship. Without the distraction of stage theatrics, the spotlight remained firmly on his extraordinary vocal prowess, sending shivers through the audience from the first note.

Rather than saving his classics for the finale, Jones surprised the crowd early on with fresh renditions of “It’s Not Unusual” and “What’s New Pussycat?”—his five-piece band breathing new life into these decades-old hits, giving them a modern flair while honoring their roots.

Spanning an incredible seven-decade career, Jones delivered a genre-hopping setlist that showcased his versatility and enduring appeal. He brought swagger with the playful “Sexbomb,” humor with Cat Stevens’ “Popstar,” grit with “Talking Reality Television Blues,” and heartfelt reflection on “One Hell of a Life.” The latter two tracks came from his recent critically acclaimed album Surrounded By Time, which made Jones the oldest artist to top the U.K. charts—proof that he’s still pushing creative boundaries.

Despite moments of deep reflection, Jones never lost his sense of fun. The crowd roared as women rushed the stage, tossing undergarments during “Delilah,” a time-honored tradition at his shows. Things got even steamier with a sultry version of Randy Newman’s “You Can Leave Your Hat On,” sending energy levels soaring.

Jones also showcased his impeccable taste with powerful covers, from Leonard Cohen’s soulful “Tower of Song” to Prince’s funky “Kiss,” Sister Rosetta Tharpe’s gospel-infused “Strange Things Happening Every Day,” and rock ‘n’ roll staples like Chuck Berry’s “Johnny B. Goode” and Jerry Lee Lewis’ “Great Balls of Fire.” Each was delivered with the same conviction and charisma that have made him a living legend.

By the end of the two-hour spectacle, it was clear: whether performing his own hits or honoring the greats, Sir Tom Jones remains a force of nature. His unparalleled longevity and ageless voice left the Chicago crowd in awe, witnessing a master who continues to defy time itself.

Liam surprised fans with an impromptu jam at an Irish bar, turning a casual night into pure rock ‘n’ roll magic! He picked up an acoustic guitar and played alongside fellow musicians, creating a memorable experience for the patrons. One attendee described the event: “He came, he sang, we drank, and just like that he was gone… awesome guy, surreal afternoon.”

Liam Gallagher, the former Oasis frontman, has a history of surprising fans with impromptu performances in Irish pubs. In August 2017, while in Montreal for the Osheaga festival, Gallagher visited McKibbin’s Irish Pub and joined a local jam session. He picked up an acoustic guitar and played alongside fellow musicians, creating a memorable experience for the patrons.

This wasn’t Gallagher’s first spontaneous pub performance. In July 2015, he surprised locals at JJ Finan’s bar in Charlestown, County Mayo, Ireland. During this visit, he performed a new song, which included the lyrics: “When I wake up and I hear you say, there’s no love worth chasing yesterday.” This line was interpreted by some as a reference to his brother Noel Gallagher’s album “Chasing Yesterday.”

These unplanned sessions highlight Gallagher’s enduring passion for music and his appreciation for intimate, communal settings. Fans cherish these rare opportunities to see the artist in a relaxed environment, connecting directly through shared musical moments.

The legendary performance at the Crossroads Guitar Festival brought together guitar masters like Eric Clapton, Sheryl Crow, John Mayer, Doyle Bramhall II, and Robert Randolph, delivering one of the most memorable moments in blues history. With fiery, soulful guitars, they celebrated one of the greatest blues compositions ever recorded.

The iconic Crossroads Guitar Festival united legendary guitarists Eric Clapton, Sheryl Crow, John Mayer, Doyle Bramhall II, and Robert Randolph, creating an unforgettable chapter in blues history. Their fiery, soulful performances paid tribute to one of the greatest blues tracks ever recorded.

For those lucky enough to attend Clapton’s inaugural 2004 festival, the memories are everlasting. It was here that many first discovered Robert Randolph and The Family Band, whose electrifying style left audiences in awe. Drummer Abe Laboriel Jr. also deserves special mention—his powerful rhythms provided the heartbeat of the set, anchoring the legends on stage.

Watching Eric Clapton perform is more than just hearing music; it’s witnessing a master at work. Each note tells a story of passion and dedication. Crossroads isn’t just a concert—it’s a living legacy, celebrating the timeless spirit of blues and inspiring generations of musicians to come.

Paul ended his very busy week in New York City by closing out the “SNL 50” show Sunday evening, which was broadcast live.

The SNL 50 celebration was not only for its longevity, but because the show was culturally significant. Nothing could have been more musically culturally significant than to end the show with the most iconic composition of our time, the “Golden Slumbers/Carry That Weight/The End” medley by The Beatles that closes out their album Abbey Road. To have Paul there to perform it live was the icing on the cake.At 82, McCartney delivered a heartfelt medley of songs from The Beatles’ “Abbey Road” album, performing “Golden Slumbers,” “Carry That Weight,” and concluding with “The End.” This performance not only showcased his enduring talent but also served as a poignant finale to the celebration.

The special also included a duet by Paul Simon and Sabrina Carpenter, who opened the show with “Homeward Bound,” a song Simon originally performed with George Harrison on “SNL” in 1976.

Other musical acts featured Miley Cyrus and Brittany Howard performing “Nothing Compares 2 U,” and Lil Wayne collaborating with The Roots on a medley of his hits.

On February 9, 2014, CBS aired The Night That Changed America: A Grammy Salute to the Beatles, a star-studded tribute to the legendary band. The special featured an array of iconic artists performing the Beatles’ timeless hits, including Stevie Wonder’s rendition of “We Can Work It Out,” Eurythmics’ take on “The Fool on the Hill,” Ed Sheeran’s heartfelt performance of “In My Life,” and Katy Perry’s emotional cover of “Yesterday.” The event also included appearances by Beatles members Paul McCartney and Ringo Starr, who joined in celebrating the band’s enduring legacy.

The concert was filmed on January 27, 2014, at the Los Angeles Convention Center, just one day after the 56th Annual Grammy Awards. Throughout the evening, artists collaborated on memorable Beatles covers, such as John Mayer and Keith Urban teaming up for “Don’t Let Me Down,” Brad Paisley and Pharrell Williams delivering a vibrant version of “Here Comes the Sun,” and Jeff Lynne and Dave Grohl rocking out to “Hey Bulldog.”

One of the night’s standout moments came when Jeff Lynne, joined by Joe Walsh and Dhani Harrison—son of the late George Harrison—performed the Beatles’ classic “Something.” Written by George Harrison for the band’s 1969 album Abbey Road, “Something” was originally released as a double A-side single alongside “Come Together.” Both tracks soared to No. 1 on the Billboard Hot 100, where they held the top spot for a week.

Reflecting on the Beatles’ profound influence, Lynne shared, “The Beatles changed my life. Back in 1968, when I was recording my first album, I was miraculously invited to Abbey Road Studios to watch them record. I couldn’t believe it—I still don’t know how I got in there! I was so overwhelmed I couldn’t sleep for days. They had this incredible aura about them.” He added, “I never imagined I’d one day work with them, let alone produce their music. It’s the greatest honor of my career.”

“Something” holds a special place in the Beatles’ catalog. Written during the sessions for The White Album, the song was partially inspired by George Harrison’s then-wife, Pattie Boyd, and his exploration of Krishna consciousness. It was one of only two tracks on Abbey Road solely penned by Harrison, the other being “Here Comes the Sun.” Harrison first recorded a demo of “Something” on February 25, 1969—his 26th birthday. The song’s title and opening line were reportedly influenced by James Taylor’s 1968 track “Something in the Way She Moves.” Initially intended for Apple Records artist Jackie Lomax, the song was later recorded by Joe Cocker, though his version wasn’t released until a month after Abbey Road hit the shelves.

Among all the tracks on Abbey Road, John Lennon considered “Something” his personal favorite. In 1969, Harrison modestly remarked, “The lyrics aren’t anything extraordinary. I have many songs like that in my head—I just need to get them down. Some people tell me ‘Something’ is one of the best things I’ve ever written. I don’t know if that’s true, but it’s very flattering. It’s probably the nicest melody I’ve ever composed.”

For Beatles enthusiasts, the idea of a new Lennon-McCartney collaboration has long been a dream. Now, that dream has taken an unexpected but exciting turn. James McCartney, son of Paul McCartney, has just released a fresh track titled “Primrose Hill”, co-written with Sean Ono Lennon, son of the late John Lennon.

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“Primrose Hill is out now! I’m beyond thrilled to share this new song, written alongside my dear friend Sean Ono Lennon,” James announced on his social media accounts. “This release feels like the beginning of something special, and I can’t wait to keep sharing more music with you all.” He also shared a heartwarming photo of himself with Sean, celebrating the collaboration.

Sir Paul McCartney also chimed in, promoting the track on his own social pages.

In a legendary performance at The Rock & Roll Hall of Fame ceremony in 2004, Prince delivered a guitar solo that etched itself into the annals of music history. Joining forces with luminaries like Tom Petty, Jeff Lynne, Steve Winwood, and Dhani Harrison, Prince contributed to a memorable rendition of “While My Guitar Gently Weeps.”

The event marked the induction of Jackson Browne, Prince, Jann Wenner, and ZZ Top into the esteemed Rock & Roll Hall of Fame. However, it was Prince’s electrifying solo that stole the spotlight, leaving audiences and fellow musicians awestruck by his unparalleled mastery of the guitar.

Prince’s musical prowess extended beyond his solo performance. With his band, “The Revolution,” he mesmerized listeners with “Purple Rain,” the title track of the iconic 1984 film. The accompanying album soared to critical acclaim, and “Purple Rain” secured its place as one of Prince’s greatest hits, captivating audiences worldwide.

While Prince’s influence on music is undeniable, another guitarist, Miguel Montalban, has emerged as a rising star in his own right. Hailing from Santiago, Chile, Montalban is renowned for his exceptional guitar skills and captivating performances. His YouTube channel boasts over 60,000 subscribers, with viral videos showcasing his talent.

In one remarkable street performance, Montalban pays homage to Queen’s legendary “Bohemian Rhapsody,” captivating passersby with his virtuosity and passion. His musical journey has seen the release of two successful albums, “Inspirations Vol.1 and Vol.2,” and earned him recognition as a representative of London’s esteemed “International Busking Day.”

High praise from acclaimed musicians like Mark Knopfler further solidifies Montalban’s status as a rising star in the music industry. With his remarkable talent and boundless potential, Montalban continues to captivate audiences and carve out his own legacy in the world of music.

Bob Dylan’s unexpected appearance at The Concert for Bangladesh on August 1, 1971, remains one of the most legendary moments in rock history. Organized by George Harrison and Ravi Shankar, the benefit concert featured two sold-out performances at Madison Square Garden, bringing together an all-star lineup that included Eric Clapton, Ringo Starr, and Leon Russell. The event was not just a musical milestone but a humanitarian effort to raise funds and awareness for the millions affected by the Bangladesh Liberation War and catastrophic flooding.

Leading up to the concert, Dylan’s participation was uncertain. Having spent years in semi-retirement, he had performed only sporadically since 1966 and was reluctant to take the stage in such a high-profile setting. Even after showing up to rehearse, Harrison remained unsure if Dylan would go through with it. Speaking to Rolling Stone years later, Harrison recalled how he only felt reassured when he saw Dylan, guitar in hand, nervously stepping onto the stage. The crowd’s astonishment was palpable as the folk icon emerged, ready to perform.

Dylan’s set featured five iconic songs: A Hard Rain’s A-Gonna Fall, Blowin’ in the Wind, It Takes a Lot to Laugh, It Takes a Train to Cry, Love Minus Zero/No Limit, and Just Like a Woman. For the evening performance, he switched things up, replacing Love Minus Zero with Mr. Tambourine Man. His stripped-down performance resonated deeply with the audience, proving that even after years away from the spotlight, Dylan’s presence remained as powerful as ever.

One of the most captivating moments leading up to the concert was a rare rehearsal clip of Dylan and Harrison performing If Not for You. Both artists had recently recorded their own versions of the song—Dylan for his wife Sara and Harrison for his All Things Must Pass album. The footage reveals their mutual admiration, with Dylan appearing unusually reserved, subtly deferring to Harrison’s lead on his own composition. The chemistry between them, despite their nervousness, echoes the spontaneous magic of the Johnny Cash and Bob Dylan sessions.

In the aftermath of the concert, Dylan’s elation was undeniable. Years later, Harrison fondly recalled how Dylan hugged him, exclaiming, “God! If only we’d done three shows!” Though record label red tape delayed the release of the live album and its funds, The Concert for Bangladesh set the stage for future benefit concerts like Live Aid, proving the power of music as a force for good.

As a final nod to their unique vocal interplay, Harrison later performed If Not for You in 1992 for Bob Dylan’s 30th Anniversary Concert, adopting a distinctively Dylanesque vocal delivery—a fitting tribute to a friendship forged in music.

The Gibb family is undoubtedly one of the most musically gifted lineages in history, with the Bee Gees—Barry, Robin, and Maurice—leaving an indelible mark on the music industry. However, their extraordinary talent extends beyond the legendary trio. This was beautifully showcased when 34-year-old Samantha Gibb, daughter of the late Maurice Gibb, joined her uncle Barry on stage for a stirring duet of the Bee Gees’ classic How Can You Mend a Broken Heart?

The emotional performance took place at the Wells Fargo Center in Philadelphia on May 19, 2014. Before launching into the song, Barry and Samantha shared a warm embrace. Barry introduced the moment with heartfelt words: “We’re going to sing a song that is our favorite, and certainly one of her dad’s favorites, and we hope you like it.”

Samantha set the tone with a soulful rendition of Skeeter Davis’s The End of the World, a song that perfectly captured the heartache of losing a loved one. Infusing the country-pop classic with an R&B twist, she demonstrated the same vocal depth and artistry that made her father an icon.

As the final notes faded, Barry seamlessly transitioned into How Can You Mend a Broken Heart? The song’s lyrics, filled with sorrow and nostalgia, resonated deeply in this moment of remembrance. Samantha took over the second verse, adding her own rich and emotional interpretation before uniting with her uncle for a powerful chorus. Their voices intertwined in a poignant tribute, mirroring the raw emotion of the Bee Gees’ unforgettable 2001 performance at the Manhattan Center.

This duet was more than just a performance—it was a testament to the enduring legacy of Maurice Gibb and the musical brilliance that continues to flow through the Gibb family.

As George Harrison and Bob Dylan stepped onto the stage, the crowd fell into an expectant hush, the weight of history and admiration thick in the air. The first delicate notes of If Not for You rippled through the atmosphere, blending Harrison’s melodic warmth with Dylan’s unvarnished sincerity. Their voices, distinct yet complementary, wove a seamless harmony—Harrison’s smooth, soulful delivery enriching Dylan’s signature rasp. Each lyric carried the essence of their deep respect and lasting friendship. As the final chord dissolved into silence, the audience erupted—not just for the music, but for the rare, heartfelt connection they had just witnessed.

This camaraderie was not born overnight but was cultivated through years of mutual influence and admiration. Their paths first intertwined in the mid-1960s, a time of artistic exploration and cultural transformation. Dylan’s poetic lyricism had already captured the Beatles’ imagination, while Dylan himself was drawn to the infectious energy of their music. Their fabled first meeting at the Delmonico Hotel in 1964, where Dylan famously introduced the Fab Four to marijuana, was just the beginning of a lifelong artistic dialogue.

While John Lennon’s music bore evident traces of Dylan’s folk-inspired introspection, it was Harrison who forged the deepest connection with the American troubadour. Their friendship blossomed over the years, from reflective conversations at Dylan’s Woodstock retreat in 1968 to their collaboration at the legendary Concert for Bangladesh in 1971. Harrison’s admiration for Dylan’s raw storytelling strengthened his own songwriting, while his spiritual journey may have, in turn, influenced Dylan’s own path in the late 1970s.

Musically, their mutual inspiration is undeniable. The shimmering chord progressions of Lay, Lady, Lay echo the harmonic depth that Harrison often explored, hinting at an unspoken artistic exchange. Their shared moments, from quiet jam sessions to the grandeur of the Traveling Wilburys, remain immortalized in history.

In this rare 1971 clip, the two legends rehearse If Not for You ahead of the Concert for Bangladesh—a testament to their deep-rooted friendship and the effortless synergy between their distinct yet kindred musical spirits.