Joe Lynn Turner has revealed a shocking plot that occurred against him and Ritchie Blackmore while they were members of Rainbow in an interview with Rolling Stone. Fans began to wonder what the real causes of the band’s turbulent history were when Turner unraveled the complex web of dishonesty and provided a picture of how they were exploited by their handlers.

Turner shared his side of the tale in an exclusive interview, offering a new viewpoint on the behind-the-scenes turmoil that shattered their relationship. Turner said that he and Blackmore learned that the management had set up a game of deceit to throw them against one another and promote their own objectives.

Ritchie intended to reunite with Deep Purple, while Blackmore was keen to quit Rainbow to pursue a solo career, according to Turner, who recalls hearing these rumors. Both of these assertions turned out to be false. Turner revealed how he and Blackmore were shocked by the treachery of the people they trusted the most.

Joe Lynn Turner said,

“Sure. Why not? I was actually, at the time, very happy that I would step back. I had a solo album. I had the world on a string. It didn’t bother me. I was happy that one of my favorite bands was back. I was able to contribute in a small way by stepping back and letting this happen. Now, we later found out, Ritchie and I, that we were played, totally played. But managers do that.”

He added, “He said to Ritchie, ‘Joe wants out. He’s doing a solo career. He doesn’t want to be in Rainbow anymore.’ Ritchie was actually hurt, he told me. And Bruce told me, ‘Ritchie really wants to do Purple.’ I said, ‘He said we’re going to get back together.’

You have to understand something. People still ask, ‘Are you in touch with Ritchie?’ It’s like a marriage. When the marriage is over, you don’t really call up your ex-wife all the time. You’re not really in touch. We were friends and partners, and colleagues then. It doesn’t mean you carry that on forward. We were friendly enough, comrades in arms, so to speak.”

The information from Turner’s interview provides a terrifying glimpse into the world of rock and roll, where the powerful may put friendships and allegiance to the test. Even if Turner and Blackmore don’t stay in touch, there is an opportunity to correct the record and recapture the narrative as fans process the shocking details of their trauma. It serves as a somber reminder that even the most legendary collaborations can end due to powerful individuals withholding information from musicians.

The Smiths have announced that Andy Rourke, their bassist, has died at the age of 59. Rourke died away lately, according to guitarist Johnny Marr, who noted that he did so after a protracted fight with pancreatic cancer.

Marr wrote, “It is with deep sadness that we announce the passing of Andy Rourke after a lengthy illness with pancreatic cancer. Andy will be remembered as a kind and beautiful soul by those who knew him and as a supremely gifted musician by music fans. We request privacy at this sad time.”

As a bassist recognized for his lyrical style, Rourke met Marr, a future Smiths bandmate, when he was just 11 years old. When the two decided to form a band, Marr proposed that Rourke switch to bass. The two used to play guitar over school lunches.

After the band’s debut performance, he joined them and later contributed to some of their most well-known songs, such as “There Is a Light That Never Goes Out” and “This Charming Man.” No other bass player could equal Rourke’s rhythmic contributions to their records, according to Marr.

Following the band’s dissolution, Rourke joined Mani from the Stone Roses and Peter Hook from New Order in the supergroup Freebass and contributed to vocalist Morrissey’s solo albums. As a session musician, he also performed with Sinéad O’Connor, the Pretenders, Killing Joke, and Badly Drawn Boy.

However, Rourke’s post-Smiths career was first hampered by a heroin addiction that had a significant negative impact on his health and finances. As a result, he and his former bandmates engaged in several legal disputes, which made it challenging for him to maintain a profession.

Despite this difficulty, Rourke was able to kick the habit, and afterward, he devoted all of his time to charitable work as the man in charge of organizing Manchester’s yearly Versus Cancer performance. Tim Burgess has spoken as follows: “He was an inspirational musician with a style that made so many of us pick up a bass guitar; and the driving force for Manchester Versus Cancer.”

As one of the pioneers of the British indie scene and a very great musician, Rourke will be remembered.

It is with deep sadness that we announce the passing of Andy Rourke after a lengthy illness with pancreatic cancer.
Andy will be remembered as a kind and beautiful soul by those who knew him and as a supremely gifted musician by music fans. 
We request privacy at this sad time pic.twitter.com/KNehQxXoFz

— Johnny Marr (@Johnny_Marr) May 19, 2023

A recent misunderstanding on Twitter, sparked by a fan, has been clarified, revealing that Neal Schon of Journey and singer Arnel Pineda have recently reconciled after a dispute. They have clarified that they never stopped being friends.

Here’s what the fan tweeted:

“Since Arnel Pineda and Neal Schon have recently become friends again, I think he could become the one with the newest songs in a few years, by the way. I just counted Arnel Pineda has sung 38 new songs spread out on three albums making him the second most productive lead singer in Journey.”

Schon replied back:

“We were never not friends. Just misunderstandings and bullsh*t created by trolls.”

Arnel Pineda will soon be second most productive!

— Martin A. (@ogy86) May 12, 2023

Neal Schon, the guitarist of the band Journey, has recently clarified his relationship with Arnel Pineda, the current lead singer of the band. Schon took to social media to address rumors and provide clarity on their working dynamics.

In his statement, Schon emphasized that he has a deep respect and appreciation for Pineda’s talent and contributions to Journey. He acknowledged Pineda’s remarkable vocal abilities and expressed his gratitude for the energy and enthusiasm Pineda brings to their live performances.

Schon also made it clear that despite occasional disagreements, as with any creative partnership, he holds no ill will towards Pineda. He stated that they continue to work together on new material and are committed to delivering great music to their fans.

The guitarist concluded his message by emphasizing the importance of unity and teamwork within the band. He expressed his desire for everyone to focus on their shared love for music and their dedication to creating memorable performances.

Overall, Neal Schon’s statement aimed to dispel any misconceptions and reassure fans that he and Arnel Pineda maintain a positive and collaborative relationship within the context of Journey.

The amazing combination of powerhouse vocalists Steve Perry and Dolly Parton teaming up for a collaboration is finally happening, and it’s exceeding all expectations. In a recent interview with Louder Sound, Steve Perry couldn’t contain his excitement as he talked about working with Dolly Parton, mentioning that she’s giving her all and singing with incredible passion.

The anticipation has been growing ever since Steve Perry shared a photo on social media of himself in the studio, accompanied by his sound engineer, Chris Lord-Alge, announcing their collaboration on a fresh version of the timeless hit “Open Arms.” Perry’s enthusiasm for the project was palpable, mentioning that the track was going through its final mixing session.

During a recent interview, Perry opened up about the collaboration and his overall approach to music. He admitted to having plenty of his own new music in his studio but confessed to being a bit selective, only pursuing projects that resonate with him emotionally. When it came to the duet with Dolly Parton, Perry couldn’t stop praising the outcome, emphasizing how fantastic it sounds and how Dolly truly pours her heart into it.

Perry’s said about Parton:

“I’ve still got so much [of my own new] music backed up in my studio, but the truth is that I’m a bit lazy. Right now, I’m only doing things that I can really emotionally connect with. Anything else, I kind of pull away from. The duet between Dolly and I on ‘Open Arms’ has just been mixed by Chris Lord-Alge, and it sounds great.

Dolly told me she had always loved the song and wanted to sing it on an album. Open Arms has been recorded many, many times down the years, but, honestly, she killed it. Dolly is singing her tush off.“

As we eagerly await the release of this thrilling collaboration, let’s take a moment to appreciate the rich history of “Open Arms.” Originally featured on Journey’s seventh album, 1981’s “Escape,” the track was co-written by Perry and Journey keyboardist Jonathan Cain. Now, brace yourselves for a rendition of the song by the dynamic duo of Steve Perry and Dolly Parton. It’s going to be extraordinary.

The Beatles, an unparalleled musical phenomenon, have left an indelible mark on the history of music. Even today, their influence resonates strongly in the realm of popular music. Among their repertoire of timeless classics, “Across the Universe” stands out as an ethereal and captivating masterpiece. Released in 1969, this hauntingly beautiful track holds a fascinating story that provides a glimpse into the creative process of one of the greatest bands of all time.

The Genesis of Inspiration

John Lennon, the visionary behind “Across the Universe,” found inspiration in an unexpected place. During a transcendental meditation session, Lennon stumbled upon the phrase “Jai Guru Deva Om,” which translates to “Victory to God divine” in Hindi. The sheer beauty of these words resonated deeply with him, and he resolved to weave them into a musical composition.

Crafting a Timeless Ballad

Initially conceived as a simple acoustic ballad, “Across the Universe” underwent a metamorphosis over time. As Lennon and the rest of The Beatles worked on the song, it gradually evolved into a lush and dreamy arrangement, featuring an enchanting choir and an exquisite string section. The lyrics, imbued with impressionistic and poetic imagery, transcend the confines of language and cultural barriers, evoking a universal sense of love, stars, and waves.

A Collaborative Journey

The recording process of “Across the Universe” involved the collaboration of key figures in The Beatles’ inner circle. Originally intended for inclusion in the White Album, Lennon grew dissatisfied with the initial version and opted to re-record it with different musicians and producers.

The revised rendition incorporated the enchanting backing vocals of the London-based choir, The Mike Sammes Singers. Additionally, producer George Martin, known for his innovative studio techniques that revolutionized The Beatles’ sound, contributed a captivating string arrangement. Martin’s creative prowess shines through his work on “Across the Universe,” a testament to his skill and ingenuity as a producer.

Furthermore, the artistic influence of Yoko Ono, Lennon’s partner at the time and an experimental artist, cannot be overlooked. Ono’s avant-garde approach to art and music left an indelible imprint on Lennon’s creative vision. The ethereal and otherworldly qualities present in “Across the Universe” bear a resemblance to Ono’s own musical style, suggesting that her ideas may have played a role in shaping the final form of the song.

Enduring Reverberations

Upon its release as a single in 1969, “Across the Universe” swiftly captured the hearts of fans worldwide. It’s ethereal beauty and profound lyrics struck a chord with listeners, solidifying its status as one of The Beatles’ most beloved and timeless compositions. Over the years, countless artists have covered the song, and it has found a place in numerous films, TV shows, and commercials, cementing its cultural impact and enduring legacy.

A Testament to Timeless Artistry

The enduring legacy of “Across the Universe” stands as a testament to the timeless power of The Beatles’ music and the boundless creativity and vision of John Lennon. The song serves as a poignant reminder that great art can transcend the boundaries of time and space, with even the simplest phrases or ideas capable of inspiring masterpieces. As Lennon himself aptly expressed, “Words are flowing out like endless rain into a paper cup.” Through “Across the Universe,” those words assumed a life of their own, continuing to inspire and enchant listeners across the globe.

The significance of May 18th resonates deeply with music enthusiasts worldwide. Today, we pay tribute to Chris Cornell, the exceptional frontman of Soundgarden and Audioslave, whose untimely departure left a profound void. It has been six years since his tragic passing, leaving an irreplaceable void in both the music industry and the hearts of his devoted followers. Let us take a moment to reflect upon the remarkable presence of Chris Cornell, a true titan of the music world.

An Evening of Farewell

Were you aware that Chris Cornell’s final performance with Soundgarden took place at the Fox Theatre on May 17, 2017? It is hard to believe that six years have passed since that extraordinary show, unbeknownst to anyone that it would mark his farewell appearance. Within hours, the world was shattered by the devastating news of his passing. The loss of this rock legend cast a pall over fans and fellow musicians alike, evoking a profound sense of sorrow.

In Remembrance of Chris Cornell

Born on July 20, 1964, in Seattle, Washington, Chris Cornell forever altered the landscape of music. As the main vocalist, rhythm guitarist, and primary lyricist of Soundgarden, his commanding voice and profound lyricism captivated fans across the globe. Following a successful solo career, he formed Audioslave alongside Tom Morello, Tim Commerford, and Brad Wilk from Rage Against the Machine.

An Unparalleled Voice

Chris Cornell possessed extraordinary vocal prowess. His range extended effortlessly from raw and robust to exquisitely vulnerable, showcasing his versatility as a singer. He seamlessly transitioned from haunting melodies to fierce, gritty tones, leaving audiences awestruck. Many music journalists, fans, and fellow musicians regard him as one of the greatest rock vocalists of all time. Cornell’s voice was transcendent, evoking intense emotions that made listeners feel intimately connected to his music, regardless of time or place.

A Lasting Legacy

Cornell’s influence on music surpassed the boundaries of Soundgarden and Audioslave. Notably, he founded Temple of the Dog as a heartfelt tribute to his late friend, Andrew Wood. Furthermore, his solo work demonstrated immense artistry, with numerous songs that resonated deeply and showcased his talents as both a singer and songwriter. Cornell’s music possessed a unique power that comforted and inspired countless individuals. He possessed an innate ability to capture the human experience with raw authenticity.

The Tragic Loss of Chester Bennington

Just two months after Cornell’s passing, another devastating blow struck the music community. Chester Bennington, lead vocalist of Linkin Park and a close friend of Cornell, also departed prematurely. The consecutive losses of these two rock icons reverberated throughout the industry, profoundly affecting their fans.

A Time for Contemplation

On this day, it is crucial that we not only honor the exceptional talent and unwavering spirit of Chris Cornell but also raise awareness about mental health and the importance of seeking support during challenging circumstances. Vicky Cornell, Chris Cornell’s widow, has been a staunch advocate for mental health, shedding light on her late husband’s struggles and fostering open discussions on this critical issue. She has emerged as a vocal supporter of the mental health cause.

Chris Cornell’s music possessed an indomitable force that touched the souls of countless individuals, leaving an indelible imprint on the realm of rock music. His voice was a thing of beauty, and his lyrics held profound depth. It is astounding how his connection with fans only grew stronger following his passing. He was genuinely gifted, and his legacy endures. As we commemorate Chris Cornell today, let us cherish the joy his music brought us and celebrate his remarkable life.

Priscilla Presley has a heartfelt wish for her final resting place: to be laid to rest alongside her loved ones.

The 77-year-old expressed her desire to be buried next to her late ex-husband, Elvis Presley, and their daughter, Lisa Marie Presley when the time comes.

In a statement, Priscilla shared that although she has no plans of going anywhere soon, she and her family hope to honor this wish. They are grateful for the love and support from their fans.

Recent reports suggest that Priscilla’s request was not granted in a settlement reached with her granddaughter, Riley Keough. Elvis was laid to rest at his cherished Graceland estate, where his grave rests beside those of his parents, Gladys and Vernon.

Lisa Marie and her son, Benjamin Keough, who tragically passed away in 2020, are also buried there.

Priscilla and Elvis were married in 1967 after meeting eight years earlier. Although they separated in 1972 and Priscilla went on to marry and divorce Marco Garibaldi, she has consistently referred to Elvis as the love of her life.

Regarding the recent settlement with Riley Keough over Lisa Marie’s trust, Priscilla clarified that all confusion has been resolved. In a statement, she emphasized that there was never a lawsuit against her beloved granddaughter.

The family is pleased with the resolution and hopes for privacy to grieve Lisa Marie and spend quality time together properly.

Priscilla expressed love and appreciation for their supporters, assuring everyone that the Presley family remains united.

Lawyers representing both parties confirmed that the families are happy and looking forward to the future.

Riley’s attorney expressed her satisfaction with the settlement, stating that she wouldn’t have agreed to it otherwise. Settlement requests will be submitted under seal for the Promenade Trust and insurance trust.

At the moment, representatives for Riley Keough have not provided any comment following the settlement.

However, a source close to the family revealed that Riley is relieved to have resolved the estate dispute and wishes to avoid further conflicts with her grandmother.

The source added that Riley is still mourning the loss of her mother and wants to focus on creating cherished memories with her own daughter, making it her top priority.

“My family has resolved all confusion as it relates to our plea to the court and requests for document interpretation after my daughter Lisa Marie’s untimely passing,” Priscilla said in a statement shared exclusively with PEOPLE.

“Although some media identified such a plea as a lawsuit, I want to make clear that there was never any lawsuit filed against my beloved granddaughter.”

She continued: “As a family, we are pleased that we resolved this together. My family and I hope that everyone will grant us the privacy we need to properly grieve Lisa Marie and spend personal time together. We love and appreciate all of you and the Presley family is stronger than ever.”

Paul Stanley has sparked debate with his comments on providing children with care that is gender-affirming. The KISS symbol thus received criticism from a variety of sources. Ted Nugent, however, asserted that Stanley unleashed his “beautiful logic” with such words in a recent edition of The Nightly Nuge Show.

Stanley’s remarks on parents encouraging kids to doubt their gender identity sparked contentious discussions and, of course, negative responses. While some agreed with his opinions, others were dismayed and attacked him for appearing to embrace transphobic viewpoints. The controversy over Stanley’s comments immediately grew more heated, forcing the singer to live with the fallout from his beliefs.

Ted Nugent defended Paul Stanley on his Nightly Nuge show, adding that he loved the elegant reasoning underlying Stanley’s comments. Nugent commended Stanley’s work ethic and acknowledged his importance to the music business. Uncle Ted said that this time Stanley had struck the mark.

Ted Nugent stated the following about Paul Stanley:

“Well, Paul Stanley, number one, has a work ethic. And the industry and the world never really celebrate the incredible work ethic that James Brown taught us, the hardest-working man in show business. And KISS, and certainly Paul and Gene Simmons, and all the guys, they have an incredible, fire-breathing, animal, unstoppable, indefatigable work ethic.

So when you work your *ss off to put your heart and soul into being the best that you can be, providing the greatest products you can possibly come up with, the greatest performances every night, when you have that kind of logic-driven life, then logic will surface in other ways. And Paul Stanley just unleashed some beautiful logic.”

He went on to discuss Gene Simmons’ position on vaccinations:

“Once again, I love Gene, and I actually contacted him after he made that mistaken statement, and I let him know I still love him, but it was a really ridiculous, cruel, dishonest, totally misrepresentative statement that he said. But this time, Paul Stanley hit the nail on the head. So, yes, women should only compete against women, and men should only compete against men. Wow, that’s radical.”

Ted Nugent spoke forward to support Stanley’s claims despite the fact that many in the rock world disapproved of his ideas. It should be noted, though, that Stanley has modified his earlier statements in response to the outcry. Due to Nugent’s opinions on the transgender community, his performance in Alabama was postponed.

Global superstar and recently inducted Rock And Roll Hall Of Famer, Dolly Parton, is making waves in the music industry once again. This time, she has teamed up with some of the biggest names in rock music to create her first-ever rock album, aptly titled “Rockstar.” With an all-star lineup of musicians and a collection of 30 songs, including nine original tracks and 21 iconic rock anthems, Parton’s “Rockstar” is set to take the world by storm. The album is scheduled for a global release on November 17, and fans will be able to enjoy it in various formats, including a four-LP set, a two-CD set, digital download, and streaming services.

Inspired by Love: Dolly’s Tribute to Her Husband

In an interview with Today.com, Dolly Parton revealed that each song on “Rockstar” is inspired by her husband, Carl Dean. It turns out that Carl has a particular fondness for the legendary rock band LED ZEPPELIN’s timeless classic, “Stairway To Heaven,” which Parton decided to cover on the album. Interestingly, her first attempt at covering the track didn’t quite impress Carl. He humorously commented that her rendition was more like “Stairwell To Hell” than “Stairway To Heaven.” However, Dolly was undeterred by his opinion and decided to take on the challenge anyway.

Parton’s collaboration with Lizzo on “Stairway To Heaven” promises to be a remarkable highlight of the album. Additionally, she joins forces with her goddaughter Miley Cyrus on a rendition of “Wrecking Ball.” Fans can also look forward to hearing Parton’s unique interpretation of THE ROLLING STONES’ “Satisfaction,” featuring P!nk and Brandi Carlile. Other notable collaborations include Dolly and Elton John’s rendition of Elton’s 1974 hit “Don’t Let The Sun Go Down On Me,” as well as a duet with Chris Stapleton on Bob Seger and THE SILVER BULLET BAND’s “Night Moves.”

An All-Star Lineup of Musical Legends

Dolly Parton has assembled an impressive roster of musicians for her rock album. The list includes iconic artists such as Rob Halford from JUDAS PRIEST, Nikki Sixx and John 5 from MÖTLEY CRÜE, Steven Tyler from AEROSMITH, Joan Jett & The Blackhearts, Kid Rock, and Ann Wilson from HEART. Joining them are legendary figures like Paul McCartney and Ringo Starr from the BEATLES, Stevie Nicks from FLEETWOOD MAC, Peter Frampton, Pat Benatar, and Debbie Harry from BLONDIE. With such an extraordinary lineup, “Rockstar” promises to be an unparalleled musical experience.

“World On Fire”: A Powerful Message for Our Times

One of the original tracks on the album, “World On Fire,” was released on May 11. Dolly Parton expressed in a press release that she felt “inspired” to write this poignant song as it speaks to the current state of the world. The lyrics touch on various issues, particularly focusing on politics. Dolly sings, “Don’t get me started on politics / Now how are we to live in a world like this / Greedy politicians present and past / They wouldn’t know the truth if it bit ’em in the ass.”

When asked about the specific politicians she refers to in the song, Dolly answered, “All of them. Any of ’em.” She believes that many politicians prioritize their party’s interests over the needs of the people

The world of rock & roll is frequently packed with unnoticed behind-the-scenes activities. One such incident is Jimmy Page, the guitarist for Led Zeppelin, who was unhappy with the record’s cover art because it didn’t live up to his standards, and the band’s third studio album, “Led Zeppelin III.”

The band, or more precisely, Page, had a definite idea for the album’s cover while “Led Zeppelin III” was in the works. But for a variety of reasons, this vision didn’t come to pass as planned, leaving us disappointed.

In a direct admission made in a 1993 interview with Guitar World, Page said that the album cover image wasn’t exactly what he had in mind. Led Zeppelin III’s cover image did not be the only aspect of Page’s dislike for it. It was also about how it was made, how the artist and creator interacted with one other, and the final product, which was not what Page had first imagined.

Regarding the work for which he accepted responsibility, Jimmy Page said:

“A disappointment. I will take responsibility for that one. I knew the artist and described what we wanted with this wheel that made things appear and change. But he got very personal with this artwork and disappeared off with it. We kept saying, ‘Can we take a look at it? Can we see where it is going?’ Finally, the album was actually finished, and we still did not have the art. It got to the point where I had to say, ‘Look, I have got to have this thing.’

I was not happy with the final result — I thought it looked teeny-boppers. But we were on top of a deadline, so of course, there was no way to make any radical changes to it. There are some silly bits–little chunks of corn and nonsense like that. But it is no worse than my first meeting with an artist from Hipgnosis, who were the people that designed Pink Floyd covers.”

He also added, “We had commissioned them to design ‘Houses of the Holy,’ and this guy Storm came in carrying this picture of an electric green tennis court with a tennis racquet on it. I said, ‘What the hell does that have to do with anything?’ And he said, ‘Racket — don’t you get it?.’ I said, ‘Are you trying to imply that our music is a racket? Get out!’

We never saw him again. We ended up dealing with one of the other artists [laughs]. That was a total insult — racket. He had some balls! Imagine. On a first meeting with a client!”

Page’s remark made it plain that he was dissatisfied with how the album cover turned up in the end. He was dissatisfied with the cover’s teeny-bopper aesthetic since his vision for it was not accomplished. His connection with the artist, who turned the piece into something personal then vanished, only made things worse. Furthermore, it was unable to make any substantial alterations to the artwork due to the tight schedule.

Not only were they dissatisfied with the cover art for “Led Zeppelin III,” but they were also unhappy with the artwork for “Houses of the Holy,” where they were called “racket” by the artist. ‘Led Zeppelin III’ is still a masterpiece, and its cover image is essential to its identity, despite the displeasure with it.