The 10 Worst Led Zeppelin Songs Of All Time

Music fads and trends come and go, and artists may attempt to capitalize on a hot sound to stay in the public eye. Additionally, bands may create subpar music owing to a lack of innovative ideas or simply because they lack sufficient lyrical and production experience. Insufficient resources or a hurried production procedure may also be to blame. In any case, it’s critical for bands to take their time and give their music their all.

When it comes to Led Zeppelin, The band’s music has endured the test of time and they were one of the most influential and recognizable rock bands of the 20th century. Led Zeppelin’s music has always been hailed by critics and fans alike, from their thunderous blues rock of the late 1960s and 1970s to the genre-defying innovation of their latter works. Their catalog is filled with iconic albums like Led Zeppelin IV and arguably has no poor songs—only timeless classic rock anthems. Led Zeppelin’s music is ageless and will continue to be a significant part of rock history for many more years to come, whether you enjoy their hard rock, folk rock, or their more progressive moments.

Despite all this, there were some songs that stood out for how bad they were. We’ve listed out some of their worst songs and they are bad for some reasons.

Worst Led Zeppelin Songs

Moby Dick

The song starts off great and is a very worthy song to be on Led Zeppelin II. But it has been criticized as overlong and lacked direction. It runs for about eight minutes and veers through numerous sections and sub-sections. Additionally, the song features a lengthy drum solo by John Bonham that clocks in at about two minutes. The band’s lesser attempts in that area are sometimes cited as including Bonham’s solo, which has been critiqued for lacking the elegance of his other work. Even though John Bonham was undoubtedly a master drummer, he could not make a lengthy drum solo that was interesting to listen to.

The Lemon Song

One of the most well-known rock songs of all time is The Lemon Song, a single from Led Zeppelin’s 1969 album “Led Zeppelin II.” The song, however, has a number of lyrical and musical issues that keep it from being regarded as a masterpiece upon closer examination.

The Lemon Song’s lyrics are possibly its biggest shortcoming. The meaningless and jumbled lyrics by Robert Plant lack any true profundity. His vocal performance is also far from great; he frequently comes off as strained and out of tune. The Lemon Song’s musical execution is also far from ideal. The song’s structure and melody don’t vary much, making it repetitive and tedious. The relatively brief solo guitar segment doesn’t do anything to break up the monotony.

Walter’s Walk

Its primarily acoustic arrangements on the record didn’t fully mesh with its strong rock style with blues influences. The song’s lyrics, according to critics, seem out of place when compared to the other songs on the album, which all have more profound and artistic language. The song also struggled to distinguish since it lacked a catchy chorus and guitar solo. Overall, these elements work together to create Walter’s Walk one of Led Zeppelin’s least well-known and well-known songs.

Sick Again

This song sounds sleazy and pitiful. Sick Again” is a blues-rock track from the band’s 1975 album “Physical Graffiti”. Zeppelin was a particular favorite of the “baby groupies,” who were young teenage hangers-on, and he inappropriately influenced young girls sexually. Page purposely kept the 14-year-old girl hidden in his hotel room while they were actually having sex. Plant tried to make the case that he cared about these females and that the words to “Sick Again” were sympathetic to them, but it’s difficult to believe that when he repeatedly sings, “I’m the one you want / I got to be the one you need.”

Living Loving Maid

“Living Loving Maid” is a unique, upbeat rock song that has become a classic among fans of the band. Sadly, the song is very repatitive and fun fact, it is only about 2 minutes. The song gets repetitive even in such a short time. The triumphal, uplifting melody of the song can also seem out of sync with the lyrics, adding to the dissonance and the criticism.

Carouselambra

Since its release in 1979, Carouselambra has drawn a lot of criticism. Many reviewers contend that the song lacks narrative and direction since it is extremely long and doesn’t have the tight structure of previous Led Zeppelin tracks. Its instrumentation has also been criticized for being disorganized and unfocused, with numerous jumbled parts that lack musical coherence.

In the song’s middle, when Page’s guitar playing is normally excellent, the words are mixed far too low behind John Paul Jones’ dated synthesizer, giving the song’s first and last portions an unattractive, congested feel.

The Crunge

Due to its odd sound and lack of recognizable melodies, “The Crunge” is less well-known than other Led Zeppelin tracks. The song has a very distinctive sound with peculiar drum rhythms and the main riff played on a clavinet. The song lacks any recognizable hooks that most Led Zeppelin songs are renowned for because of the production approach, which is less suited to a catchy tune. Additionally, listeners frequently become perplexed by obscure references and cryptic lyrics. All of these aspects explain why “The Crunge” has not gained as much popularity as some of Led Zeppelin’s other timeless songs.

Royal Orleans

The song is about, bassist John Paul Jones who set fire to the Royal Orleans hotel in New Orleans after passing out in his hotel room after smoking a joint with a transsexual friend named Stephanie. Due to its meaningless lyrics and unnecessarily repetitious music, “Royal Orleans” has drawn a lot of flak. The song is made up of five verses that seem to be interchangeable and cover themes like fame, money, and love. The song’s musical components are equally unoriginal, with a monotonous and uninspired rhythm sound and a simple blues-rock guitar riff that falls flat.

I’m Gonna Crawl

The song examines the feelings and challenges of heartbreak. Robert Plant’s fervent vocal performance and a slow-moving yet captivating guitar riff are the song’s key driving forces. The song’s lyrics, which make references to crawling and pleading for love, express a man’s anguish and perplexity about being dumped by a lover. Plant sings in the song’s powerful chorus about his sorrow and confusion over the circumstances. Plant desperately tries to transform his cock rock character into something more delicate and charming, singing some of the least persuasive songs.

Candy Store Rock

This song illustrates the group’s distinctive take on the classic blues-rock style that first appeared in the late 1960s and early 1970s. The song begins with a steady, slow-building blues-rock beat that crescendo. However, the song’s overall arrangement is very straightforward, and the lyrics lack any real profundity or originality. The solo passage is very monotonous and devoid of any genuine musicianship or inventiveness. Overall, the song isn’t particularly noteworthy even though it may be a decent representation of Led Zeppelin’s blues-rock sound. It also lacks the band’s other songs’ depth and innovation.