As the lights dimmed inside The Fillmore New Orleans, anticipation filled the air. The Fools for You—Post Malone’s band of top-tier Nashville musicians—took their places around a leather stool and a makeshift table crafted from a Bud Light keg and a wooden crate. It was the perfect setup for an intimate yet electrifying night, setting the tone for what fans might experience on Post’s upcoming Big Ass Stadium Tour, where he’ll be joined by Jelly Roll and Grammy winner Sierra Ferrell.
From the very start, the energy was infectious. Fans were treated to a surprise appearance by comedian Shane Gillis, Post Malone’s co-star in Bud Light’s Super Bowl LIX commercial. “Post is coming out soon,” he teased, standing against a stripped-down backdrop of blue-lit Bud Light kegs. “Thanks for letting me be up here for ten seconds.”
A Laid-Back Post Malone, A Night to Remember
Moments later, Post Malone—barefoot and clad in plaid—quietly strolled onto the stage. “Hello,” he greeted, waving his cowboy hat as the crowd erupted in cheers. He took his seat, signaling the start of a night filled with heartfelt performances and unexpected surprises.
2025 has already been a whirlwind for Post. From starring in a Bud Light Super Bowl commercial to partnering with Oreo on their first-ever swirled filling cookie, he’s been everywhere. And, after the recent Academy Awards, he now holds the unofficial title of most Grammy nominations without a win. But if he had any frustrations, they didn’t show—this night was all about the music.
Post Malone & Jelly Roll: A Collaboration Fans Can’t Get Enough Of
Kicking off the set with Circles, Post introduced a fresh, country-infused twist to the hit song, layering steel guitar and fiddle into the mix. As he transitioned into What Don’t Belong to Me from his debut country album F-1 Trillion, the crowd was already buzzing. But the real moment came when he teased his next track:
“I wrote this one with a buddy of mine,” he said, as the unmistakable opening chords of Losers rang out.
Jelly Roll emerged on stage, and the two artists shared a moment of genuine camaraderie—watching each other perform with admiration, trading verses, and wrapping it all up with a heartfelt hug and a toast to the audience. It was the kind of raw, authentic chemistry that makes live music unforgettable.
A Stripped-Down Celebration of Country Music
Unlike Post’s 2024 Bud Light show in Nashville—which featured an all-star lineup of guest appearances—this Super Bowl weekend performance took a more intimate approach. He leaned into country-inspired versions of his biggest hits, letting the music speak for itself.
Fan-favorites like White Iverson, Rockstar, Better Now, and I Fall Apart all made the setlist, but in a stripped-down, acoustic-driven style. Gone were the pyrotechnics and high-energy antics of his F-1 Trillion tour; instead, Post sat back, letting his voice and musicianship shine.
A Moment of Gratitude
Throughout the night, Post took multiple pauses to soak in the moment, scanning the crowd and locking eyes with fans. “Looking back at everything that’s happened in my life, I know I can always look to y’all for support,” he reflected.
He also acknowledged a major milestone—White Iverson turning ten years old this month. “I just want to say thank you so much for giving me a shot and giving me a chance,” he told the audience, his gratitude unmistakable.
No Signs of Slowing Down
If this weekend proved anything, it’s that Post Malone is showing no signs of slowing down. Between his first stadium tour, new music in the works, and a massive European festival run later this year, he’s continuing to push boundaries and explore new sounds.
As for what’s next? With Post’s ability to effortlessly blend hip-hop, rock, pop, and now country, the possibilities are endless. But one thing’s for sure—his love for the Dallas Cowboys isn’t going anywhere. “We’ll see them at the Super Bowl next year,” he joked. “Or maybe the year after that.”
With his undeniable passion, talent, and ever-evolving artistry, Post Malone continues to prove that no matter the genre, he’s here to stay.
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