TESTAMENT’s Chuck Billy confirms the band’s studio session for their new album. Drummer Chris Dovas shared a studio photo, hinting at the recording process. Billy expressed excitement, praising Dovas’s performance. The album’s creation faced delays due to the pandemic, but progress is underway, with guitarist Alex Skolnick discussing the songwriting sessions.
There’s no rush for the album’s release, ensuring quality. Dovas, stepping in for renowned drummers like Lombardo, feels the pressure but is dedicated to delivering. Eric Peterson praised Dovas’s talent and versatility.
The band’s new material is described as promising and diverse, with Peterson expressing enthusiasm. Lombardo’s involvement with other projects led to Dovas’s entry into TESTAMENT, where he proved himself during a tour.
In a flurry of tweets, Sebastian Bach didn’t hold back in addressing critics of his latest solo endeavor, ‘Child Within the Man.’
When Eddie Trunk praised the third track, ‘(Hold On) To The Dream,’ from the album, a fan raised concerns about Bach’s vocal quality. In response, Bach didn’t mince words, swiftly dismissing the critique and labeling the commenter as ignorant. Despite attempts to downplay the exchange, Bach remained steadfast in defending his artistic integrity.
As the debate unfolded, Bach continued to confront detractors, vehemently defending the merits of his new material. Refusing to be swayed by negativity, Bach doubled down on his confidence in the album’s success, particularly highlighting its widespread appeal evidenced by its online traction.
Amidst the criticism, there were moments of support, notably from Eddie Trunk, who hailed Bach’s solo efforts as “killer stuff.” Grateful for the endorsement, Bach expressed appreciation for Trunk’s acknowledgment, further cementing his belief in the album’s potential.
‘Bach ‘n’ Roll’ enthusiasts can anticipate the release of ‘Child Within the Man’ on May 10, marking Bach’s first full-length album since 2014’s ‘Give ‘Em Hell.’ With contributions from acclaimed guitarists John 5, Steve Stevens, and Orianthi, the album promises to be a dynamic addition to Bach’s extensive catalog. As Bach gears up for the North American leg of his tour, fans can expect a rejuvenated rock ‘n’ roll experience that defies expectations and keeps the spirit of music alive.
Uh oh, I hit a nerve. Don't be sensitive. Nobody sings now like they did when they were 27. Protools has it's benefits. In the new world of non-live performances, there is no shame using in-studio aids.
I actually liked Subhuman Race. You seem very angry.
Oh no. I am so sorry I hurt your feelings. I have seen you perform many times and I saw you on The Masked Singer. You were a shell of yourself. Then again what do I know I was trained by a former Katie Agresta student and record myself. Age impacts range.
This summer, Marilyn Manson is making waves with the announcement of three headline shows, marking his first solo gigs since 2019. The news comes hot on the heels of his recent tour announcement, where he’s set to join forces with Five Finger Death Punch and Slaughter To Prevail for a series of electrifying performances.
Amidst the anticipation surrounding Manson’s return to the stage, the rocker unveiled the exciting news via his social media platforms, accompanied by a striking new photoshoot that serves as a testament to his enduring presence in the music scene.
However, the tour announcement hasn’t been without its share of controversy. Given the backdrop of abuse allegations against Manson, particularly from his former fiancée, actress Evan Rachel Wood, there’s been significant backlash surrounding his resurgence. The allegations, coupled with Manson’s absence from the touring circuit for the past five years, have cast a shadow over his comeback.
In response to the criticism, Zoltan Bathory, guitarist of Five Finger Death Punch, addressed the concerns in a recent interview, emphasizing Manson’s return to sobriety and his renewed commitment to staying clean. Bathory highlighted Manson’s iconic status and expressed optimism about his reentry into the music scene, despite the tumultuous past.
Nevertheless, the allegations against Manson remain a poignant reminder of the complexities surrounding his legacy. As fans eagerly await Manson’s upcoming performances, the conversation surrounding accountability and redemption in the music industry continues to evolve, reflecting the broader cultural shifts taking place in society.
As Manson prepares to take the stage once again, the discourse surrounding his past actions serves as a sobering backdrop to his musical resurgence, prompting introspection and dialogue within the music community and beyond.
In a recent conversation with France’s Loud TV, Kerry King of SLAYER fame shared details about his upcoming debut solo album set to drop on May 17 under the banner of Reigning Phoenix Music. Titled “From Hell I Rise,” the album boasts exclusively original material penned by the seasoned 59-year-old guitarist. Joining King in the recording sessions were an illustrious ensemble featuring drummer Paul Bostaph (SLAYER), bassist Kyle Sanders (HELLYEAH), guitarist Phil Demmel (formerly of MACHINE HEAD), and Mark Osegueda (DEATH ANGEL) lending his vocals.
Overseeing the production at Henson Recording Studios in Los Angeles was none other than esteemed producer Josh Wilbur, renowned for his work with luminaries like KORN, LAMB OF GOD, AVENGED SEVENFOLD, and BAD RELIGION.
Reflecting on this new venture, King expressed a mix of amusement and gratitude at embarking on a solo career after four decades in the industry, noting the irony of his European debut coinciding with his 60th birthday at a venue that holds a unique significance in his history. Despite SLAYER’s hiatus from new studio releases since 2015 and live performances since 2019, King affirmed his unwavering commitment to his craft, asserting, “I’m obviously not done.” He emphasized his eagerness to continue creating music and engaging with audiences, even venturing into uncharted territory with a solo project.
Acknowledging the challenges of starting anew, especially after enjoying the comforts of established success, King admitted to the complexities of navigating the music business landscape afresh. However, his resolve remains unshaken, fueled by a sense of urgency to seize each opportunity and make the most of his artistic journey.
Regarding the lineup for his solo endeavor, King underscored the importance of camaraderie and familiarity, emphasizing his decision to collaborate with friends rather than merely seeking out renowned professionals. He expressed anticipation for the camaraderie and shared experiences that come with touring alongside trusted companions.
Reflecting on the recruitment process, King recounted the moment when he extended the offer to Osegueda, highlighting the genuine excitement and mutual respect that characterized their interaction. He marveled at Osegueda’s vocal prowess, noting his remarkable growth and adaptability during the recording process.
As anticipation mounts for “From Hell I Rise,” King provided insights into the album’s thematic elements, ranging from religious motifs to reflections on war, punctuated by an eclectic mix of punk, doom, and metal influences. With a plethora of unreleased material waiting in the wings, King assured fans that this solo endeavor is just the beginning of an ongoing creative odyssey.
Additionally, King announced his involvement as a special guest on the forthcoming LAMB OF GOD/MASTODON North American “Ashes Of Leviathan” co-headline tour, set to kick off in July. The tour will offer audiences a taste of King’s solo repertoire alongside performances by two heavy-hitting metal acts. King’s solo band will make its live debut with a club show at Reggie’s in Chicago on May 7, followed by appearances at the Welcome To Rockville and Sonic Temple festivals in May.
Sidney Wilson, son of Kelly Osbourne, just had his inaugural experience at a Slipknot concert, but it seems he found the heavy metal vibes more conducive to napping than headbanging.
Osbourne delightedly shared a snippet of Slipknot’s performance alongside a shot of her son catching some Z’s, humorously noting in the caption:
“Baby Sidney’s baptism into the world of concerts was none other than Slipknot!!! Passing on the legacy of my upbringing to my little one means the world to me. Raised on a diet of love, melodies, and the open road, it’s surreal to offer him the same musical pilgrimage. Rock runs through his veins! Still can’t believe he snoozed through most of it!!!”
But amidst the excitement of sharing this moment, it seems there’s a gentle reminder from Sid Wilson about maintaining a certain level of privacy regarding their son. In a conversation with Allison Hagendorf earlier this month, Osbourne revealed:
“I have to tread carefully because Sid isn’t too keen on me oversharing about our son on social media. He’s more reserved and private, whereas I’m a bit of an open book. I’ve gotten a slap on the wrist for that. So, I’m mindful of what I reveal.”
She added:
“There are boundaries. I don’t spill everything. Some things are sacred between me and his dad.”
However, this isn’t the first time the couple has butted heads over parenting decisions. In a candid moment on The Osbournes Podcast back in February 2024, Osbourne recounted a major disagreement with Sid regarding their son’s surname:
“This is a touchy subject, one I never anticipated discussing publicly, but here we are. The biggest row Sid and I have ever had, and probably ever will, was about naming our son. I advocated for both our last names, but he wouldn’t budge. It led to a major standoff. I felt coerced into a decision I didn’t agree with, and that’s something I can’t just let go of. But we’re working through it.”
The Slipknot show attended by Osbourne and her son took place at Pappy + Harriet’s in Pioneertown, California, serving as a prelude to the band’s upcoming performance at the Sick New World festival in Las Vegas. Notably, this gig marked the debut of their new drummer, although the band has yet to officially confirm his identity, leaving fans speculating, with many pointing to Eloy Casagrande.
In a recent discussion with Sweetwater, Pantera bassist Rex Brown delved into the decision to embark on the road with a reimagined version of the band, revealing a profound sense of connection with the departed spirits of Vinnie Paul and Dimebag Darrell.
Brown recounted moments onstage where he sensed the ethereal presence of the late band members, describing it as a chilling sensation:
“At our last show, I experienced something eerie, like a sudden chill passing by. It felt like a cold presence enveloping me. I’ve felt this a few times before. When Charlie and I were recording, before Zakk joined us, we put in countless hours fine-tuning the bass and drums. There was this same inexplicable chill.”
Referring to these sensations as “angels,” Brown expressed his belief that Vinnie Paul and Dimebag Darrell are watching over and approving of the band’s current endeavors:
“To me, they’re like guardian angels. I believe you know who I’m talking about. I sense that they’re watching over us, alongside us, and they’re pleased with what they see. That’s the only way I can make sense of it, as we strive to emulate their spirit with Charlie and Zakk. And let me tell you, it’s getting better and better. There’s so much untapped potential for us to become even tighter.”
Interestingly, Zakk Wylde, who joined Pantera for their resurgence in 2022, echoed similar sentiments about receiving signs and messages from Dimebag Darrell urging the band’s reunion. In an interview with On The Record, Wylde recounted the unmistakable signs he encountered:
“Even during rehearsals and preparations for the tour, there were signs everywhere, like license plates with the number 333 or chance encounters with Dimebag-themed plates. It felt like he was guiding us, pushing us toward this reunion. He’s always present, nudging us forward.”
Mötley Crüe has made headlines with the revelation of their latest track, ‘Dogs of War,’ marking a significant milestone in their journey since Mick Mars’ departure.
The band’s social media platforms erupted with anticipation as they unveiled a striking image portraying the members transformed into zombie-like figures amidst a post-apocalyptic backdrop. Nikki Sixx echoed the excitement with a poignant message on his official account, heralding the dawn of a new era:
“The return of Mötley Crüe signals the onset of an exhilarating new chapter with our latest single ‘Dogs of War.’ Now available for pre-order! Set to hit all platforms on April 26th. Big Machine Records proudly embraces the world’s most notorious band. Link in bio.”
With the release date set for Friday, April 26th, the promotional image, bathed in a haunting yellow hue, bears the band’s name alongside the title of the new anthem. Sixx further teased fans with his enthusiasm for the track, sharing his satisfaction during a recent rehearsal:
“‘Dogs of War’ sounded phenomenal during today’s rehearsal.”
In a groundbreaking move, Mötley Crüe also revealed their alliance with Big Machine Records, a development underscored by a shared post on social media. The record label’s announcement heralded the triumphant return of the iconic band, setting the stage for a thrilling comeback:
“Big Machine Records proudly presents the resurgence of ‘The World’s Most Notorious Rock Band,’ Mötley Crüe! This marks the inception of an electrifying new era for the legendary Crüe! Pre-save their latest single, ‘Dogs of War,’ NOW! Available on April 26th. This release signals the thrilling resurgence of the iconic group, marking their first original material since 2019. Pre-save now at the link in bio!”
The anticipation for new music from Mötley Crüe has been mounting, with ‘Dogs of War’ representing another collaboration with guitarist John 5, who contributed to three tracks on ‘The Dirt’ movie soundtrack. The addition of John 5 to the lineup in 2022, following Mick Mars’ retirement from touring due to health concerns, has injected fresh energy into the band’s creative process.
As the band gears up for a string of high-profile performances this spring and summer, including appearances at Welcome To Rockville, Festival D’été De Québec, Louder Than Life, and Aftershock, fans can expect an electrifying showcase of their enduring legacy. With their next show scheduled for May 3rd in Atlantic City, New Jersey, Sixx emphasizes the benefits of short tours, ensuring the band remains active and engaged with their audience throughout the year.
Sebastian Bach opened up about his decision to unfollow Lzzy Hale on Instagram in a candid and heartfelt statement.
During a recent conversation with Screamer Magazine, the interviewer broached the topic of Bach’s social media activity, particularly his choice to cease following Hale after news surfaced that she would be stepping in as Skid Row’s vocalist for upcoming performances. Bach’s response was laden with emotion, revealing the depth of his feelings:
“After witnessing nine replacements step into my shoes, perhaps the prospect of a tenth was simply too much to bear. Do people consider how that might affect me? I poured the best years of my life into building the Skid Row brand, only to see it passed around like a commodity. Maybe I just didn’t want to be reminded of it anymore. Let them revel in what were the peak years of my career; meanwhile, I’m focused on creating rock ‘n’ roll that stands tall against anything I’ve ever produced. That’s where my energy lies.”
It’s evident that Bach’s decision to unfollow Hale stemmed from a place of deep-seated emotion, reflecting the complex dynamics surrounding his tenure with Skid Row.
In a recent development, Skid Row announced the departure of Erik Grönwall from the band due to health concerns. In a joint statement, they revealed that Lzzy Hale would be stepping in as vocalist for the upcoming shows.
Grönwall later addressed his exit in a poignant Facebook post, citing his health as the primary reason for his departure and emphasizing the importance of prioritizing his well-being and recovery.
Meanwhile, in an interview with Terrie Carr of the Morristown, Hale hinted at the possibility of extending her tenure with Skid Row beyond the initial four shows. This revelation comes in the wake of Bach expressing his desire to reunite with the band, believing it to be a debt owed to their loyal fanbase. The intertwining narratives of past members, current developments, and future aspirations add layers of complexity to the ongoing saga of Skid Row’s evolution.
Guitarist Wolf Hoffmann of Accept has shattered stereotypes by showcasing that being a metal musician doesn’t mean you’re confined to metal alone in your musical tastes.
In a recent exchange with A&P-Reacts, Hoffmann was probed about his exploration of new bands and genres beyond the realms of metal. His response was a revelation:
“I rarely delve into metal, if ever. It’s peculiar, isn’t it? I appreciate music, but my playlist rarely features metal. Occasionally, I’ll indulge in some classics like old Uriah Heep or vintage Deep Purple, but aside from that, metal isn’t my go-to. It’s just not my cup of tea, I’m afraid. Despite creating metal, I don’t consume it avidly. It’s a curious paradox.”
Accept’s reluctance to embrace the heavy metal label in their early days is another intriguing facet of their journey.
In a separate dialogue with Rockklassiker, Hoffmann elaborated on their initial aversion to being pigeonholed as heavy metal pioneers:
“There’s always been this notion that we were among the first heavy metal bands to emerge from Germany. Yet, in the early ’80s, when ‘heavy metal’ started gaining traction as a term, we were skeptical. It felt somewhat cheap, you know? Initially, I wasn’t keen on being labeled heavy metal. But eventually, it stuck.”
Reflecting on their stance then and now, Hoffmann mused:
“Today, ‘metal’ seems to encompass a vast spectrum of sounds. Back then, it was ambiguous. We hesitated. But eventually, we owned it. If anyone embodies heavy metal, it’s us.”
Ozzy Osbourne, the iconic heavy metal legend, has expressed his determination to visit the famous BLACK SABBATH Bench on Broad Street in Birmingham, his hometown.
In a recent video interview with his wife Sharon, Ozzy shared his excitement about seeing the bench, even stating he would “crawl there” if necessary.
Reflecting on his childhood in Birmingham, Ozzy reminisced about minding cars for tips during Aston Villa’s matches, highlighting his deep-rooted connection to the city.
Sharon, in a gesture of gratitude, sent the exclusive video to Mike Olley, the general manager of Westside BID, who played a significant role in creating and maintaining the bench.
In the video, Ozzy expressed his gratitude for the recognition of BLACK SABBATH’s legacy in Birmingham, emphasizing the significance of the bench as a tourist attraction.
The conversation turned nostalgic as Ozzy shared memories of Aston and his experiences during football matches, adding a personal touch to his anticipation of visiting the bench.
Sharon and Ozzy discussed plans to make a day out of the visit, mentioning boutique hotels and a possible beer, although Sharon jokingly insisted on water for Ozzy.
In closing, Ozzy thanked Mike Olley for his efforts, expressing heartfelt gratitude for the bench and its meaning to him.
